Benjamin Hale - The Fat Artist and Other Stories

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The Fat Artist and Other Stories: краткое содержание, описание и аннотация

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Prize-winning author Benjamin Hale’s fiction abounds with a love of language and a wild joy for storytelling. In prose alternately stark, lush and hallucinatory, occasionally nightmarish and often absurd, the seven stories in this collection are suffused with fear and desire, introducing us to a company of indelible characters reeling with love, jealousy, megalomania, and despair.
As in his debut novel,
, the voices in these stories speak from the margins: a dominatrix whose longtime client, a US congressman, drops dead during a tryst in a hotel room; an addict in precarious recovery who lands a job driving a truck full of live squid; a heartbroken performance artist who attempts to eat himself to death as a work of art. From underground radicals hiding in Morocco to an aging hippy in Colorado in the summer before 9/11 to a young drag queen in New York at the cusp of the AIDS crisis, these stories rove freely across time and place, carried by haunting, peculiar narratives that form the vast tapestry of American life.
Hale’s work has earned accolades from writers as disparate as novelist Jonathan Ames, who compared discovering his work to watching Mickey Mantle play ball for the first time;
critic Ron Charles, who declared him “fully evolved as a writer,” and bestselling author Jodi Picoult, who simply called him “brilliant.” Pairing absurdity with philosophical musings on the human condition and the sway our most private selves and hidden pasts hold over us, the stories in
reside in the unnerving intersections between life and death, art and ridicule, consumption and creation.

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Emma snagged a couple of squid in the net and brought them out of the water. The heavily sagging net drooled water back into the tank. The squid hung limp and slimy in the net, weakly writhing their tentacles, trying to move their poor boneless bodies, totally out of their element. Emma dragged her hand in the tank to wet it, reached into the net, and grabbed one of them. Just like that. She held it by its tubular, torpedo-shaped head. She dropped the net back in the tank. The squid’s slick, shiny body was red and gold, like an apple, flecked with metallic sparkles. The thing wiggled its tentacles, dangling feebly in her hand. Its flat, weird yellow eyes glistened dimly, like silver foil, like dirty sequins. It was disgusting and a little terrifying. The smell was overpoweringly putrid, almost to the point of making him gag.

“These are the guys we’re after,” said Emma. “Want to hold it?”

Peter hoped this wasn’t some kind of test. Because no fucking way was he going to touch the squid. If that were the case he’d just find some other job, one that didn’t involve squid-touching.

Emma dropped the squid back in the tank. They walked around the lab while she explained the experiments they were running on the squid. Some of the squid were separated in smaller tanks. Peter listened to her talk and nodded comprehendingly and didn’t understand any of what she was saying.

She showed him the truck. It was behind the building, through a back door, parked at the bottom of a delivery ramp. It was an F-450 with a huge rectangular metal tank in the bed. There was an aluminum ladder bolted to the side of the truck bed, leading up to the rim of the tank. Peter climbed the ladder and looked inside. It was about half full with salt water.

“We have to change the water once in a while. It’s not ideal, but it’s what we’ve got right now. Basically, we need as many squid as we can get.”

She explained the job to him. Drive to New Bedford, get there around six, when the fishermen bring in the first catch. Get the squid. Bring them back. There were maps, directions, instructions. She gave him the keys to the truck and watched him drive it around the parking lot a few turns to make sure he could maneuver the vehicle.

“A lot of the squid are going to die,” said Emma. “They go into shock, and they’re dead by the time you make it back from New Bedford. So you gotta get the squid back as soon as you can. The dead ones are no good. We can only experiment on live squid. We pay you for every live squid you bring back.”

“So — you want me to speed?”

“No,” said Emma. “Definitely not. We’re not asking you to do anything illegal. I’m just saying, the longer you spend on the road, the more squid are going to die on your way back. We pay by the living squid. Interpret that however you want.”

The phrase “by the living squid” finally replaced “lesbian Viking” in Peter’s head. Of course she was saying, in a winking way, in a I’m not actually saying this but yes I am saying this kind of way: Yeah, speed.

