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Aravind Adiga: Selection Day

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Aravind Adiga Selection Day

Selection Day: краткое содержание, описание и аннотация

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Manju is fourteen. He knows he is good at cricket — if not as good as his elder brother Radha. He knows that he fears and resents his domineering and cricket-obsessed father, admires his brilliantly talented brother and is fascinated by CSI and curious and interesting scientific facts. But there are many things, about himself and about the world, that he doesn't know. . Everyone around him, it seems, has a clear idea of who Manju should be, except Manju himself. But when Manju begins to get to know Radha's great rival, a boy as privileged and confident as Manju is not, everything in Manju's world begins to change and he is faced by decisions that will challenge both his sense of self and of the world around him. As sensitively observed as — Winner of the Man Booker Prize 2008 — was brilliantly furious, reveals another facet of Aravind Adiga's remarkable talent.

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‘Tommy Sir. Please. I know what I felt in my heart when that boy was batting. I know.’

‘My dear Pramod. Hockey is India’s national game, chess best suits our body type, and football is the future.’

Two old stumps lay in their path. Tommy Sir picked up one and Sawant pretended to pick up the other.

‘Football has been the future for fifty years, Tommy Sir. Nothing will replace cricket.’

The two men walked the rest of the circle in silence, and then Tommy Sir, holding the stump against his chest, started a third tour of the ground.

He spoke at last.

‘Pramod, the great George Bernard Shaw said: they haven’t spoken English in America in decades. And I say about Indians: we haven’t played cricket in decades. At least since 1978. Go home now. I am very tired, I want to hike near Mahabaleshwar this weekend. I dream of mountains, Pramod.’

Sawant, fighting for breath, could see only one piece of uncollected rubbish: a white glove lying in the very centre of the ground. Clenching his fists, he raced Tommy Sir to the glove, and picked it up first.

‘A bit of Sandeep Patil meets a bit of Ricky Ponting. You should have seen the boy today.’

‘Are you deaf?’ Tense muscles extended Tommy Sir’s high forehead. ‘In 1978, Sunny Gavaskar lost the ability to leave the ball outside the off-stump, and since then we’ve been playing baseball and calling it cricket. Go home.’

He snatched the glove from Sawant.

Walking to a corner of the ground, he let the rubbish spill from his hands: in the morning, the peon would move all of it into the storeroom.

As Sawant watched, Tommy Sir got into an autorickshaw, which began to move. Then, as if in a silent movie, the auto stopped, and a man’s palm shot out and beckoned.

Loaded now with both men, the auto left the Bandra-Kurla Complex for the highway, and then turned into Kalanagar, where it stopped outside a mildew-stained housing society.

Suffering Sawant to pay the driver, Tommy Sir got out of the autorickshaw; he looked up at the fourth floor of the building to see if his daughter Lata had left the lights on in the kitchen despite his telling her, for twenty-two years, that this was against every principle of Home Science, a wonderful subject which they once used to teach young women in every college in this country.

Tommy Sir pointed at the sky over his housing society: the full moon was balanced on a water tank.

‘Pramod, on a night like this, you know the young people in Bandra just go crazy. Out in the Bandstand, those boys and girls walk all the way out onto the rocks, sit down, start kissing. They forget that the ocean exists. Slowly the tide comes in. Higher and higher.’ The old man raised his fingers to his collarbones. ‘All at once, the young people stop kissing, because they find themselves sitting in the middle of the ocean, and they start screaming for their lives.’

He paused.

‘Pramod — what is the younger one’s name? Manju?’

‘I knew you’d agree, Tommy Sir. You believe in the future of this country. I’ll tell the visionary. I mean the other visionary.’

‘Pramod Sawant: now listen to me. One, this visionary of yours is probably just a bootlegger. Second, I like Radha Kumar, but I don’t like his father. The Chutney Raja is mad. I met him six month ago, remember? Now I have to deal with him twice over?’

‘That’s the only negative point, I agree. The father is mad.’

Tommy Sir blamed the full moon over the watertank for what he said next.

‘How much Sandeep Patil?’

For nearly forty years now, a tall, grey-haired man with small eyes had been seen at maidans, school compounds, gymkhanas, members-only clubs, and any other place where boys in white uniforms had gathered. All through the cricket season, either at the Bombay Gymkhana, or at Shivaji Park, or at the Oval Maidan, Tommy Sir would be watching (hands on hips, brows corrugated) and yelling: ‘Greatshot!’ ‘Bowling!’ ‘Duffer!’ When he was angry, his jaw shifted. A boy scores a century in the sun, comes back to the school tent expecting an attaboy from the great Tommy Sir, but instead a thick hand smacks the back of his head: ‘What’s wrong with a double century?’ He had broken many a young cricketer’s heart with a sentence or two: ‘Not good enough for this game, son. Try hockey instead.’ Blunt. Tommy Sir was given to the truth as some men are to drink. Once or twice in the season he would take a batsman, after a long and productive innings, to the sugar-cane stand; on such occasions, the boys stood together and watched with open mouths: Mogambo Khush Hua. Tommy Sir is pleased.

