Bonnie Nadzam - Lions

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Lions: краткое содержание, описание и аннотация

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Bonnie Nadzam — author of the critically acclaimed, award-winning debut,
—returns with this scorching, haunting portrait of a rural community in a "living ghost town" on the brink of collapse, and the individuals who are confronted with either chasing their dreams or — against all reason — staying where they are.
Lions is set on the high plains of Colorado, a nearly deserted place, steeped in local legends and sparse in population. Built to be a glorious western city upon a hill, it was never fit for farming, mining, trading, or any of the illusory sources of wealth its pioneers imagined. The Walkers have been settled on its barren terrain for generations — a simple family in a town otherwise still taken in by stories of bigger, better, brighter.
When a traveling stranger appears one day, his unsettling presence sets off a chain reaction that will change the fates of everyone he encounters. It begins with the patriarch John Walker as he succumbs to a heart attack. His devastated son Gordon is forced to choose between leaving for college with his girlfriend, Leigh, and staying with his family to look after their flailing welding shop and, it is believed, to continue carrying out a mysterious task bequeathed to all Walker men. While Leigh is desperate to make a better life in the world beyond the desolation of Lions, Gordon is strangely hesitant to leave it behind. As more families abandon the town, he is faced with what seem to be their reasonable choices and the burden of betraying his own heart.
A story of awakening,
is an exquisite novel that explores ambition and an American obsession with self-improvement, the responsibilities we have to ourselves and each other, as well as the everyday illusions that pass for a life worth living.

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That broken little house.

The windbreak of dead trees.

A single chimney pipe.

Unremarkable.

Not a place you’d even notice if you passed by.

Can hardly even see it from the road.

Not unless you’re really looking.

Still, there it is, and there it’s always been.

The door will be locked, but there’ll be a small window, five feet from the ground. She’ll just see inside. Plates of blue light shifting in through cracks in the siding, gaps that years of rain and snow and wind opened in the mortar, now here and there stuffed with rags. A faded G.I. Joe sleeping bag on the dirt floor. An old Coleman lantern, caked with dust. A pile of paperback cowboy books. A single shot glass, opaque with dirt. Dust motes slowly sinking in the light. Behind her, the trees watching from their distant posts.

When the wind and the birds quiet, she’ll press her forehead against the locked door and listen for the sound of breath, of footsteps, of a hand behind the doorknob. Someone’s in there. Someone has to be in there. Over and over she’ll say it, then: I’m back. I’m so sorry. I’ve come back. Please, God. Let me in.

Acknowledgments

Tremendous thanks to Kate Johnson and Corinna Barsan; to Georges and Valerie Borchardt; to the whole team at Grove Atlantic; thanks to Georgianna Pulver, Emerson Perez, and Marybeth Sharpe, and thanks to the many who read and reread these pages and gave me incisive and generous feedback, especially Gregory Blake Smith, Kyla Carter, Katie Cassis, John Thorp, Bryan Hurt, Jeffrey Nadzam, and Jeremy Chignell. Thanks to all of my teachers in Los Angeles. As a fiction writer I’ve taken liberties with history and benefited from the influence of other sources. I am particularly indebted to Willa Cather (whose work inspired the story of the homeless man drowning himself in a water tower), to Jonathan Raban’s Bad Land , to David Lavender’s Bent’s Fort , to Perry Eberhart’s Ghosts of the Colorado Plains, and to Eric Twitty & SWCA Environmental Consultants’ Silver Wedge: The Sugar Beet Industry in Fort Collins

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