Elizabeth McCracken - Niagara Falls All Over Again

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Spanning the waning years of vaudeville and the golden age of Hollywood,
chronicles a flawed, passionate friendship over thirty years, weaving a powerful story of family and love, grief and loss. In it, McCracken introduces her most singular and affecting hero: Mose Sharp — son, brother, husband, father, friend… and straight man to the fat guy in baggy pants who utterly transforms his life.
To the paying public, Mose Sharp was the arch, colorless half of the comedy team Carter and Sharp. To his partner, he was charmed and charming, a confirmed bachelor who never failed at love and romance. To his father and sisters, Mose was a prodigal son. And in his own heart and soul, he would always be a boy who once had a chance to save a girl’s life — a girl who would be his first, and greatest, loss.
Born into a Jewish family in small-town Iowa, the only boy among six sisters, Mose Sharp couldn’t leave home soon enough. By sixteen Mose had already joined the vaudeville circuit. But he knew one thing from the start: “I needed a partner,” he recalls. “I had always needed a partner.”
Then, an ebullient, self-destructive comedian named Rocky Carter came crashing into his life — and a thirty-year partnership was born. But as the comedy team of Carter and Sharp thrived from the vaudeville backwaters to Broadway to Hollywood, a funny thing happened amid the laughter: It wasMose who had all the best lines offstage.
Rocky would go through money, women, and wives in his restless search for love; Mose would settle down to a family life marked by fragile joy and wrenching tragedy. And soon, cracks were appearing in their complex relationship… until one unforgivable act leads to another and a partnership begins to unravel.
In a novel as daring as it is compassionate, Elizabeth McCracken introduces an indelibly drawn cast of characters — from Mose’s Iowa family to the vagabond friends, lovers, and competitors who share his dizzying journey — as she deftly explores the fragile structures that underlie love affairs and friendships, partnerships and families.
An elegiac and uniquely American novel,
is storytelling at its finest — and powerful proof that Elizabeth McCracken is one of the most dynamic and wholly original voices of her generation.

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Tansy shrugged. “He’s trying to cash in on that Elvis Presley fad.”

“Uh-huh. Rebel without a comb.” (It was 1956. Presley had just made it big. I didn’t think that would last either.)

“That’s the look, ” Tansy said. “He’s supposed to.”

“Okay.”

“I still can’t believe the two of you split,” said Tansy. “I always thought you’d be like Smith and Dale, together forever. No way you’ll reteam? Not even for a one-time thing? He could use the money. I’ve got some offers from Vegas.”

“No,” I said. Then I thought, and said more tentatively, “No, I don’t think so. How bad is it, the money thing?”

Tansy grimaced, shook his head. To say anything aloud would be indiscreet, which seemed silly since I’d known for years what the guy made. Twenty percent more of the salary than me, that’s what he made.

Still, I sometimes pined for him. Not the act, the fat guy in the striped shirt, but Rocky himself. Occasionally, Jessica or Tansy would drop his name, and I’d simply shake my head, because I realized I could be talked into seeing him, and if I saw him I’d forgive him, and if I forgave him, he’d whip out the mortarboard he’d just happened to be holding behind his back. No. He’d threatened my wife . I had to keep myself stubborn.

“Not yet,” I said.

“Yet!” said Tansy, as happy as I’d seen him since he landed us the Broadway show.

“No time soon,” I said quickly.

“Mose.” Tansy took off his glasses. Of all the people I knew, he had aged the least; he’d been such a middle-aged little man all his life. The squintiness that had made him mouse-ish when I met him now made him look shrewd. Like an honest lawyer. A prosperous one. Now he had dozens of clients. I always liked to think he loved me best, because he had known me longest. I would have done anything for the guy. “Mose,” he said again, “call him.”

“Tansy—”

“Not for business. Just as a friend. He needs it these days. He’d call you, but he’s afraid you’ll snap his head off.”

“I might.” I played with a giant crystal paperweight on Tansy’s desk. It weighed about a billion pounds, though it looked like plain old glass to me. “Snap his head off, I mean. Okay. All right. I guess.”

“You’ll call?”

“I’ll call.”

He wrote down Rock’s new phone number on a piece of paper and slid it across the blotter.

So I did call, after several hours of approaching the phone in my den and then walking away. What could it hurt? I asked. Everything, I replied. A hotel operator answered the number. She put me through. He was in. I yanked the phone away from my ear to hang it up, and immediately brought it back, clonking myself in the temple. I cleared my throat.

The guy recognized even that. “Mose,” he said, “what’s wrong,” as though he was still the person I’d call in an emergency.

“Hey, Rock,” I said.

