Iain Sinclair - Dining on Stones

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Dining on Stones
Andrew Norton, poet, visionary and hack, is handed a mysterious package that sees him quit London and head out along the A13 on an as yet undefined quest. Holing up in a roadside hotel, unable to make sense of his search, he is haunted by ghosts: of the dead and the not-so dead; demanding wives and ex-wives; East End gangsters; even competing versions of himself. Shifting from Hackney to Hastings and all places in-between, while dissecting a man's fractured psyche piece by piece, Dining on Stones is a puzzle and a quest — for both writer and reader.
'Exhilarating, wonderfully funny, greatly unsettling — Sinclair on top form' 'Prose of almost incantatory power, cut with Chandleresque pithiness' 'Spectacular: the work of a man with the power to see things as they are, and magnify that vision with a clarity that is at once hallucinatory and forensic' Iain Sinclair is the author of
(winner of the James Tait Black Memorial Prize and the Encore Award);
(with Rachel Lichtenstein);
and
. He is also the editor of
.Andrew Norton, poet, visionary and hack, is handed a mysterious package that sees him quit London and head out along the A13 on an as yet undefined quest. Holing up in a roadside hotel, unable to make sense of his search, he is haunted by ghosts: of the dead and the not-so dead; demanding wives and ex-wives; East End gangsters; even competing versions of himself. Shifting from Hackney to Hastings and all places in-between, while dissecting a man's fractured psyche piece by piece,
is a puzzle and a quest — for both writer and reader.
Praise for Iain Sinclair:
'A modern-day William Blake' Jacques Peretti, 'One of the finest writers alive' Alan Moore
'Eloquent chronicler of London's grunge and glory' 'He writes with a fascinated, gleeful disgust, sees with neo-Blakean vision, listens with an ear tuned to the white noise of an asphalt soundtrack' 'Sinclair is a genius. Sinclair is the poet of place' 'Sinclair breathes wondrous life into monstrous, man-made landscapes' 'Iain Sinclair is a reliably exhilarating writer' 'He is incapable of writing a dull paragraph' Iain Sinclair is the author of
(winner of the James Tait Black Memorial Prize and the Encore Award);

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I picked up a book from the top of the pile and brought it close to my face. Deep-blue cloth with five wavelines, top and bottom, on spine. Caress it, feel the heat, then flip the lid.

Afterwards his story was not so clear. It lost itself amongst the innumerable tales of conspiracies and plots against the tyrant as a stream lost in an arid belt of sandy country before it emerges, diminished and troubled, perhaps, on the other side. The doctor made no secret of it that he had lived for years in the wildest parts of the Republic, wandering with almost unknown Indian tribes in the great forests of the far interior where the great rivers have their sources. But it was mere aimless wandering; he had written nothing, collected nothing, brought nothing for science out of the twilight of the forests, which seemed to cling to his battered personality limping about Sulaco, where it drifted in casually, only to get stranded on the shores of the sea.

Acknowledgements

Marina Fountain’s ‘Grays’ was originally published in 2002, in a slightly different version, by Goldmark (Uppingham), as part of a selection called White Goods . My thanks to Mike Goldmark.

Marina Fountain’s ‘View from My Window’ was published by the Worple Press, 2003, as part of a limited edition of The Verbals . My thanks to Peter and Amanda Carpenter. And to Kevin Jackson.

The Publisher is grateful for permission to reproduce from the following: Under the Net by Iris Murdoch, published by Chatto & Windus. Reprinted by permission of the Random House Group Ltd; The Epic of Gilgamesh translated by Andrew George (Penguin Books, 1999), translation copyright © Andrew George, 1999; Behindlings by Nicola Barker, published by HarperCollins Publishers Ltd, copyright © Nicola Barker, 2002; Motion Studies by Rebecca Solnit, published by Bloomsbury Publishing, copyright © Rebecca Solnit, 2003.

Thanks to J.G. Ballard for permission to quote from his works, to Jennifer Dorn for permission to quote from Ed Dorn’s poetry, to Lee Harwood for permission to quote from his letters, and to Andrew Dakers Ltd for the extract from More Things in Heaven by Walter Owen.

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