Jodi Picoult - Small Great Things

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Small Great Things: краткое содержание, описание и аннотация

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With richly layered characters and a gripping moral dilemma that will lead readers to question everything they know about privilege, power, and race, Small Great Things is the stunning new page-turner from #1 New York Times bestselling author Jodi Picoult.
"[Picoult] offers a thought-provoking examination of racism in America today, both overt and subtle. Her many readers will find much to discuss in the pages of this topical, moving book." – Booklist (starred review)
Ruth Jefferson is a labor and delivery nurse at a Connecticut hospital with more than twenty years' experience. During her shift, Ruth begins a routine checkup on a newborn, only to be told a few minutes later that she's been reassigned to another patient. The parents are white supremacists and don't want Ruth, who is African American, to touch their child. The hospital complies with their request, but the next day, the baby goes into cardiac distress while Ruth is alone in the nursery. Does she obey orders or does she intervene?
Ruth hesitates before performing CPR and, as a result, is charged with a serious crime. Kennedy McQuarrie, a white public defender, takes her case but gives unexpected advice: Kennedy insists that mentioning race in the courtroom is not a winning strategy. Conflicted by Kennedy's counsel, Ruth tries to keep life as normal as possible for her family – especially her teenage son – as the case becomes a media sensation. As the trial moves forward, Ruth and Kennedy must gain each other's trust, and come to see that what they've been taught their whole lives about others – and themselves – might be wrong.
With incredible empathy, intelligence, and candor, Jodi Picoult tackles race, privilege, prejudice, justice, and compassion – and doesn't offer easy answers. Small Great Things is a remarkable achievement from a writer at the top of her game.
Praise for Small Great Things
"Small Great Things is the most important novel Jodi Picoult has ever written… It will challenge her readers… [and] expand our cultural conversation about race and prejudice." – The Washington Post
"A novel that puts its finger on the very pulse of the nation that we live in today… a fantastic read from beginning to end, as can always be expected from Picoult, this novel maintains a steady, page-turning pace that makes it hard for readers to put down." – San Francisco Book Review
"A gripping courtroom drama… Given the current political climate it is quite prescient and worthwhile… This is a writer who understands her characters inside and out." – Roxane Gay, The New York Times Book Review
"I couldn't put it down. Her best yet!" – New York Times bestselling author Alice Hoffman
"A compelling, can't-put-it-down drama with a trademark [Jodi] Picoult twist." – Good Housekeeping
"It's Jodi Picoult, the prime provider of literary soul food. This riveting drama is sure to be supremely satisfying and a bravely thought-provoking tale on the dangers of prejudice." – Redbook
"Jodi Picoult is never afraid to take on hot topics, and in Small Great Things, she tackles race and discrimination in a way that will grab hold of you and refuse to let you go… This page-turner is perfect for book clubs." – Popsugar
From the Hardcover edition.

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Rachel’s friends were mostly the same age as her, but they acted like they were sixteen. I didn’t hang out with them very often, because they went to school in Harlem and I commuted to Dalton. But on weekends, if they came over, they made fun of me because I had wavy hair, instead of kinks like theirs, and because my skin was light. “You think you all that,” they’d say, and then they’d giggle into each other’s shoulders as if this were the punch line to a secret joke. When my mother made Rachel babysit me on weekends, and we would take the bus to a shopping center, I sat in the front while they all sat in the back. They called me Afrosaxon, instead of by my name. They sang along to music I didn’t know. When I told Rachel that I didn’t like her friends making fun of me, she told me to stop being so sensitive. “They just crackin’ on you,” she said. “Maybe if you let it slide a little, they’d like you more.”

One day, I ran into her friends when I was on my way home from school. This time, though, Rachel wasn’t with them. “Ooh, look what we got here,” said the tallest one, Fantasee. She yanked at my French braid, which was how the girls in my school were wearing their hair those days. “You think you so fancy,” she said, and the three of them surrounded me. “What? Can’t you talk for yourself? You need your sister to do it for you?”

“Stop,” I said. “Leave me alone. Please.”

“I think someone needs to remember where she from.” They grabbed at my backpack, unzipping it, throwing my schoolwork into the puddles on the ground, shoving me into the mud. Fantasee grabbed my Christie doll and dismembered her. Suddenly, like an avenging angel, Rachel arrived. She pulled Fantasee away and smacked her across the face. She tripped one of the other girls and pummeled the third. When they were all flattened, she stood over them with her fist. They crawled away, crabs in the gutter, and then scrambled to their feet and ran. I crouched down next to my broken Christie, and Rachel knelt beside me. “You okay?”

“Yeah,” I said. “But you…you hurt your friends.”

“I got other friends,” Rachel answered. “You’re my only sister.” She tugged me to my feet. “C’mon, let’s get you clean.”

