Dimitry Leger - God Loves Haiti

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A native of Haiti, Dimitry Elias Léger makes his remarkable debut with this story of romance, politics, and religion that traces the fates of three lovers in Port-au-Prince, Haiti, and the challenges they face readjusting to life after an earthquake devastates their city.
Reflecting the chaos of disaster and its aftermath,
switches between time periods and locations, yet always moves closer to solving the driving mystery at its center: Will the artist Natasha Robert reunite with her one true love, the injured Alain Destiné, and live happily ever after? Warm and constantly surprising, told in the incandescent style of José Saramago and Roberto Bolaño, and reminiscent of Gabriel García Márquez’s hauntingly beautiful
is an homage to a lost time and city, and the people who embody it.

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Natasha thought she couldn’t have summed up her life better. Dear Lord, she thought, Monsignor Dorélien must have been briefing Mother Superior about me all the time. He probably called her soon as I left the cathedral this morning.

The phone rang. After a minute of listening, Mother Superior said, Yes, Father, then she hung up. She turned to Sister Robert and Sister Hopstaken and almost smiled. Almost. Sister Robert, she said, your first test has already arrived. You are to return to the cathedral and help Monsignor Dorélien perform a wedding ceremony.

Yes, Mother Superior, Natasha said, feeling more certain than ever about the rightness of her choice and her capacity to fulfill the covenant’s demands for the rest of her life. No doubt. Not a shred.

Afew hours later, in the long shadows of a late afternoon in the steaming Caribbean winter, a beat-up Datsun parked on rue Dr. Aubry. Out came two nuns, one of whom, Sister Robert, walked awkwardly in her new robe. Her worst nightmare at that moment was that her flowing black robe would get stuck in a door or on a tree branch and accidentally be ripped off her body, leaving her nude in front of a shocked public. Paranoid doesn’t necessarily mean careful, she realized, for as soon as she closed the car’s door, the tail of her nun’s habit became caught in it. Fortunately for her, she was moving slowly enough to avoid disaster. Sister Hopstaken, meanwhile, was distracted by the full view of the disaster their city had endured. The collapsed Notre Dame de l’Assomption Catholic cathedral crouched in front of her and beckoned shock, awe, and terror. Be careful, Sister, Natasha said as Sister Hopstaken walked toward the jagged piles in front of the cathedral as if in a trance. Sister Hopstaken struggled to find a way around the pile of rubble in the area of the back door entrance to the cathedral. The older nun was about to fall and truly hurt herself until the young one took her by the elbow and said, I know another way in. It’ll be easier.

They walked around the corner and climbed a smaller pile and entered the church. Inside, there was a crowd. They were dressed in what passed for their Sunday best these days. Their clothes were free of that terrorizing white dust. Is it safe to be here? Sister Hopstaken said, looking nervously at the destroyed church from the inside for the first time. It’s the safest place in the world, Natasha said.

The cathedral didn’t have much of a roof left. What was left of the once majestic hall was crumbled and split apart. People sat on plastic chairs for the upcoming ceremony despite the obvious threat that whatever walls were left standing could fall if the winds blew or the earth caught another shiver. People sat on milk crates too, even though the wall of the giant tower, the one filled with giant snowflake-shaped windows of varying sizes, looked shaky and worrisome. Turning away, Sister Robert looked her new colleague in the eyes and said with a resolve that came from a place deep inside and beyond her, God is good. The cathedral will not let us down this day. I’m sure of it. Let’s go find Monsignor Dorélien.

WOMEN

Down in Place Pigeon, Alain Destiné was about to attend the same ceremony. He had undergone a resurrection of sorts. And he was excited. How do I look? he asked Hollywood. They were standing in the brown patch of dirt in front of Alain’s tent, and the closest mirror available was buried in the palace across the street. You look like a man who just showered and shaved for the first time in a month, Hollywood said, grinning. You look like shit with makeup. And you could use a haircut.

You and your jokes, Alain said. Tasteful as usual. Xavier, viens ici, mon petit . How do I look?

