Guillermo Rosales - The Halfway House

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Never before available in English,
is a trip to the darkest corners of the human condition. Humiliations, filth, stench, and physical abuse comprise the asphyxiating atmosphere of a halfway house for indigents in Miami where, in a shaken mental state, the writer William Figueras lives after his exile from Cuba. He claims to have gone crazy after the Cuban government judged his first novel “morose, pornographic, and also irreverent, because it dealt harshly with the Communist Party,” and prohibited its publication. By the time he arrives in Miami twenty years later, he is a “toothless, skinny, frightened guy who had to be admitted to a psychiatric ward that very day” instead of the ready-for-success exile his relatives expected to welcome and receive among them. Placed in a halfway house, with its trapped bestial inhabitants and abusive overseers, he enters a hell. Romance appears in the form of Frances, a mentally fragile woman and an angel, with whom he tries to escape in this apocalyptic classic of Cuban literature.
“Behind the hardly one hundred pages,”
stated, “is the work of a tireless fabulist, a writer who delights in language, extracting verbs and adjectives which are powerful enough to stop the reader in his tracks.”

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I kiss her face.

“Goodbye, Haidee,” I say, backing away toward the front door.

“See you tomorrow,” she says, waving from the door.

I go back out onto the street. The sun is setting. I stop on the sidewalk for a few moments and take a deep breath. I smile. I’d like to have Frances with me right now and hug her tightly. Slowly, leisurely. I go back to the halfway house.

I get to the halfway house around six in the evening. Mr. Curbelo has left and at his desk sits Arsenio, who’s in charge, with his ever-present can of Budweiser in hand.

“Hey, Mafia,” he says when he sees me come in. “Sit down a while here. Let’s talk.”

I sit in a chair by him. I look at his face. Although I find him intensely repulsive, I feel a little pity. He’s only thirty-two-years old and the only thing he knows how to do is drink beer and play numbers. His dream is to win a thousand dollars all at once and then …

“If I win, Mafia, if number 38 comes out tonight, I’ll buy a truck and start a business picking up old boxes. Do you know how much they pay for a ton of cardboard? Seventy dollars! Do you want to work with me on that truck?”

“First, number 38 has to win,” I say. “Then, I’m sure you’ll drink the thousand dollars in one day.”

He bursts out laughing.

“I would stop drinking,” he says. “I swear I would stop drinking.”

“You’re already lost,” I say. “You’re an animal, my dear friend.”

“Why?” he says. “Why don’t you respect me, Mafia? Why doesn’t anyone love me?”

“Your life is a mess,” I say. “You’ve settled in here, in this filthy house. If you need two bucks, you steal from the nuts. If you feel like being with a woman, you screw Hilda, that decrepit old hag. Curbelo exploits you, but you’re happy. You beat the nuts up. You give orders like a drill sergeant. You lack creativity.”

He laughs again.

“One day I’ll crown!” he says.

“What do you mean by ‘crown’?” I say.

“Crown means, in old criminal speak, you make a major hit. Steal something big. One hundred thousand. Two hundred thousand. Here, as you look at me, I’m planning a big hit. And I’ll crown. I’ll crown! And then I’ll say to you, ‘Here, Mafia, have two hundred dollars. Do you need more? Take three hundred!’”

“You’re a dreamer,” I say. “Drink. It’s the best you can do.”

“You’ll see!” he says. “You’ll see me around Miami — twenty gold chains around my neck with a hot blonde at my side! You’ll see me in a Cadillac Dorado! You’ll see me with a three-thousand-dollar watch and a six-hundred-dollar suit. You’ll see me, Mafia!”

“I hope you crown!” I say.

“You’ll see me.”

I stand up, I make a half turn and walk toward the women’s room. When I get there, I softly nudge the door and go inside. Frances is on her bed, putting her clothes in two paper bags. I go over to her and hug her gently around the waist. I kiss her neck.

“My angel!” she says. “Did you see that woman? Did you get the house?”

“Yes,” I say. “Tomorrow at this time, we’ll be sleeping in a clean delicious bed.”

“Oh, my God!” she says, looking up at the ceiling. “Oh, my God!”