We walked home in silence. Mama took one look at my hair and my ripped tights and hustled me into a bath. She put ice on Rachel’s knuckles.

Mama glued Christie back together, but her arm kept popping out and there was a permanent dent in the back of her head. Later that night, Rachel crawled into my bed. She’d done that when we were little, during thunderstorms. She handed me a chair that was made out of an empty cigarette pack, a yogurt cup, and some newspaper. Trash, that she had glued and taped together. “I thought Christie could use this,” she said.

I nodded, turning it over in my hands. Probably it would break apart when Christie first sat in it, but that wasn’t the point. I lifted up the covers and Rachel fitted herself to me, her front to my back. We rode out the night like that, like we were Siamese twins, sharing a heart that beat between us.

MY MOTHER SUFFERED her first stroke while she was vacuuming. Ms. Mina heard the crash of her body falling down, and found her lying on the edge of the Persian rug with her face pressed up against the tassel, as if she was inspecting it. She suffers her second stroke in the ambulance en route to the hospital. She is dead on arrival when we get there. I find Ms. Mina waiting for us, sobbing and overwrought. Edison stays with her, while I go to see Mama.

Some kind nurse has left the body for me. I go into the small curtained cubicle and sit down beside her. I take her hand; it’s still warm. “Why didn’t I call you last night?” I murmur. “Why didn’t I go visit you this past weekend?”

I sit on the edge of the bed, then tuck myself under her arm for a moment, lying with my ear against her still chest. This is the last chance I will have to be her baby.

It is a strange thing, being suddenly motherless. It’s like losing a rudder that was keeping me on course, one that I never paid much mind to before now. Who will teach me how to parent, how to deal with the unkindness of strangers, how to be humble?

You already did, I realize.

In silence, I cross to the sink. I fill a basin with warm, soapy water, and I place it beside my mama. I pull down the sheet that was left on her, after emergency intervention failed. I have not seen my mama naked in ages, but it is like looking in a mirror that distorts by years. This is what my breasts will look like, my belly. These are the stretch marks by which she remembered me. This is the curve of a spine that has worked hard to make her useful. These are the laugh lines that fan from her eyes.

I begin to wash her, the way I would wash a newborn. I run the cloth up the length of her arms and down her legs. I wipe between her toes. I sit her up, leaning her against the strength of my chest. She weighs next to nothing. As the water drips down her back, I rest my head on her shoulder, a one-sided embrace. She brought me into this world. I will help her leave it.

When I am finished, I cradle her in my arms, setting her back gently against the pillow. I pull the sheet up and tuck it beneath her chin. “I love you, Mama,” I whisper.

The curtain is yanked open, and Adisa stands there. In counterpoint to my quiet grief, she is wailing, sobbing loudly. She throws herself on Mama, clutching fistfuls of the sheet.

Like any fire, I know she’ll burn out. So I wait until her cries become hiccups. When she turns and sees me standing there, I truly think it’s the first time she realizes that I’m even in the room.

I don’t know if she holds out her arms to me or I hold out my arms to her, but we hold on for dear life. We talk over each other- Did Mina call you? Had she been feeling poorly? When was the last time you spoke to her? Shock and anguish run in loop, from me to her and back again.

Adisa hugs me tight. My hand tangles in her braids. “I told Wallace Mercy to find himself a new interview subject,” she whispers.

I draw away just long enough to meet her eye.

Adisa shrugs, as if I’ve asked a question. “You’re my only sister,” she says.

MAMA’S FUNERAL IS an Affair with a capital A, which is exactly how she’d want it. Her longtime church in Harlem is packed with parishioners who have known her for years. I sit in the front row beside Adisa, staring at the giant wooden cross hanging on the chancel wall, between two massive panes of stained glass, with a fountain beneath. On the altar is Mama’s casket-we got the fanciest one money could buy, which is what Ms. Mina insisted on, and she’s the one who is paying for the funeral. Edison stands near Pastor Harold, looking shell-shocked, wearing a black suit that is too short at his wrists and ankles, and his basketball sneakers. He is wearing reflective sunglasses, although we are inside. At first I thought that was disrespectful, but then I realized why. As a nurse, I see death visit all the time, but this is his first experience; he was too little to remember his daddy being sent home in a flag-draped coffin.

A long snake of folks shuffles down the aisle, a macabre dance to look in Mama’s open casket. She is wearing her favorite purple dress with sequins at the shoulders, and the black patent pumps that made her feet hurt, and the diamond studs that Ms. Mina and Mr. Sam gave her one year for Christmas that she never wore because she was so afraid one would fall out and she would lose it. I wanted to bury her in her lucky scarf, but in spite of turning her apartment upside down, I could not find it to bring to the undertaker. “She looks like she’s at peace,” I hear, over and over. Or “She looks just like herself, don’t she?” Neither one of these is true. She looks like an illustration in a book, two-dimensional, when she ought to be leaping off the page.

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