Not his real name, obviously. Because Narayanrao Sadashivrao Kulkarni was too long, his friends called him Tommy; and because that was too short, his protégés called him Tommy Sir. Like a Labrador that had been knighted by Her Majesty Queen of England. Ridiculous.

He hated the name.

Naturally, it stuck.

On the day before his marriage in July 1974, he told his wife-to-be, who had arrived by overnight train from a village near Nashik, six salient points about himself. One, this is my salary statement. Read it and understand I am not a man meant to be rich in life. Two, I don’t believe in God. Three, I don’t watch movies, whether Hindi, Hollywood or Marathi. Four, likewise for live theatrical productions. Five, every Sunday when Ranji, Harris, Giles, Vijay Merchant, Kanga or any type of cricket is being played in the city of Bombay, I will not be at home from breakfast to dinner. Six, one weekend a year I go to the Western Ghats near Pune and I have to be absolutely alone that weekend, and Six Point Two, because seven points are too many for any woman to remember, before I die, I want to discover a new Vivian Richards, Hanif Mohammed or Don Bradman. Think about these six points and marry me tomorrow if you want. Afterward don’t regret: I won’t give divorce.

Educated man, literary man, man of many allusions: his column on the traditions of Mumbai cricket was syndicated in sixteen newspapers around India. Artistic man, cultured man, self-taught painter: his watercolour interpretations of black-and-white photos of classic Test matches had been exhibited to universal acclaim at the Jehangir Art Gallery a few years ago. Said to be working in secret on a history of the Maratha army in the eighteenth century. Possibly the best talent scout ever seen in India. Thirteen of his discoveries had made the city’s Ranji Trophy team, including ‘Speed Demon’ T.O. Shenoy, bowler of the fastest ball in the city’s history; plus, during a six-month stint in Chennai in the 1990s, he had uncovered two genuine rubies in the South Indian mud who went on to scintillate for Tamil Nadu cricket. On his desktop computer were testimonials from nine current, six retired and two semi-retired Ranji Trophy players; also signed letters of appreciation from the cricket boards of seventeen nations.

And all these people, whether in Mumbai, Tamil Nadu or anywhere else, know the same thing Head Coach Pramod Sawant knows: somewhere out there is the new Sachin Tendulkar, the new Don Bradman, the one boy he has still not found in thirty-nine years — and Tommy Sir wants that boy more than he wants a glass of water on a hot day.

There — opposite Victoria Terminus. Disappearing.

Manjunath Kumar ran down the steps towards a tunnel, the black handle of a cricket bat jutting like an abbreviated kendo stick from the kitbag on his left shoulder. Three more steps before he reached the tunnel. Fact Stranger than Fiction: place a glass of boiling water in your freezer next to a glass of lukewarm water. The glass of boiling water turns into ice before the lukewarm water. How does one explain this paradox? The eyes bulged in his dark face, suggesting independence and defiance, but the chin was small and pointy, as if made to please the viewer; a first pimple had erupted on his cheek; and the prominent stitching on the side of his red cricket kitbag stated: ‘Property M.K. — s/o Mr Mohan Kumar, Dahisar’. In his pocket he had fifteen rupees, the exact amount required to buy peanuts and bottled water after the cricket, and a folded page of newspaper. Fact Stranger than Fiction: place a glass of boiling water in your freezer … The smelly, cacophonic tunnel was filled, even on a Sunday morning, with humanity, hunting in the raw fluorescent light for sports shoes, colourful shirts, and things that could entertain children. Fact Stranger than … Manju worked his way through the crowd. Mechanical toys attempted somersaults over his shoes. To catch his attention, two men stood side by side and slapped green tennis rackets against tin foil, setting off sparks. Electronic mosquito-killers. Only fifty rupees for you, son. How does one explain this paradox … Only forty rupees for you, son. In the distance, Manju saw the flight of steps leading up to Victoria Terminus. One half of the steps lay in twilight. There must be a lunette over the entrance of the tunnel, clouded over with one hundred years of Bombay grime. Thirty rupees is as low as I’ll go, even for you, son.

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