Chris McCormick - Desert Boys

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A VIVID AND ASSURED WORK OF FICTION FROM A MAJOR NEW VOICE FOLLOWING THE LIFE OF A YOUNG MAN GROWING UP, LEAVING HOME, AND COMING BACK AGAIN, MARKED BY THE STARK BEAUTY OF CALIFORNIA'S MOJAVE DESERT AND THE VARIOUS FATES OF THOSE WHO LEAVE AND THOSE WHO STAY BEHIND. This series of powerful, intertwining stories illuminates Daley Kushner's world — the family, friends and community that have both formed and constrained him, and his new life in San Francisco. Back home, the desert preys on those who cannot conform: an alfalfa farmer on the outskirts of town; two young girls whose curiosity leads to danger; a black politician who once served as his school's confederate mascot; Daley's mother, an immigrant from Armenia; and Daley himself, introspective and queer. Meanwhile, in another desert on the other side of the world, war threatens to fracture Daley's most meaningful — and most fraught — connection to home, his friendship with Robert Karinger.
A luminous debut,
by Chris McCormick traces the development of towns into cities, of boys into men, and the haunting effects produced when the two transformations overlap. Both a bildungsroman and a portrait of a changing place, the book mines the terrain between the desire to escape and the hunger to belong.

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Karinger pushed himself to his feet. His graduation cap fell to the dirt. Out of Watts’s hand he took the bottle. He wound up and threw it with a howl as far as he could into the dark. The sound of the bottle shattering hung between them.

A good amount of time passed. Watts cleared his throat. “That bottle,” he said. “It was empty, right?”

The three of them sent their laughter into the world, into and beyond the reach of the Mustang’s lights.

* * *

Dear Kush,

Don’t apologize for being dramatic. I don’t know how it is for you academic types, but for us regular people, some situations get a pass.

You asked if he would have wanted you here. Let me tell you a story. Not the last time he was home, but the time before that, we got into an argument. It was something stupid — I can’t even remember. Maybe it was what to have for dinner? What day to invite my parents over? Anyway, he’d come back this time a little different. He never told me what had changed, but I could tell by the way he talked to me — like he didn’t really care either way about anything — that something was off. I brought it up to him that night. I took off his shoes and set them next to his duffel bag, which he’d been looking through, at the side of the bed. Then we were in bed in bed — forgive the details, but for some reason I don’t care if you know — and again, he didn’t respond like he usually did. So I asked him again, what’s wrong? Well, you know him. He wouldn’t say a thing sober, so I got up and poured him a glass of whiskey, and then another, and another. It was winter, and the whiskey warmed him up. He kept saying so. Finally I asked him one more time, what was wrong? Had anything happened out there that changed him? No, he said, not one thing in particular. That only happened in movies, he said. He put his head down on the pillow and started talking and talking, everything from his dad to the idea of having a baby to what he would do if he wasn’t in the marines. You name it, he talked about it. And just when I thought he was about to fall asleep, he said something so sad and sweet I picked up a pen and jotted it down. He said (I’m reading it right off the scrap of paper): “Might not be rooting for me anymore, but I’m still rooting for him.”

For some stupid reason I thought he was talking about his dad. He got upset and said I was wrong. Then he wouldn’t say anything else, but I always figured it was you he was talking about. Who else could it be?

My point is you’re not the only dramatic one. But, yes, to answer your question truthfully. He would have wanted you here — yes, yes, yes.

Best,

Jackie (Connolly) Karinger

* * *

From the patio, Linda Karinger called into the house for help. She’d need the outdoor furniture set up before noon, and would someone please get on that while she started the coals going in the grill? She wore a camouflaged apron with white block letters across the front: FREEDOM ISN’T FREE.

Watts, followed by Kush, came outside. Karinger and Jackie would be arriving any minute, followed shortly thereafter by the Connollys. Tomorrow, Karinger would head south to Camp Pendleton to transform into the man he would be for the rest of his life. This was his going-away party.

