Thank you to my family for their continued faith in me, especially my mother, who helped me write my first query letter to a publisher at age eight and provided me a steady supply of typewriters each time one ran out of ink.
I would not have completed this book without the encouragement and feedback of the faculty at the University of Nebraska — Lincoln, especially Jonis Agee, the late Gerald Shapiro, Judith Slater, Amelia Montes, and Margaret Jacobs. Thank you to Tim O’Brien and my friends in his 2008 residency, whose initial questions urged me to continue writing beyond the first chapter. Thank you to David Mura and the folks in the VONA/Voices Workshop for their community. A warm thanks to Susan Hubbard, whose character sketch assignment led to the earliest incarnation of Job Ogbonnaya over a decade ago.
A big thanks to the estates of Louise VanSickle, Wilbur and Elizabeth Gaffney, the University of Nebraska Office of Graduate Studies and the Presidential Fellowship committee, the faculty and staff at the University of Dayton, and the esteemed Herbert Woodward Martin, for whom the Herbert W. Martin Postgraduate fellowship is named. Your generous support enabled me to steal away the hours to write.
And a very special thanks to Anitra Budd and Lisa Kopel, who always believed in the vision of the book and whose insights were invaluable.
Excerpts have appeared in the Kenyon Review, the Tampa Review, and Passages North.
The mission of Coffee House Press is to publish exciting, vital, and enduring authors of our time; to delight and inspire readers; to contribute to the cultural life of our community; and to enrich our literary heritage. By building on the best traditions of publishing and the book arts, we produce books that celebrate imagination, innovation in the craft of writing, and the many authentic voices of the American experience.
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Coffee House Press is an independent, nonprofit literary publisher. All of our books, including the one in your hands, are made possible through the generous support of grants and donations from corporate giving programs, state and federal support, family foundations, and the many individuals that believe in the transformational power of literature. We receive major operating support from Amazon, the Bush Foundation, the McKnight Foundation, and Target. This activity is made possible by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund. Our publishing program is also supported in part by the Jerome Foundation and an award from the National Endowment for the Arts. To find out more about how NEA grants impact individuals and communities, visit www.arts.gov.
Coffee House Press receives additional support from many anonymous donors; the Alexander Family Fund; the Archer Bondarenko Munificence Fund; the Elmer L. & Eleanor J. Andersen Foundation; the David & Mary Anderson Family Foundation; the E. Thomas Binger & Rebecca Rand Fund of the Minneapolis Foundation; the Patrick & Aimee Butler Family Foundation; the Buuck Family Foundation; the Carolyn Foundation; Dorsey & Whitney Foundation; Fredrikson & Byron, P.A.; the Lenfestey Family Foundation; the Mead Witter Foundation; the Schwab Charitable Fund; Schwegman, Lundberg & Woessner, P.A.; Penguin Group; the Private Client Reserve of US Bank; VSA Minnesota for the Metropolitan Regional Arts Council; the Archie D. & Bertha H. Walker Foundation; the Wells Fargo Foundation of Minnesota; and the Woessner Freeman Family Foundation.
THE PUBLISHER’S CIRCLE OF COFFEE HOUSE PRESS
Publisher’s Circle members make significant contributions to Coffee House Press’s annual giving campaign. Understanding that a strong financial base is necessary for the press to meet the challenges and opportunities that arise each year, this group plays a crucial part in the success of our mission.
PUBLISHER’S CIRCLE MEMBERS INCLUDE:
Many anonymous donors, Mr. & Mrs. Rand L. Alexander, Suzanne Allen, Patricia Beithon, Bill Berkson & Connie Lewallen, Robert & Gail Buuck, Claire Casey, Louise Copeland, Jane Dalrymple-Hollo, Mary Ebert & Paul Stembler, Chris Fischbach & Katie Dublinski, Katharine Freeman, Sally French, Jocelyn Hale & Glenn Miller, Jeffrey Hom, Kenneth & Susan Kahn, Kenneth Koch Literary Estate, Stephen & Isabel Keating, Allan & Cinda Kornblum, Leslie Larson Maheras, Jim & Susan Lenfestey, Sarah Lutman & Rob Rudolph, Carol & Aaron Mack, George Mack, Joshua Mack, Gillian McCain, Mary & Malcolm McDermid, Sjur Midness & Briar Andresen, Peter Nelson & Jennifer Swenson, Marc Porter & James Hennessy, E. Thomas Binger & Rebecca Rand Fund of the Minneapolis Foundation, the Rehael Fund-Roger Hale & Nor Hall of the Minneapolis Foundation, Jeffrey Sugerman & Sarah Schultz, Nan Swid, Patricia Tilton, Stu Wilson & Melissa Barker, Warren D. Woessner & Iris C. Freeman, and Margaret & Angus Wurtele.
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ALLAN KORNBLUM, 1949–2014
Vision is about looking at the world and seeing not what it is, but what it could be. Allan Kornblum’s vision and leadership created Coffee House Press. To celebrate his legacy, every book we publish in 2015 will be in his memory.
Mr. and Mrs. Doctor was designed at Coffee House Press, in the historic Grain Belt Brewery’s Bottling House near downtown Minneapolis. The text is set in Garamond with Century Gothic used as display.

Julie Iromuanya’s work has appeared in Tampa Review, Passages North, the Kenyon Review, and Cream City Review, among other publications. She earned her PhD from the University of Nebraska — Lincoln and is currently an assistant professor at Northeastern Illinois University, where she teaches creative writing and Africana literature. Mr. and Mrs. Doctor is her first novel.