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Emma Cline: The Girls

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Emma Cline The Girls

The Girls: краткое содержание, описание и аннотация

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Girls — their vulnerability, strength, and passion to belong — are at the heart of this stunning first novel for readers of Jeffrey Eugenides’s The Virgin Suicides and Jennifer Egan’s A Visit from the Goon Squad. Northern California, during the violent end of the 1960s. At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park, and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon, Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie, it is exotic, thrilling, charged — a place where she feels desperate to be accepted. As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence, and to that moment in a girl’s life when everything can go horribly wrong. Emma Cline’s remarkable debut novel is gorgeously written and spellbinding, with razor-sharp precision and startling psychological insight. The Girls is a brilliant work of fiction — and an indelible portrait of girls, and of the women they become.

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I knew I’d see Peter that night, so I’d worn an embroidered shirt, my hair foul with hairspray. I’d dotted a pimple on my jaw with a beige putty of Merle Norman, but it collected along the rim and made it glow. As long as my hair stayed in place, I looked nice, or at least I thought so, and I tucked in my shirt to show the tops of my small breasts, the artificial press of cleavage from my bra. The feeling of exposure gave me an anxious pleasure that made me stand straighter, holding my head on my neck like an egg in a cup. Trying to be more like the black-haired girl in the park, that easy cast of her face. Connie narrowed her eyes when she saw me, a muscle by her mouth twitching, but she didn’t say anything.

Peter had really only spoken to me for the first time two weeks before. I’d been waiting for Connie downstairs. Her bedroom was much smaller than mine, her house meaner, but we spent most of our time there. The house done up in a maritime theme, her father’s misguided attempt to approximate female decoration. I felt bad for Connie’s father: his night job at a dairy plant, the arthritic hands he clenched and unclenched nervously. Connie’s mother lived somewhere in New Mexico, near a hot spring, had twin boys and another life no one ever spoke of. For Christmas, she had once sent Connie a compact of cracked blush and a Fair Isle sweater that was so small neither of us could squeeze our head through the hole.

“The colors are nice,” I said hopefully.

Connie just shrugged. “She’s a bitch.”

Peter crashed through the front door, dumping a book on the kitchen table. He nodded at me in his mild way and started making a sandwich — pulling out slices of white bread, an acid-bright jar of mustard.

“Where’s the princess?” he said. His mouth was chapped a violent pink. Slightly coated, I imagined, with pot resin.

“Getting a jacket.”

“Ah.” He slapped the bread together and took a bite. He watched me while he chewed.

“Looking good these days, Boyd,” he said, then swallowed hard. His assessment knocked me so off balance that I felt I had almost imagined it. Was I even supposed to say anything back? I’d already memorized the sentence.

He turned then at a noise from the front door, a girl in a denim jacket, her shape muffled by the screen. Pamela, his girlfriend. They were a constant couple, porous with each other; wearing similar clothes, silently passing the newspaper back and forth on the couch or watching The Man from U.N.C.L.E. Picking lint off each other as if from their own selves. I had seen Pamela at the high school, those times I’d ridden my bike past the dun-colored building. The rectangles of half-dry grass, the low, wide steps where older girls were always sitting in poor-boy shirts, pinkies linked, palming packs of Kents. The whiff of death among them, the boyfriends in humid jungles. They were like adults, even in the way they flicked the ashes of their cigarettes with weary snaps of the wrist.

“Hey, Evie,” Pamela said.

It was easy for some girls to be nice. To remember your name. Pamela was beautiful, it was true, and I felt that submerged attraction to her that everyone felt for the beautiful. The sleeves of her jean jacket were bulked at her elbows, her eyes doped looking from liner. Her legs were tan and bare. My own legs were dotted with the pricks of mosquito bites I worried into open wounds, my calves hatched with pale hairs.

“Babe,” Peter said with his mouth full, and loped over to give her a hug, burying his face in her neck. Pamela squealed and pushed him away. When she laughed, her snaggletooth flashed.

