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Deena Goldstone: Surprise Me

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Deena Goldstone Surprise Me

Surprise Me: краткое содержание, описание и аннотация

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A bittersweet debut novel, Surprise Me is an unconventional love story about two writers who see more in each other than they see in themselves, and how that faith transforms them. The fragile dream of becoming a writer takes hold of Isabelle Rothman during her senior year of college. Feeling brave, she begins a one-on-one tutorial with a once highly praised novelist, Daniel Jablonski, who is known on campus as eccentric, difficult, and disengaged. Despite his reputation, Isabelle loves his early novels and hopes Daniel can teach her the secrets of his luminous prose. But their first meeting is a disaster. He never read the chapters she submitted and will not apologize for being unprepared. He has lived up to his reputation, and she feels dismissed, humiliated, and furious. But slowly, over the semester, they gingerly form a bond that begins to anchor both of them. And over the next twenty years, as they live very separate lives — she in Northern California and he finally settled in a tiny New Hampshire town — they reach out to each other through e-mails, phone calls, and visits. Their continual connection helps Isabelle find the courage to take greater risks and push Daniel to work through layers of self-loathing and regret that have kept his career from flourishing. They are the single constant in each other’s life and the most profound influence. Daniel and Isabelle recognize they are among the blessed few who meet at the exact moment they need each other the most, and that their lives are transformed by this connection. In a final collaboration, the boundaries of teacher and student give way to a work that heals something in each of them. They truly see each other as extraordinary — as people do when they love — and that belief makes all the difference.

Deena Goldstone: другие книги автора


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ISABELLE STANDS OUTSIDE HIS OFFICE DOOR and contemplates the etiquette of knocking. On the one hand, the man inside seems entirely preoccupied by a very personal conversation and it would be embarrassing to interrupt. On the other, she doesn’t want him to think she’s late for their ten o’clock meeting. After several minutes of debating and realizing that the argument inside isn’t subsiding, Isabelle knocks loudly. Should she now call out his name?

But she doesn’t have to. Daniel, pacing as Cheryl’s list of grievances continues to grow, hears Isabelle’s knock. Seizing on it, grateful for an excuse to end the conversation, he tells Cheryl, “I’ve got a student here,” and hangs up without waiting for her response.

“All right!” he calls out, and Isabelle opens the door.

Of course she’s seen his picture on the back of his two books, but that picture is hopelessly out-of-date, Isabelle now sees. It has done nothing to prepare her for the man who stands across the room from her.

It’s his physical presence that stuns her. He’s so much bigger than she imagined, maybe six feet three or four, and fleshier. Unlike most of her male professors, who seem suddenly, now that she’s standing in Daniel’s office, smaller and more cerebral, as if their bodies were an afterthought, this man takes up space.

“We have a ten o’clock,” Isabelle says. “Isabelle Rothman.”

“Yep. Sit down.”

There’s only a worn couch against one wall and a club chair of dubious color and condition in the corner. It probably was yellow once but now hovers somewhere between gray and beige and holds the imprint of a large man’s body in its cushions. She quickly chooses the sofa. The armchair seems too intimate. As she moves the books and papers from one small corner of the couch, piling them up on the middle pillow, he doesn’t attempt to help her.

She puts her hands in her lap, draws her long legs up, knees touching, the toes of her shoes on the floor, not the soles. Neither one of them says anything. She’s waiting for him to speak. He’s too busy watching her.

There are two large windows behind Daniel as he stands by his desk, and the bright morning light coming in behind him makes it difficult for Isabelle to read his face. Why isn’t he saying anything? Is he annoyed that she’s here? He read the first three chapters of her novel in progress and agreed to take her on, didn’t he? Maybe he didn’t. Maybe he doesn’t remember what she wrote.

“I sent you the first three chapters of my book. About the girl who commits crimes.” She can’t bring herself to ask, “Did you like them?” so she waits again.

“Right,” he says as he rummages through the papers on his desk and on top of the table behind it, which runs underneath the windows. “Here they are!” he says triumphantly, as if he is totally surprised the pages exist.