Again Linda poked her head into the house through the sliding glass door, careful not to let a cat escape: “Roxanne! Get off the dang phone and come help!”

Roxanne put her palm over the mouthpiece and said, “I’m on vacation.”

“Not today, you’re not. Go help the boys set up the chairs.”

As Roxanne came outside, Watts and Kush were fitting their hands underneath the surface of the patio table. They carried it to the center of the backyard’s lawn. The day happened to be the hottest of the year — people were calling it 108—and although the furniture was cheap and lightweight, dark circles of sweat pressed through the boys’ shirts in the chest and back like giant thumbprints.

The doorbell rang and Roxanne, easing a folded chair onto the grass, went to answer the door. Linda squeezed a bottle of lighter fluid over the coals, and a ball of fire burped out.

Karinger had arrived. There were moments of symbolic importance in life, it seemed to Kush, just as there were moments of symbolic importance in literature. He remembered that day in the desert with Watts, finding their old paintball field dismantled. That was an example of a moment that felt symbolically important to him. But real moments existed, too — moments that didn’t represent something, but actually were that something. None of these thoughts appeared in Kush’s mind that day in sentences — they never did. They were only part of a feeling he had — that lame, irrefutable noun — while he watched his friend Karinger on the patio hug the women in his life, one by one: the feeling that this was not symbolically but actually the end of their corresponding lives.

Karinger, adjusting the straps of a backpack, made his way out to the lawn while the girls spoke around the whitening coals. “Thanks for putting this all together,” he told Kush and Watts.

“What’s with the luggage?” Watts asked.

“I know,” Karinger said. “I feel like a freshman again, lugging this thing around. I had some clothes and stuff lying around the farm I wanted to bring over here before I left.”

Roxanne came over, dangling a plastic bag of disposable silverware in front of her. “Mom wants you guys to set the table.” She ripped open the plastic bag and split the forks, knives, and spoons among the three of them. “Kush, you seem like a spoons kind of guy. My brother’s definitely the knives. That leaves Watts with the forks, but I’m not sure what that means.” Laughing, she left them to do their job.

By the time the guests arrived, the heat had everyone complaining. Roxanne kept holding her hair up off her neck and saying, “Jesus.” She removed her Dodgers cap and placed it underneath the spigot. Once the hat was filled, she twisted it back onto her head, letting the water crash over her face and shoulders. She returned to her seat, encouraging everyone else to follow suit. Kush watched as Watts made a concentrated effort not to stare at her wet shirt.

As flies swarmed the leftover coleslaw and chicken bones on plastic plates, Linda told her son to open his gifts. They were gags, most of them — porno magazines and tiny glass bottles of Jack Daniel’s and Smirnoff vodka, none of which Karinger could take with him to boot camp — but some gifts were given in earnest: a pocket Bible from his parents-in-law; a single-sheet list of relevant addresses from his wife; and a few Polaroid pictures of young mom and kids, in the trailer they lived in before the house, from his mother. Everyone laughed when they were supposed to laugh, and looked to Linda — face red with sunburn and emotion — during the sweeter moments. Gone were the complaints over the heat.

Kush watched the party from a distance, from a canopied patio swing at the far end of the yard. Initially he’d taken the seat to get some shade. As the party wound down, however, and as the in-laws began to say their good-byes, Kush remained there, rocking gently, alone. Over and over again, he thought about what he wanted to say to Karinger.

Eventually, it was just the three boys in the driveway. The sky turned dark, and crickets sang in the hedges. In the white light of the fixture at the rim of the garage, the three boys drank from the tiny gift bottles of liquor, smuggled in Karinger’s backpack, which he set down at the driver’s side of Watts’s truck. “Take these, too,” Karinger told them, meaning the porn.

Watts took another bottle from the bag and unloaded the magazines, stacking them in the cab of his truck. “So,” he said, slamming shut the truck’s door. “This is it?”

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