“A dining room.” I say. “One bedroom. A kitchen. A bathroom. All of it clean, pretty, freshly painted. All for us.”

“My angel, my angel!” she says. “Kiss me!”

I kiss her on the mouth. I squeeze one of her breasts through her dress. She smells good. If she weighed a few more pounds and took better care of herself, she’d be pretty. I lay her down gently on the bed. I remove her shoes. I go to the door and lock it. She takes her own clothes off this time.

“Tomorrow …,” I say as I enter her slowly. “Tomorrow we’ll be doing this in our own house.”

“My angel …,” she says.

I dreamt that I was in Havana again, in a funeral parlor on Calle 23. I was surrounded by numerous friends. We were drinking coffee. All of a sudden, a white door opened and in came a casket on the shoulders of a dozen wailing women. One of my friends elbowed me in the ribs and said, “They’re bringing in Fidel Castro.”

We turned around. The old ladies placed the coffin in the middle of the room and left, weeping hysterically. Then the coffin opened. Fidel stuck a hand out first. Then the top half of his body. Finally all of him emerged. He smoothed his full-dress uniform and approached us, a smile on his face.

“Isn’t there any coffee for me?” he asked. Somebody gave him a cup.

“Well, we’re already dead,” Fidel said. “Now you’ll see that doesn’t solve anything, either.”

I wake up. It’s morning already. It’s the big day. In three hours the social security checks will arrive and Frances and I will leave the halfway house. I jump out of bed. I grab the filthy towel and a sliver of soap and head for the bathroom. I wash up. I urinate. I leave the towel and the soap in the bathroom knowing that I won’t need them anymore. I head for the living room. The nuts are having breakfast, but Frances is there, sitting in a corner next to the TV.

“I couldn’t sleep,” she says. “Let’s leave now!”

“We have to wait,” I say. “The checks are coming at ten.”

“I’m scared,” she says. “Let’s leave now!”

“Calm down,” I say. “Calm down. Did you already get your things together?”

“Yes.”

“Then calm down,” I say, kissing the top of her head.

I look at her. Just thinking that this afternoon I will be making love to her in a clean soft bed makes me hard.

“Calm down,” I say, sticking my hand down her dress and gently squeezing a breast. “Calm down.”

I let go. I stick my hand in my pockets and find that I have two quarters left. Great. I’ll drink some coffee. I’ll buy a newspaper and I’ll spend the next two hours, until the checks arrive, sitting on some bench. I kiss her on the mouth. I head out to the corner diner.

It’s a beautiful morning. For the first time in a long time I look at the blue sky, the birds, the clouds. Drinking coffee — lighting up a cigarette — flipping through today’s newspaper: all suddenly become delicious things to do. For the first time in a long time I feel the weight is falling off my shoulders. Like my legs can run. Like my arms could test their strength. I take a rock from the street and throw it a long way, toward a barren field. I remember that when I was a kid, I was a good baseball player. I stop. I inhale the morning’s fresh air. My eyes fill with tears of happiness. I get to the diner and order coffee.

“Make it good,” I tell the woman.

The woman makes it with a smile on her face.

“Special, for you,” she says, filling the cup.

I drink it in three sips. It’s good. I ask for a newspaper, too. The woman brings it. I pay. I turn around, looking for a clean quiet spot. My eyes settle on a white wall, by the shade of a tree. I go and sit there. I open the newspaper and start to read. A feeling of peace washes over me.

SPURNED EX-BOYFRIEND KIDNAPS, GAGS AND KILLS HER.

DEATH THREATENS DARING HELICOPTER PILOTS IN THE DARK.

RUSSIAN LEADER PROPOSES A FAREWELL TO ARMS.

Someone stands over me. I raise my head. It’s Frances. She followed me. She sits next to me. She takes me by the arm. She buries her head in my chest and stays still for a few seconds.

“The mailman arrived,” she murmurs finally.

“Do you know if he brought the checks?”

“I don’t know,” she says. “That man … Curbelo, he grabbed the envelopes.”

“Let’s go!” I say.

I leave the newspaper on the wall and stand up. I lift her gently by the arm. She’s shaking.

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