Xavier smiled and gave Alain the thumbs-up. Alain wore the same clothes he’d worn during his crash-land in Place Pigeon. They were the only clothes he owned. He had had them washed by Yanick’s girls, and, more notably, he had finally braved the communal showers in the middle of the refugee camp and washed himself up, even going so far as to shave off the beard that had combined with his bushy-dreadlocking afro to make him look a bit like Jesus. He shaved with a small shaving kit a matronly Swedish aid worker had suggestively slipped him a few days before. He had used deodorant, an environmentally-unfriendly spray, but it worked wonders, at least dampening the terrible smell he carried. Eradicating said smell would take many more showers, and to take that many showers as regularly as sanity demanded required Alain to take the long-overdue next steps of returning to his civilized life. Or at least to his parent’s house, the next-best thing. Return home, to Papa and Maman, the house on Place Boyer. Engage Haiti’s disaster recovery process from the rarefied airs inside the national and city governments and business communities that were his inheritance and not via the grass-free-roots level he had been working in since goudou-goudou. “Goudou-goudou.” The onomatopoetic word Haitians used to describe the earthquake, or, more accurately, an approximation of the sounds the quaking earth had made as the ground made the things in their world rock back and forth and up and down. The word was primitive, but it had an accuracy and a musical quality Alain had come to enjoy. His appreciation of the small pleasures of life at the bottom of Port-au-Prince’s society had grown in direct proportion to his dread to return to life among Haitian strivers without the company and the love of Natasha Robert to strive for. There had been no news of the first lady since goudou-goudou. The news from the presidency centered around the work the President was doing or not doing enough of to secure food, medicine, and enterprise to help Haitians dig themselves out of the rubbled city God’s belching earth had left behind. Fucking God, Alain thought. There was no God. There never was. There were tectonic plates deep beneath the sea. That’s for sure. Shifty motherfuckers. There was human kindness, courage, and mortality. There were whole hosts of political and scientific reasons to explain Haiti and its dire circumstances. There was philosophy, to be sure. Every day Alain looked out at the reality surrounding his tent. The matrons braiding hair, the boys chasing balls, the girls looking proud yet nervous about their curves, the bored men, the resigned elders, the hurt, the sick, the troubled. The waiting for death. The fundamental nature of the reality we shared was no longer worth Alain’s concern. His new religion was no religion. His new God was no God. Fuck God. There was death and there was life filled with micromoments to fill before death.

The idea of faith in an omnipresent, benevolent, and discrete deity may have dimmed in Alain in the wake of the earthquake, but the aggrieved romantic hung on to a soft spot for love, the very essence of Jesus, Christianity, Islam, Buddhism, any religion digne du nom . Which was the only available explanation for his excitement for the coming wedding, the first anyone had heard of in Haiti after the earthquake. These were not his nuptials. He had looked and smelled and sometimes behaved too much like a wounded sewer rat for far too long for a woman to look at him with anything other than concern, pity, or disgust. Besides, he told people he lost his wife during the earthquake, and he’d come to enjoy the persona of a widower. It wasn’t a total lie. His one true love seemingly had died that day, vanished. Oh, how he’d give up a limb or two just to see Natasha again and scoop her up between his arms, but he was working hard to move on. Who chases a married woman, anyway? How foolish is that? He knew Natasha was gone, to her heaven on earth or beyond, and he was making himself be happy for her. If you love someone, set her free and all that. Philippe’s getting married, and I’ll live vicariously through him, Alain thought. His buddy Philippe, the refugee camp leader extraordinaire at Place Pigeon, deserved this happiness. He’d met a girl in some unfathomable corner of the Place Pigeon refugee camp one night and fallen in love. To Alain, it seemed fitting that Philippe’s affection for their community would develop a sexual component. The camp’s population had mushroomed from one thousand to twenty thousand seemingly overnight, and even though the ever-busy and dedicated socialist that was Philippe knew everyone and kept a running tally of who needed what help, he had somehow shoehorned in time to fall in love with a girl named Fabiola Georges. Fabiola was something else. The few times Alain had met her, at camp leadership council meetings — Fabiola represented a group from the street on the other side of the National Palace; they were wretched motherfuckers, even in this collection of wretched of the earth — Fabby immediately struck him as smarter than he and Philippe and Hollywood put together. The first time they met, to debate choosing among tarps for tents from different donors, or whatever the fuck — Alain couldn’t remember — Fabby had made a point that was so spot-on, man, Alain should’ve written it down. Hollywood poked Alain with an elbow and whispered, Is that how y’all grow them here? Jesus H. Christ, why couldn’t I have found one of those in Los Angeles?

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