Sjón - Moonstone - The Boy Who Never Was

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The mind-bending miniature historical epic is Sjón's specialty, and
is no exception. But it is also Sjón's most realistic, accessible, and heartfelt work yet. It is the story of a young man on the fringes of a society that is itself at the fringes of the world-at what seems like history's most tumultuous, perhaps ultimate moment.
Máni Steinn is queer in a society in which the idea of homosexuality is beyond the furthest extreme. His city, Reykjavik in 1918, is homogeneous and isolated and seems entirely defenseless against the Spanish flu, which has already torn through Europe, Asia, and North America and is now lapping up on Iceland's shores. And if the flu doesn't do it, there's always the threat that war will spread all the way north. And yet the outside world has also brought Icelanders cinema! And there's nothing like a dark, silent room with a film from Europe flickering on the screen to help you escape from the overwhelming threats-and adventures-of the night, to transport you, to make you feel like everything is going to be all right. For Máni Steinn, the question is whether, at Reykjavik's darkest hour, he should retreat all the way into this imaginary world, or if he should engage with the society that has so soundly rejected him.

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It would be incorrect to say that the boy is wholly idle as he loiters there on the hotel sidewalk. He is, in fact, amusing himself by analyzing the life around him, with an acuity honed by watching some five hundred films in which every glance, every movement, every expression, and every pose is charged with meaning and clues as to the subject’s inner feelings and intentions, whether for good or for evil. Indeed, all mankind’s behavior is an open book to him — how people conduct themselves in groups, large or small; their relationship to every conceivable thing; their movements in all kinds of interior, in the streets, in the town and country — since the simplified and exaggerated miming of the actors has made it easier for the boy to fix it all in his mind.

His attention is particularly drawn to a knot of young men who have gathered by the hotel doors. Although they are dressed up in their best suits to gain entrance to the dining room, he recognizes among them three former Varangians, who are now at the College for Marine Engineers. He overhears them saying that some of the Botnia ’s crew are ill with the same influenza that ravaged the country last summer, and that the ship will be delayed while new hands are found to take their place. The boy knows the illness from personal experience. He was as sick as a dog for five days, with a headache and a high temperature, a cold and an upset stomach, and missed the films From Headquarters and The Black Owl , neither of which, to his great dismay, has been shown again.

One of the boys from the engineers’ college shows his companions a ring he is wearing on the little finger of his left hand: a silver ring with a black stone. It is a gift from his sister, who has today returned from Denmark after six months’ training in home economics at the smørrebrød school in Odense. The youth holds up the ring to catch the glow of the gaslight by the hotel entrance, and his friends duly admire it. He kisses the black stone: Sis really is the best! What a pity she couldn’t come along this evening, but she’s feeling a bit out of sorts after the voyage.

The cathedral bell tolls nine.

The group of friends is drawn into Hotel Iceland.

The boy dashes across the square: the projectionist at the Old Cinema is as punctual as the sun.

vi

— Moonstone …

The boy makes a puzzled sound. The man points at him:

Your name, Máni Steinn, Moonstone …

He repeats the word, mimicking the man’s pronunciation:

— Mún-stón …

The man nods gravely.

Yes, you are

The boy translates the words in his head: “Yes, you are.” Is English such a simple language, then, that it fits Icelandic word for word? Perhaps he could learn it like that, beginning with the words that are exactly the same, if he repeats them often enough?

He points at the man.

— Yú neim …

The man laughs.

Is none of your business

Turning serious again, he runs his fingers through the boy’s dark-red hair.

Auburn moon, harvest moon

This requires more effort in language learning than the boy can be bothered to make. Yet, unable to resist the temptation, he repeats:

—Óborn mún, nonn off yor bisniss …

Smiling at the man, he seizes his hand and removes it from his head to place it between his legs. They are under the covers in the man’s bed in Hotel Iceland.

The man turns away from the boy, pressing against his hot body and guiding the boy’s hard member inside himself.

* * *

Spring turns to Autumn over night

In Flanders field,

Before its time the corn is cut,

Your auburn hair,

A harvest meal by ravens pluck’d.

— From Billy by Anonymous (1915)

* * *

After the Fatty short was over, the boy had wandered around the center of town, ending up by the illuminated window of Café Skjaldbreid.

A foreigner was sitting at a table inside, reading a book through a pair of pince-nez. He was about thirty, and the boy was intrigued by his fair waxed mustache and wavy hair. After a few minutes, the man sensed that he was being watched. Lowering his book, he glanced around. When finally he caught sight of the boy’s face in the window, he turned chalk-white and leaped to his feet.

The boy waited for him outside in the dark street, his back to the café, and let the man come right up to him before he turned. The man held out a shaking hand as if he couldn’t believe the boy was of this world.

— Billy?

* * *

After the boy had crawled in through the window of his hotel room and they had begun to take off their clothes, the man unfastened the artificial leg made of hardwood that was attached with a leather harness to his right thigh.

The boy had never seen such a device before and examined the leg from every angle until the man took it away from him and hung it from the foot of the bed. He drew Máni Steinn under the covers to join him:

Moonstone

III (October 31–November 1, 1918)

vii

Almost all anyone in Reykjavík can talk about these days is the “Spanish flu,” which, it is now believed, was carried to the country on the steamship Botnia .

Cables from Copenhagen report that the pestilence is raging there with devastating virulence; comparisons are being made with the cholera epidemic that ravaged the city in 1853. At the same time, articles appear in the Reykjavík papers with statements by respected Danish physicians claiming that the symptoms of the disease are no more serious than might be expected from common influenza, and that there is no cause to resort to drastic and costly preventative measures, since the mortality rate must be regarded as within acceptable limits. Endorsing this policy, the Icelandic Board of Health merely urges the public to take precautions similar to those they would take for the seasonal grippe that does the rounds every year. Other voices are heard saying that no notice should be taken of the bleating of the Dane, since he is made of different stuff from the Icelanders — those proud descendants of the Viking warrior Egill Skallagrímsson.

But with every day that passes without government action, more of the townspeople are struck down with symptoms just like those described in the news from Denmark as afflicting the lesser race. These include painful pneumonia, physical prostration, nervous depression, and fever.

The boy has heard the old lady reading these things aloud to herself from copies of Morgunbladid , which she receives gratis at the end of every week when their landlord downstairs has finished with them. For such skill had she brought to wiping this man’s bottom in his infancy that, once her working days were over, he had invited her to live in his attic rent-free. Later, when she was asked to take in the boy, the landlord had made no objection to his living with her. And this despite the fact the blessed man is a socialist —and all his folk, as the old lady exclaims every time the family downstairs does her a kindness.

The boy has learned in addition that at number 5 Raudarárstígur there is a used cooking stove for sale; that Mrs. Harlyk is to lead a meeting of the Salvation Army; that a marriage has taken place between the painter Fridrik E. Borgfjörd and Ólöf Bjarnadóttir of Lambastadir; that such Danish foodstuffs as appetitsild, ansjoser , and sardiner are available from Einar Árnason’s stores; that a purse has been lost and a silver brooch found, because the old lady enunciates every last word that is printed in the papers.

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