“What’s wrong,” he repeated.

“Nothing. Everything’s fine.” I cleared my throat again. I’d expected to ease into a casual conversation. “It’s just that I was over at Tansy’s office.”

“Yeah?” Rock said.

This was a stupid thing to do on the telephone. I should have had Tansy arrange a lunch. Even that might have been too much: I should have had Tansy tell Rock, “Mose hopes you’re okay.” We could have worked up from there.

“Well,” I said, “Tansy and I got to talking.”

“That’ll happen,” said Rocky.

“Yes, and — well, he was just saying it was a shame we broke up—”

“Professor,” said Rocky excitedly. I could hear him pacing in his hotel room. I wondered how swank or low a place it was. “You’re killing me here. Just tell me what you guys came up with. A movie? A TV special? Christ, I’m willing to start out with a benefit, even though I can tell you I could use some charity myself. I haven’t had steady work in—”

“Oh, God, Rock,” I said. “Nothing like that. I just wanted to see how you were. That’s all.”

“Ah!” he said. Then he fell silent. “Sure,” he said. “You could have told me. . ”

“I didn’t think you’d be home.”

“I’m not home,” he said. “I’m in a fucking hotel.” I listened to the background noise, trying to figure out what he was doing. I couldn’t hear anything. “No chance, huh?” he said.

The last time I’d talked to him on the phone, I was exactly here, staring at the bush outside my window. He’d been on the line doing what he was doing now, trying to talk me into work. I closed my eyes and rubbed my ear with the phone. “Later, maybe. I don’t know. A benefit, like you said. It’s just now—”

“Now you have work,” he said.

“Well, and the kids—”

“And you have work,” he said breezily. “Obligations. I understand. I got some projects too.”

“Tansy told me,” I said, though Tansy hadn’t. “But really. In a couple of years—”

“Keep me in mind,” said Rocky. “Later, kid.” He hung up the phone.

Carter and Sharp Go to Hell in a Handbasket

Who’s my favorite piggy-wig?

Who’s my favorite pig?

Who has such lovely pork chops

That she makes me flip my lid?

It’s Sadie Sow, it’s Sadie Sow,

I’m happy to report!

With a grunt and an oink and a grunt and an oink

And a grunt and an oink and a snort!

Voilà. Rocky had a regular job, without title billing: the host of The Sadie Sow Show . He’d probably had the offer when I called, and hoped I’d save him from it. Instead I’d driven him into the arms of a pig, a puppet operated by a temperamental man named Marcus; when Rocky made a slightly blue comment to Sadie, Marcus turned his wrist and Sadie turned her back. Still, it was a national show, and kids had always loved Rocky. He wore his striped shirt and changed hats every five minutes to suit the theme of the segment.

Gilda made me watch it with her. She was six, and had hardly any memories of Rocky at all, though the boys talked about him still. I kept thinking they’d grow out of it. (Later, when someone was trying to put together a documentary about the team, Jake described his childhood this way: “It was like having two fathers.” At first I though he meant me as both, the screen version and the at-home guy who acted the part, but then he said, “I was devastated when they broke up. It was like a divorce.”) Jessica made herself scarce when Sadie Sow was on. She wanted me to be the one who kept Gilda company.

At our house, Rocky laid ’em in the aisles, Gilda at least. Everything he did slayed her: kiss Sadie on the snout, pour a bucket of water over his head, fall down the stairs, sing, You must have been a beautiful piglet or I found a million-dollar piglet . The first time she called me to the sofa—“Here, Daddy,” she said, pointing to a cushion — I didn’t go right away. I stood at the back of the family room, and looked at Rocky on the TV screen. He’s in our furniture, I thought. I hadn’t seen him in two years. How had I avoided it? Now he wore a beret and his striped shirt, a narrow moustache, a broad French accent.

“Daddy, here, ” said Gilda, pounding on the sofa. So I settled down, and she snuggled up to me. I told her I knew that guy pretty well, and she developed a whole new appreciation for her old man. You could have seen the show two ways: A. Rocky had been reduced to teaming up with a felt and cotton-batting pig. B. I had been easily replaced, by a felt and cotton-batting pig.

Despite everything, I vacillated between A and B.

Rock and I hadn’t announced our breakup. Nobody noticed for a while: in the early fifties we made only one movie a year, and the radio show had been canceled, and people weren’t so used to seeing us on TV that they noticed when we didn’t show up. TV Guide finally asked Rocky about it when he guested on the Texaco Star Theater in a semiserious role, and he made it sound like we’d just taken a breather from each other. “No dramatic story,” he said. “Working apart for a while, that’s all.”

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