“You’re hired,” she said, and gave him a tight handshake that made Peter self-conscious about his own feeble handshake. He thought of the limp, slimy squid in her hand. She sent him to accounts and payroll to sign tax forms and other formal documents. For technical reasons he had to be signed on as a contractor. To make the paperwork simpler or something. No benefits. So he pocketed the keys, followed her directions across the campus to payroll, got lost a couple of times, asked directions, found it, signed a bunch of stuff, went outside, chose a marble staircase to sit at the top of that overlooked one of the main lawn quad whatever areas of the campus, and smoked three cigarettes in a row, lighting the second off the first and the third off the second while watching the campus come to life, the students shuffling across the damp grass in their coats and hats with cups of coffee and satchels and backpacks, on their way to their first classes presumably, or labs, or wherever they were going. These kids were in their late teens and early twenties. Later they would probably go on to work on projects like satellites with giant lasers that kill people from outer space, and make a lot of money. While Peter, who was seven, eight years older than they were, would continue being broke and desperate. What he felt toward these kids walking across the grass while he sat on the steps smoking wasn’t quite hate or resentment. There was too much self-loathing mixed into his feelings for that. It requires more self-respect to hate and resent, it takes some self-confidence to believe that they’ve been blessed and you’ve been gypped by a capricious universe. No, Peter mostly blamed himself. He’d started the game on Go with two hundred dollars, same as anyone else, but had bungled it through bad moves and reckless investments. How do other people do it? How do other people navigate the world so easily, as if they already know the way, and never feel unmoored, lost, frantic, like their compasses have been fucked up from too much holding a magnet under them to watch the needle spin and spin, searching for a north that seems to be everywhere at once?

• • •

“Sometimes I think about just not talking for a while,” Peter said to Greg at lunch. Greg had taken him to lunch to celebrate his getting a job. Peter had thanked him effusively, even though it wasn’t really an unusual thing for Greg to buy him lunch, because Peter had no money. They were eating at a nice-ish place in Cambridge. Their table had a tablecloth and a flower arrangement on it. Greg ordered a calamari appetizer as a joke. The breaded calamari rings were tough to chew. They didn’t really taste like anything. The sauce they came with was good, but the calamari itself tasted like nothing.

“I mean, like, not talk for a long time. Like six months or a year or something. I heard that Buckminster Fuller did that. He just decided not to talk for like a year.”

“Why would you do that?” said Greg. “What good would that do?”

“Just to be silent,” said Peter.

Peter was slightly self-conscious about sitting in this restaurant, being ragged and dirty-looking and reeking of smoke. The undersides of his cuticles were perpetually dirty. At some point in his life he’d acquired yellowish-gray rims of filth around his fingernails that never went away no matter how much he washed his hands.

“You know, to figure shit out in my head until I’m ready to talk again.”

“If you can’t figure shit out talking, why do you think you’d be able to figure it out not talking? What have you got to figure out anyway?”

“What I’m going to do with my life.”

“Plus it would be difficult logistically.”

“What do you mean?”

“I mean, okay, say you walk into a store, you need to buy something. How do you communicate with the guy at the counter?”

“I’d carry a notebook and a pen around with me everywhere.”

“If you’re not talking for some Zen, self-searching reason, if you’re writing everything down and showing people the notebook, wouldn’t that mean you’d actually be spending way more effort just to communicate with people? What’s so Zen about that? It’s ridiculous. You’re just inconveniencing everybody else for no reason.”

Peter felt cornered. He had ordered a cup of coffee with his club sandwich. He’d only eaten half the sandwich, and that alone had been a labor, but had asked the waitress for three coffee refills. The cup was pretty small. With each refill he ripped open a sugar packet and dumped a fresh silken thread of sugar into the coffee, then separated the flaps of the sugar packet along the glued seams, flattened it, and tore it into strips, which he wadded into tiny balls with his fingers. When he ran out of sugar packets he went to work on the flower arrangement, fastidiously denuding the daisies of their petals and wadding those into tiny balls too.

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