Nadia Hashimi - The Pearl that Broke Its Shell

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Afghan-American Nadia Hashimi's literary debut novel,
is a searing tale of powerlessness, fate, and the freedom to control one's own fate that combines the cultural flavor and emotional resonance of the works of Khaled Hosseini, Jhumpa Lahiri, and Lisa See.
In Kabul, 2007, with a drug-addicted father and no brothers, Rahima and her sisters can only sporadically attend school, and can rarely leave the house. Their only hope lies in the ancient custom of bacha posh, which allows young Rahima to dress and be treated as a boy until she is of marriageable age. As a son, she can attend school, go to the market, and chaperone her older sisters.
But Rahima is not the first in her family to adopt this unusual custom. A century earlier, her great-aunt, Shekiba, left orphaned by an epidemic, saved herself and built a new life the same way.
Crisscrossing in time,
interweaves the tales of these two women separated by a century who share similar destinies. But what will happen once Rahima is of marriageable age? Will Shekiba always live as a man? And if Rahima cannot adapt to life as a bride, how will she survive?

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And there was a girl. She was my age and her story made me realize that I wasn’t alone. At twelve years old, she’d been married off to a man five times her age. Her family had put her in a white dress and taken her to a party. At the end of the night, they left without her. Four years later, she had run off, escaping the in-laws who treated her as a slave.

I wasn’t ready to share my story with them yet. Even here, in this open room with Afghan carpets and the smell of cumin, I felt my husband’s reach. If he knew where to look, it would only take him a day to reach me. The thought made me so nervous I could barely eat.

Hamida and Sufia only came once. I missed them but I could expect nothing more, knowing the route was long and that they had obligations to their own families. Visiting a shelter could attract the wrong attention and endanger everyone involved. I would always think of them warmly and with deep gratitude, remembering how they and Ms. Franklin had formulated a plan to help me escape the naseeb that awaited me had I returned to my husband. My plan, though, didn’t account for what might happen to Badriya. Hamida and Sufia had seen her once the day after my disappearance. She looked furious and suspicious, they said, but she seemed to believe their surprise to hear I was missing. I was sure Abdul Khaliq would never let her return to Kabul and I hated to think what Abdul Khaliq had done to her when she’d returned to the compound. Though she hadn’t been kind to me, I wished his wrath on no one.

I had time in the shelter, time to finally sit down and contemplate all that had happened. I felt embarrassed, remembering the day I’d argued with Khala Shaima, snapped at her that all the education she’d pushed me to get hadn’t done me one bit of good.

It wasn’t true.

It was only because I was literate that I was able to join Badriya in Kabul. It was only because I could hold a pen with purpose that I was able to be her assistant and feel comfortable joining Hamida and Sufia in the resource center. It was my few years of school that allowed me to read the beauty shop flyer in the store window, to locate the street where Ms. Franklin waited nervously to help me make my escape.

I’m sorry, Khala -jan . I’m sorry I never thanked you for fighting for me, for everything you taught me, for the stories you told me, for the escape you gave me.

My only regret was that I hadn’t been able to send word to Khala Shaima, to let her know that I had made it out and that I was safe. I hoped she didn’t think Abdul Khaliq had killed me. I prayed she would not try to visit me at Abdul Khaliq’s compound, knowing she would be met by my very angry husband. But I wanted to send her a message, somehow — I had to try. I would take pen to paper and write my dear aunt a note, a few words, so that she could share in what I’d managed to do, what she’d given me the strength to do.

I finally was able to convince Ms. Franklin to mail her a letter.

The letter, addressed to Khala Shaima, was from her second cousin and it talked of nothing but the smell of fresh air, the delightful sound of birds chirping, and the hope that the family could pay a visit sometime soon.

I had no way of knowing if it had arrived, so I could only hope that the letter found Khala Shaima. It wasn’t until many years later, a lifetime really, that I heard it had been discovered in her hand by her older sister, my khala Zeba. Khala Zeba couldn’t make sense of it anyway, since she’d never gone to school or learned her letters. She was too distraught at finding her sickly sister cold and breathless to give it much thought then anyway. But two weeks later, when the rhythm of her life returned and the birds had prayed all they could over Khala Shaima’s grave, she would ask her husband to read it for her and be puzzled, wondering which cousin would write to her crippled sister of things as mundane as birds and the weather.

The letter was signed Bibi Shekiba.

ACKNOWLEDGMENTS

Thank you to my parents who gave me the tools to write about a girl who deserves the world. I am yours, always. To Zoran and Zayla, you made this story important to tell — I love you. Thank you to my husband, Amin, for your ideas, discussions, and faith in me. You’ve made my dreams come true. To my street-smart, wise-cracking brother, Fawod, my first and forever fan, thank you for your absolute confidence. Fahima, my muse, the spark that ignited this story and my first reader, how grateful I am for your support, every day! I am thankful for the legacy I’ve inherited, the creativity and traditions from the greats and grands in my own family, and hope to pay tribute to them through this story.

A great big hug to my agent, Helen Heller, who took my draft and ran with it. Thank you for your confidence and guiding ideas through this process. A special thanks to my editor, Rachel Kahan, for taking this story on and never letting go! Your input and feedback has been invaluable and I am so glad to be with you. Much appreciation to the entire team at William Morrow for turning a draft into a real thing! No list of thanks would be complete without acknowledging the impact that teachers and coffee shops have on realizing dreams. My gratitude to Tahera Shairzay, who provided invaluable firsthand insight into the workings of the Afghan parliament and for her contribution to progress in Kabul. My appreciation to Louis and Nancy Dupree for their contributions to documenting Afghanistan’s culture and history. Their works have been an invaluable resource.

This story is loosely based on historical figures in Afghanistan as well as contemporary citizens. It is a work of fiction and I have taken great liberties, but I have no doubt that more of it is factual than we would hope. A special acknowledgment to the daughters, sisters, mothers, aunts, and teachers of Afghanistan, and to those individuals and groups who work so tirelessly to make that world a better place. To the daughters of Afghanistan, may the sun warm your faces as you forge your paths.

ABOUT THE AUTHOR

NADIA HASHIMI’s parents left Afghanistan in the 1970s, before the Soviet invasion. She was raised in the United States, and in 2002 she visited Afghanistan for the first time with her parents. Hashimi is a pediatrician and lives with her family in suburban Washington, D.C.

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