Dave Eggers - Heroes of the Frontier

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A captivating, often hilarious novel of family, loss, wilderness, and the curse of a violent America, Dave Eggers's
is a powerful examination of our contemporary life and a rousing story of adventure.
Josie and her children's father have split up, she's been sued by a former patient and lost her dental practice, and she's grieving the death of a young man senselessly killed. When her ex asks to take the children to meet his new fiancee's family, Josie makes a run for it, figuring Alaska is about as far as she can get without a passport. Josie and her kids, Paul and Ana, rent a rattling old RV named the Chateau, and at first their trip feels like a vacation: They see bears and bison, they eat hot dogs cooked on a bonfire, and they spend nights parked along icy cold rivers in dark forests. But as they drive, pushed north by the ubiquitous wildfires, Josie is chased by enemies both real and imagined, past mistakes pursuing her tiny family, even to the very edge of civilization.
A tremendous new novel from the best-selling author of
is the darkly comic story of a mother and her two young children on a journey through an Alaskan wilderness plagued by wildfires and a uniquely American madness.

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Josie’s parents had been nurses at a hospital. She could tell her kids that — she had told them this. This was enough for now. At Ana’s age that was all Josie knew. Her parents wore white when they went to work at Rosemont, and came home together, changed out of their whites and said nothing about their day. Josie’s knowledge of their work came in stages. When she was seven she realized their hospital was for veterans. When she was nine, there were the musicals at home, and she became aware of Vietnam, and that most of Rosemont’s patients had fought there. But she didn’t know what ailed them: she pictured rows of beds of happy soldiers with sprained ankles and black eyes. She didn’t know, as a child, where it was exactly, if the war was still on or not.

Occasionally her parents talked about the patients. There was a man who spent the days knocking the side of his head, as if to free up some loose bolt. There was the man who, not wanting to disturb the perfection of the made bed, slept under it.

“I hope your parents aren’t part of that Candyland mess.” One of Josie’s teachers said this one day. Josie had never heard of any Candyland mess. But the news that year became inescapable. The suicides. Rosemont had been overprescribing their psych patients and they were dying in alarming numbers. They slept eighteen to twenty hours a day and when they weren’t drugged into a stupor they were killing themselves at the rate of one every few months. Most of the suicides happened in the psych ward itself, a few after discharge, and all were horrible in their strange detail. A man of thirty-two using a bedsheet to hang himself from a doorknob. Another drinking bleach, rupturing his lower intestine. A man of thirty-three throwing himself from the roof, landing on another patient’s mother, breaking her neck, and then, realizing he was not dead, using a piece of broken glass to slice open his wrists and jugular, there on the sidewalk.

That was the one that opened Rosemont up to national scrutiny. The newspapers discovered the place had a nickname among the vets, Candyland, and that macabre touch stoked public fascination. Eighteen suicides in three years, five accidental overdoses, maybe more. The faces of each young man, most of them in uniform, stared out from the paper each day. We sent them to Nam to be killed, the editorials said . When they came back alive, we killed them again . The head of the ward, Dr. Michael Flores, was arrested, and most of the blame fell on him—“I only wanted them to live without pain,” he said — but Josie’s home became loud. Her parents had been questioned, had been blamed privately and publicly. Four of the suicides had happened on their watch, and the whispering grew. How could they have let it happen? Their colleagues at Rosemont stood by them, said they hadn’t been negligent, but the doubts persisted and grew. The ward was closed, then the hospital itself was closed, her parents were out of work, and Josie learned the meaning of the word complicity .

Then, in what she saw, as a teenager, as a stunning display of irony, they both began abusing the very drugs, Dilaudid and Thorazine and Dilantin, that Flores had overprescribed. Just after her fourteenth birthday her father moved out and, a year later, moved to Cambodia, where he stayed and still lived. When Josie was sixteen, her mother was working as an in-home nurse for a family fifty miles away, caring for an elderly woman, Mrs. Harvey. “I’m in love, Joze,” she said one day. She’d gotten involved with Mrs. Harvey’s middle-aged son, another vet, another addict, and wanted Josie to come live with them in this new home, with the dying woman and her son, making specious promises about their lives being good again.

Josie thought: No. She had two years of high school left. She broke down one day at the dentist’s office, in the waiting room, and the receptionist had come to her, had brought her to the bathroom, had sat her down on the toilet and dabbed her face with a warm wet towel, and this had made Josie cry harder, louder, and soon she was lying in one of the examination chairs, face soaked with tears, and Dr. Kimura was next to her, initially thinking it was some body image breakdown. When the receptionist had caught Josie weeping, she had a People magazine on her lap, open to a story about heavy teenage girls being bullied. So she and Dr. Kimura thought Josie, who towered over both of them, was upset about her size, had been harassed at school. They brought her into a back room, where surgeries were done, and they huddled around her like saints. There was something in Dr. Kimura’s wet eyes and chandelier voice that invited Josie to talk. And when Dr. Kimura asked the receptionist to leave, and told Josie she had the afternoon free, Josie told her everything. Her father was in Chiang Mai and, according to Josie’s mother, lived with a paid harem of four women, one of them thirteen years old. Her mother had been sleeping on the couch for two years. Now she was in love, but was using again and was marrying an addict. There had been new people in the house. They were dealing, they weren’t dealing, Josie didn’t know. She remembered backpacks lined up in the foyer, always different backpacks, and the new men would arrive and leave with one of these backpacks. Josie began hiding in her room.

Through Josie’s ramblings, Dr. Kimura said very little. But her eyes seemed to have settled on something. “Why don’t you come here after school for a while? Tell your mom it’s an apprenticeship,” she said. “You need a calm place to be for a few hours every day.”

The first week Josie sat in the waiting room, doing her homework, feeling the thrill of betraying her mother in this small way. But she grew accustomed to the calm, to the simplicity, the predictability of the office. People came, went, paid, talked. There was no chaos, no screaming, no mother on the couch, no mother interacting with skittish men with hollow eyes. Sometimes Dr. Kimura brought her back to show her something interesting — an unusual X-ray, how the molds were made. But usually she spent those hours in Sunny’s office — Dr. Kimura had told her to use her first name — doing her homework, sometimes napping, occasionally wondering about the photo of a teenager, a dishwater-blond girl who looked so unlike Sunny that Josie assumed it was a patient. After the last patient, Josie would help close up the office, and Sunny would ask for updates about happenings at home. Sunny listened, her eyes angry, but never said a disparaging word about Josie’s mother. They were about the same age, Sunny and her mother, somewhere in the late thirties, but Sunny seemed a generation or two removed, far more settled and wise.

One day she closed the office door. “I know this might be the last time I talk to you,” she said. “Because what I’m about to suggest will trigger a series of events that might get me in a world of trouble and might cost me my practice. But I think you should pursue emancipation from your parents, and if you do it, I’d like you to come to live with me. I know a lawyer.”

The lawyer, a quiet but persistent woman named Helen, was a friend of Sunny’s. They met the next day. She had a tight mound of curly hair and unblinking eyes. The two of them, Sunny and Helen, sat across from Josie, shoulder to shoulder. “We won’t do this if there’s any possibility of it getting ugly,” Helen said. “You already have enough drama in your life,” Sunny added. “If your mother objects…” Helen began, but Sunny finished the thought: “then we can reassess. What do you think?”

Their eagerness was both unnerving and infectious. Josie wanted to do it. She wanted to be around these sober, functioning, efficient women who made grand plans quickly.

“Okay,” Josie said, utterly unsure.

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