“Beyond foul,” Connie whispered, entering the room. But I was quiet, trying to imagine how that would feel: to be so known to someone that you had become almost the same person.

We were upstairs, later, smoking weed Connie had stolen from Peter. Stuffing the space below the door with the fat twist of a towel. She kept having to pinch the rolling paper shut again with her fingers, the two of us smoking in our solemn, hothouse silence. I could see Peter’s car out the window, parked awry like he’d had to abandon it under great duress. I’d always been aware of Peter, in the way I liked any older boy at that age, their mere existence demanding attention. But my feelings were suddenly amplified and pressing, as exaggerated and inevitable as events seem in dreams. I stuffed myself on banalities of him, the T-shirts he wore in rotation, the tender skin where the back of his neck disappeared into his collar. The looping horns of Paul Revere and the Raiders sounding from his bedroom, how he’d sometimes stumble around with a proud, overt secrecy, so I would know he had taken acid. Filling and refilling a glass of water in the kitchen with extravagant care.

I’d gone into Peter’s bedroom while Connie was showering. It reeked of what I’d later identify as masturbation, a damp rupture in the air. All his possessions suffused with a mysterious import: his low futon, a plastic bag full of ashy-looking nugs by his pillow. Manuals to become a trainee mechanic. The glass on the floor, greased with fingerprints, was half-full of stale-looking water, and there was a line of smooth river stones on the top of his dresser. A cheap copper bracelet I had seen him wear sometimes. I took in everything as if I could decode the private meaning of each object, puzzle together the interior architecture of his life.

So much of desire, at that age, was a willful act. Trying so hard to slur the rough, disappointing edges of boys into the shape of someone we could love. We spoke of our desperate need for them with rote and familiar words, like we were reading lines from a play. Later I would see this: how impersonal and grasping our love was, pinging around the universe, hoping for a host to give form to our wishes.

When I was young, I’d seen magazines in a drawer of the bathroom, my father’s magazines, the pages bloated with humidity. The insides crowded with women. The tautness of mesh pulled across crotches, the gauzy light that made their skin illuminate and pale. My favorite girl had a gingham ribbon tied around her throat in a bow. It was so odd and stirring that someone could be naked but also wear a ribbon around her neck. It made her nakedness formal.

I visited the magazine with the regularity of a penitent, replacing it carefully each time. Locking the bathroom door with breathless, ill pleasure that quickly morphed into rubbing my crotch along the seams of carpets, the seam of my mattress. The back of a couch. How did it work, even? That by holding the hovering image of the girl in my mind, I could build the sensation, a sheet of pleasure that grew until it was compulsive, the desire to feel that way again and again. It seemed strange that it was a girl I was imagining, not a boy. And that the feeling could be reignited by other oddities: a color-plate illustration in my fairy-tale book of a girl trapped in a spider’s web. The faceted eyes of evil creatures, watching her. The memory of my father cupping a neighbor’s ass through her wet swimsuit.

I’d done things before — not quite sex, but close. The dry fumbles in the hallways of school dances. The overheated suffocation of a parent’s couch, the backs of my knees sweaty. Alex Posner worming his hand down my shorts in his exploratory, detached fashion, jerking away roughly when we heard footsteps. None of it — the kissing, the clawing hand in my underwear, the raw jumpiness of a penis in my fist — seemed in any way kin to what I did alone, the spread of pressure, like stairs going up. I imagined Peter almost as a corrective to my own desires, whose compulsion sometimes frightened me.

I lay back on the thin tapestry covering Connie’s bed. She had a bad sunburn; I watched her rub cloudy skin loose from her shoulder and roll it into tiny gray balls. My faint revulsion was tempered by the thought of Peter, who lived in the same house as Connie, who breathed the same air. Who ate from the same utensils. They were conflated in an essential way, like two different species raised in the same laboratory.

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