“ ‘Outlaw,’ ” he reads on the first page. “Pretty bold title,” he says, almost to himself, as he scans the pages.

“She breaks into houses and steals things.”

Daniel looks up at her in surprise, and Isabelle knows in that instant he hasn’t read her pages. And then she doesn’t know what to do. Should she call him on it? He’s had all winter break to read them. She dropped the chapters off in his campus mailbox weeks ago. Oh, why didn’t she listen to everyone and choose someone more dependable?

Daniel unclutters the other end of the couch and sits down, her pages in his hand. They look at each other, and Isabelle has the uncanny feeling that the weight of his body has tipped the sofa on an angle and she’s having to work very hard not to slide down its length into his lap.

Up close, Isabelle has redeeming features, Daniel sees. Her skin is beautiful, even as it flushes now in embarrassment at their predicament, or maybe in anger. She wears no makeup, he can tell, and hides her eyes behind bangs, which her long fingers flick away from her forehead from time to time. There’s nothing about her that says, “Look at me,” but he finds himself looking anyway.

“Why this particular girl who takes this particular action?”

Isabelle has no idea. “She came to me,” is what she says, and Daniel knows immediately what she means. He can write only when something comes to him.

“Ah…” And then there’s silence as he quickly turns the pages, hoping for some clue.

“You didn’t read them, did you?” Isabelle can’t believe she’s confronting him, but she’s angry. Furious, really — an untamed emotion she rarely feels. But how long does it take to read forty-seven pages? Isn’t the six weeks of winter break long enough?

“I left them here, in the office,” he says, as if that’s an explanation. “By mistake.”

She wants to say, And you couldn’t come get them? but she doesn’t. Instead she gets up, and so does he. Now they’re facing each other, and he sees that she’s tall for a girl. Isabelle, standing less than three feet from him, suddenly, gratefully, doesn’t feel too tall at all.

“I’ll come back next week. Maybe you’ll have had a chance to read them by then.”

He nods once, rakes his fingers through his hair, the color of beach sand. Doesn’t apologize. Doesn’t promise. And she walks out of the office with his eyes following her.

DANIEL COLLAPSES INTO HIS ARMCHAIR as the door closes, overcome with regret. But there was no way, simply no way, that he could tell this girl that the walk from his house to his campus office was too difficult for him to navigate, that even the contemplation of it produced anxiety too great for him to handle. It’s a miracle that he made it today. Well, that’s how he feels every time he makes it — that it is only through the grace of God that he manages the ten-minute walk.

He knows what his condition is called: agoraphobia. When the thought of walking outside his front door began to give him sweats and heart palpitations, he went to the doctor. And after all the requisite tests for heart disease and endocrine problems and whatever else the doctor had to rule out, the proper diagnosis was given to him. The problem is, the cure is iffy and involves therapy, which he refuses to consider, and medication, which he’s afraid will interfere with his work. It’s a humiliating problem and he keeps it to himself.

“I’M NOT GOING BACK,” Isabelle spouts suddenly into the muffled air of Brighton Library. It’s late afternoon; the library is crowded but very quiet — the scrape of chairs being pulled out, the soft plop of a book being dropped onto a wooden table, even the slight snoring of a boy at the next table whose head is pillowed by a well-used backpack.

Her boyfriend, Nate, sitting next to her highlighting his criminology textbook, shrugs and whispers back, “Okay,” and returns to his book.

“He made me ask him if he’d read the pages!”

“Right, then find someone else to work with.” He’s really not interested.

“It was degrading. The whole thing.” Isabelle is fairly hissing her opinion. An older man across the table wearing half glasses and a pained expression shushes her.

Nate points to the textbook, the man watching them. “Work to do. This is a library. We’ve talked about this already.”

“Okay.” She’s quiet for ten seconds, fifteen. Then: “But I mean it.”

Nate pretends she hasn’t spoken.

AT THE END OF THE DAY, as twilight creeps into his office, Daniel stands at one of the large square windows and watches the campus empty out. He knows that if he were outside and the day were clear enough, he might be able to see the Pacific Ocean in the far distance as it absorbs the last rays of the lowering sun, but those days appear to be over — the days when he feels comfortable outside.

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