Adam Haslett - Imagine Me Gone

Those pesky ladies it’s so hard to keep from bitching at you? Training officer’s feminism missing and presumed dead.

11. After thanking us for sharing, Gus briefed us on the rules of engagement: This was not a free-fire zone, we were to limit collateral damage, and leave no one behind. That understood, what, he wanted to know, were present conditions? Mom reported that she was just glad to have us all home. And that she wished I didn’t have to take so many pills. So that was helpful. Also, she had noticed that Gus had graduated from Bowdoin, and wondered if he had studied with Maureen Durant-Draper, the archaeologist, who had been a classmate of hers at Smith. She’s done a lot of work on Constantinople, Mom said, I don’t know if you ever came across her? Junior ranks of the unit slumped, defeated, in their chairs. As you can see, Mom said to Gus, my children are fond of being exasperated. Gus turned to the grunts to ask what bothered us about the mother ship’s inquiry. I’m supposed to be more serious, Mom said, answering for us. But we’re not here to talk about me, she went on, it’s what

they

have to say that’s important.

12. Seeing the operation going sideways, Celia redirected us to the core mission. Conversation ensued regarding the long half-life of Dad. I had no objection to this other than my virtually blank memory of him as a person. That Mom should remember her husband made sense. But why Celia and even Alec the Younger should have such vivid recall of him while I, who knew him longest, have trouble even picturing his face I couldn’t rightly say. The three of them proceeded to be moved by painful memories. Listening to them was mesmerizing. They cried like they had that afternoon I returned from England to Walcott with Peter Lorian, after Dad died, and I had watched them leaning against each other on the couch in the living room, their grief seemingly intensified at the sight of me. Hearing their collective weeping again in Gus’s office, I thought that in the force of their feelings there might be a way back for me. Into the time before I fled the house, before I left them there, blind to the coming evil that I alone had seen. A chance to somehow repent for my cowardice by joining them now. And yet as mesmerizing as their emotion was, it reached me like the sound of a record played low in another room, a world of meaning beckoning me to a closed door.

13. If I had just woken up earlier that morning, Alec was saying to Gus, I could have spoken to Dad, and maybe he wouldn’t have left. Dear, Mom said, you can’t think like that. And then without warning, Alec was speaking about me, saying how much he worried about my life, how he wished things could be easier for me, and Celia was silently agreeing with him, rocking her whole body back and forth, biting her lower lip, trying not to cry again. Mom put her hand on my knee. It’s hard for Michael, she explained to Gus. And it’s hard for us to know what to do. Gus looked across the coffee table at me. They seem very concerned about you, he said. How does that feel?

14. There is a point in all wars of attrition when the combatants begin to suspect that their purpose is not at all what they believed it to be, that in fact the war is its own organism, of which they are merely the cells, and that its sole drive is to go on forever. Depending on the hour, the insight either maddens or clarifies, sending you into despair, or clearing your vision by releasing you from the bonds of hope.

15. Time had fled. Our session was ending. In his concluding remarks, Gus appeared genuinely excited at the complexity of the unit’s issues. He said there was a lot to work with, and that his office stood ready to complete the retraining if we were willing and able. Afterwards, we went to a Japanese restaurant. Mom asked us what sashimi was. I drank pilsners. The order to stand down was never given. Later, under cover of darkness, we commenced our retreat.

There were no shades on his windows. Lying on his bed I could see across the street to the roofs of the buildings opposite, to the water towers and stovepipes silhouetted against clouds backlit by the moon, a picture of some old New York, a movie-set picture, as if we’d met the old-fashioned way, in a bar, and were a couple of kids who’d wound up here on a drunken lark.

His bed was pressed into the corner, against the windowsill, leaving just enough room for the closet door to open. Above the Ikea dresser, postcards of minimalist paintings and geometric tiles were thumbtacked to the wall. He had gone into the only other room of the apartment to get his computer. It was already two in the morning. An hour earlier and I might have salvaged the following day, but it was close to shot now. Seth was his name.

“What are you doing?” I asked, when he climbed back onto the bed with his laptop.

“I want to play you a song,” he said.

A song? How credulous, I thought, at this stage. We’d kissed and helped each other come in the usual imitation of porn — a warming exercise of sorts, trying to clear away the awkwardness of anonymity to see if there might be conversation. We’d been lying in bed awhile now, chatting, which surprised me — that neither of us had balked yet.

His pics had deceived less than most. He’d said he was twenty-eight and he looked about that. For his face shot, he’d employed the standard attitudinal glare, meant to signal languid indifference, a mix of attempted intimidation and reassurance that hooking up would involve no entanglements because he didn’t need anything more than that, being otherwise self-contained and perhaps already boyfriended. It was the safest way to go about all of this, conceding nothing of your desire beyond the moment at hand. The jacked-up brain state of skimming pics and profiles and the eventual orgasm — with someone else, or alone if you bagged out and got off to a video clip instead — were narcotic enough to skip you over the grinding moments of outright deception, the encounters cut short at the front door.

“It’s a Vanessa Smythe song,” he said, scrolling through a playlist.

Sidelong, in the light of the screen, his face was gentler than the image that had got me to click on him. His eyes and mouth had an indefinite quality, a pliancy, which had distracted me as we were getting off. He wasn’t, in fact, intimidating. And for a moment I’d hated him for it, for being softer than his ad. Though at the same time it made me curious. His fine black hair needed a cut. He was unshaven, but not, it seemed, for fashion’s sake. There was something particular about him, a lack of the usual guardedness. Already I’d stayed longer than I’d intended, and still felt no urge to leave.

“Do you know her stuff?” he asked.

“No,” I said. My music had always come from Michael. I’d never developed my own habit of finding new things to listen to. If he didn’t share or mention something, it passed me by. For a long time that had meant being effortlessly ahead of the curve as he sent me tapes, then CDs, then audio files of what he was listening to, but he’d done less of that since the whole Bethany episode, which was already five years ago now, and my collection had grown dated.

“Take a listen,” Seth said.

The opening notes of a jazz standard filled the little room. A live recording of a piano ambling in a minor key, accompanied by a horn, summoning the ease of some velvet banquette in a ’40s nightclub. Then came a woman’s low, tentative voice, singing the occasional line slipped in between the motions of the players, as if hesitant to interrupt. I wasn’t a big jazz fan, but the tune was pleasantly melancholic. I was trying to let go of how late it was, to give up on tomorrow, and the music helped. A slow beat entered the mix, a snare, then a bass, and eventually a few strings, creating a swirling sound. It was the reworking of a standard, not a classic rendition. When the piano expanded its range the singer seemed to take it as permission to let in more feeling, in the last words of a line, swinging a note, holding it an instant longer than the line before.