Benjamin Hale - The Evolution of Bruno Littlemore

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Bruno Littlemore is quite unlike any chimpanzee in the world. Precocious, self-conscious and preternaturally gifted, young Bruno, born and raised in a habitat at the local zoo, falls under the care of a university primatologist named Lydia Littlemore. Learning of Bruno's ability to speak, Lydia takes Bruno into her home to oversee his education and nurture his passion for painting. But for all of his gifts, the chimpanzee has a rough time caging his more primal urges. His untimely outbursts ultimately cost Lydia her job, and send the unlikely pair on the road in what proves to be one of the most unforgettable journeys — and most affecting love stories — in recent literature. Like its protagonist, this novel is big, loud, abrasive, witty, perverse, earnest and amazingly accomplished.
goes beyond satire by showing us not what it means, but what it feels like be human — to love and lose, learn, aspire, grasp, and, in the end, to fail.

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But I digress. So you put the peach in the box and then demonstrate to the subject how to open it. The scientist presses the button, taps three times on the lid of the box and flips the lever. Then leave the test subject alone and watch what he does. Then repeat this procedure ad nauseam on the largest test sampling you can get. The objective of the experiment was to see whether the human- or ape-child figures out that the tapping-on-the-box bit is an unnecessary step. Their typically anthropo-chauvinist hypothesis was that all your innately superior little human snots would quit tapping on the stupid box before the chimps. And the results were exactly the opposite of their predictions. All but one of the chimps (and they tested more than fifty of us and as many human infants) quickly figured out that the tapping shtick was a superfluous waste of time, and thus aborted the measure from the box-opening procedure on the second or third trial run. A few of the chimpanzee subjects, my older brother, Cookie, among them (and this sort of behavior is characteristic of him), on the third trial run got the box open simply by picking it up and smashing it against a wall. The humans , though — the human babies would faithfully tap on the box every time . Every one, every time. Now, Gwen, what do you think this means? I’ll tell you. It means this: for the human test subjects the whole thing was less about the reward than it was about the process. You see? It wasn’t so much that they wanted the peach as to participate in this enigmatic ritual, to perform the rite, to say their prayers. Because it’s you humans who have your absurdities of faith, your superstitions, your banshees and hobgoblins, your necromancies and haruspices, your charms and potions and voodoo dolls and magic mirrors and boogiemen, you who infantilize the universe by vainly searching for celestial answers to earthly questions in the movements of the stars, you who have your signs and symbols, your signifiers and signifieds, you who cast a terror-stricken backward glance into the darkness and ask yourselves who is that third who walks always beside you, you who chant your incantations, kiss the ring and cross yourselves, sear images into your flesh and poke holes in yourselves, hack off parts of your bodies and paint yourselves blue, burn witches and sacrifice your firstborns, scream into the whirlwind and wrestle with angels till the break of dawn! And they thought we would be the ones to continue squandering a few precious seconds that stood between us and those delicious peaches by tapping on the box even when the action obviously affected no empirical change upon the object? Absurd! It is only rubbing on the lamp! It is only magic. It is only religion. It is only the shadow of the hand of God. It is only one more example illustrating how feebly you people know yourselves.

Anyway, point being: who was the one and only chimpanzee among the hundred-some-plus sampling of members of my own birth species, Pan troglodytes , who, like the human children, never ceased to tap on the box? That’s right, c’est moi . I, Bruno, somehow understood on some fundamental level (as Lydia realized in hindsight, after the experiment was over and the unexpected results had been properly tabulated, scrutinized and pondered over until they succeeded in twisting some anthropo-chauvinist take out of the data) what it means to be human. And Lydia remembered me — me, Bruno, the chimpanzee who had fallen in love with her — and she sought me out, and found me, and began to bring me out of my animal darkness.

III

I think it had been some months since the experiments, some months since the Plexiglas box and that daylong procession of peaches, when Lydia came back for me. I had been returned to my family of uneducated slobs, to my mother and my father, my aunt and my uncle, my brother and Céleste. All of them sadly ignorant, broken and disaffected by lifetimes spent in diaspora.

I’m a Chicago boy, Gwen — I grew up in the Primate House of the Lincoln Park Zoo. Zoo records indicate that I was born with no complications on August 20, 1983. My mother, Fanny, had been born and raised there, had spent the entirety of her sad dull life in the very same zoo. I’m young enough to have been raised mostly in the considerably larger and sleeker modern facilities that were built to replace the outmoded sewer which had previously housed the great apes, and my mother never tired of silently reminding me and Cookie how good we had it. My father had a somewhat more interesting background. He wasn’t born in captivity, but in the Old Country, in the northeastern part of what was then Zaire, now the Democratic Republic of the Congo. At the time he was born there was some sort of bloodbath going on in Zaire, and the swarms of starving refugees fleeing hither and thither would butcher chimps for bushmeat. At a young age my father saw his mother and father murdered and subsequently devoured. He was forced to watch while they dismembered his parents with machetes, drilled spits through their corpses, cooked them over a fire and ate them. The two adult chimps they killed and ate because they were hungry, but they refrained from killing the baby right away because there was little meat on him (he was more valuable alive). Instead they tied him to a stick by his wrists and ankles, which they carried around with them for several days until they crossed the border to the Central African Republic and arrived at a populated area, where they sold my father to a German trader who illegally trafficked in exotic animals. The German was a man in a big yellow hat, who starved and beat him, and put him in a cage, which was transported from one place to another until he wound up on an airplane that landed finally in Germany, where he spent five years in the Berlin Zoo before a mysterious chain of exchanges and communiqués put him back on a plane, which this time landed at O’Hare, where he was loaded into the back of a van and conveyed to the Lincoln Park Zoo, where he was introduced to a jejune and somewhat mentally obtuse female chimp whom he was expected to shtup immediately, and whom out of boredom he eventually did. Thus my brother Cookie was conceived, followed three years later by me. The Germans had named him Rotpeter, meaning “Red Peter,” after the streaks of distinctly ruddy coloration in his fur. My father never quite lost that touch of aboriginal uncouthness. He’d known freedom only to have it cruelly revoked — whereas I, Bruno, was born in captivity, became free because I learned language, committed a transgression, and now, as you see, am in captivity once again. My father, though, had — however briefly — experienced life the way it was meant to be lived. He knew what he had lost, and this knowledge fueled him with an indignant rage that as a child — even in my terror of him — I admired. Not so my mother. She had never known Zion. She was born in the ghetto, a zoo-child of zoo-parents. And she suffered my father’s boorish machismo and womanizing with the same matter-of-factly passive acceptance with which she accepted her own confinement from birth. Rotpeter screwed my mother often but would also slip it in her sister whenever he felt like it. See, we shared our habitat with my maternal aunt, Gloria, and another adult male chimp, Rex — pitiful Rex! — who coupled with Gloria whenever Rotpeter was feeling too fucked out or overfed to swat him away, but Rex would never have dared try anything with my mother. Because Rotpeter was Alpha Male (not a hugely impressive achievement when there are only two adult males in the habitat) and because he had been born in the boondocks of Zaire and didn’t put up with anybody’s shit (at least not that of anybody he could physically overpower), he simply felt biologically entitled to every wet hole in the cage: my mother, her sister, and I could swear the disgusting fart already had a lecherous eye trained on little Céleste, who good Christ was still a child then, even younger than I, scarcely weaned from the teat.

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