Carrie Fisher - Postcards from the Edge

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Postcards from the Edge: краткое содержание, описание и аннотация

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When we first meet the extraordinary young actress Suzanne Vale, she’s feeling like ‘something on the bottom of someone’s shoe, and not even someone interesting.’ Suzanne is in the harrowing and hilarious throes of drug rehabilitation, trying to understand what happened to her life and how she managed to land in a ‘drug hospital.’
Just as Fisher’s first film role-the precocious teenager in Shampoo-echoed her own Beverly Hills upbringing, her first book is set within the world she knows better than anyone else: Hollywood. More of a fiction montage than a novel in the conventional sense, this stunning literary debut chronicles Suzanne’s vivid, excruciatingly funny experiences – from the clinic to her coming to terms with life in the outside world. Conversations with her psychiatrist ‘What worries me is, what if this guy is really the one for me and I haven’t had enough therapy to be comfortable with having found him?’; a high-concept, eighties-style affair ‘The only way to become intimate for me is repeated exposure. My route to intimacy is routine. I establish a pattern with somebody and then I notice when they’re not there?’
Sparked by Suzanne’s and Carrie Fisher’s deliciously wry sense of the absurd, Postcards from the Edge is more than a book about stardom and drugs. It is a revealing look at the dangers – and delights – of all our addictions, from money and success to sex and insecurity.

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“Could I be eating something that makes me apathetic and insecure?” asked Suzanne doubtfully.

“You underestimate the power of food allergies,” said her mother confidently. “I told Dr. Feldman you’d be calling him.”

“Just imagine,” Suzanne said. “Here I’ve spent all these years in therapy, and it could have been tuna all along.”

Suzanne was watching a black-and-white film starring Joseph Cotten and Ginger Rogers late Sunday afternoon, her ninth day in bed, when the phone rang. She grabbed it on the first ring. “You’re on the line,” she said.

“What if I were a guy?” said Lucy. “I would think you’re desperate.”

“I am desperate,” said Suzanne. “Are you back? I thought you were spending the summer in New York with Colonel Bob.”

“New York in the summer is like a cough,” said Lucy. “It’s like the whole country came here and coughed. Anyway, he went back to his wife.”

“How bad do you feel?” asked Suzanne compassionately.

“Not too bad yet, but I always have emotional jet lag,” Lucy said. “I just got home and crawled into bed, so that when the impact hits me like a crippling flu, I’ll be where I belong.”

“I’m going for a world record,” said Suzanne. “I’ve been in bed for over a week. My life is like a lone, forgotten Q-Tip in the second-to-last drawer.”

“Who am I speaking to?” asked Lucy. “Sylvia Plath?”

“Sylvia Papp,” said Suzanne. “Joe’s wife. Why don’t you come over here and join me in my not-so-silent vigil?”

“I’m going to be too depressed,” said Lucy. “I shouldn’t drive.”

“I’ll send a limo for you,” said Suzanne.

An hour later, a black limousine turned off Outpost into Suzanne’s driveway and Lucy got out. She was wearing her nightgown. She went into the house through the garage, walked back to the huge bedroom, and climbed into the bed. “Actors may know how to act,” she said, “but a lot of them don’t know how to behave.”

“So,” said Suzanne, “was it devastating?”

“I don’t know yet,” said Lucy. “I don’t know that you could be devastated by an actor. But you know what? It’s more insulting that he would dump me because he’s not that good an actor. He’s more like a TV actor than a movie actor, and it’s just not as interesting as being left by a movie actor. I mean, when I was left by Andrew Keyes, you know, it was Andrew Keyes , and I got an anecdote out of it.”

“You have slept with guys other than actors, haven’t you?” asked Suzanne, offering Lucy a bowl of stale popcorn. “I seem to remember you going out with a lawyer.”

“Bill Taft,” said Lucy. “Yeah. It was boring . He used to talk about stuff like clearing miles of forests in Canada. That’s what he talked about for amusement . I wanted to die in my salad at dinner.”

Suzanne reached for the clicker and changed the channel. Their friend Amy Baxter was on the screen in an episode of her series, Honey, I’m Home! “What do you think about this thing with Amy and the art director?” she asked.

“Amy will never stay in that relationship,” Lucy said. “She chased after him and chased after him, and now she’s got him. I think she’ll probably stay for a while because she’d be too embarrassed to leave so soon, but have you ever seen anyone look so bored?”

“That isn’t bored. That’s Amy,” said Suzanne. “This guy is fabulous . He’s real smart, he’s good-looking, he’s nice, and not even that too nice thing. He’s got money, he’s well connected, and he’s got great taste in clothes. It’s not like she found him under a rock. This is a great guy, but you know Amy. She’s holding out for a greater guy. Somebody better could move to Hollywood, and if he did, then she would want that guy. Amy has to keep about thirty percent of herself in reserve just in case.”

“Remember Sam Eisenberg?” Lucy said with a laugh. “She rolled through Sam like thunder.”

“You know who would be a real blocker for her?” asked Suzanne. “Todd Zane. She could try to save Todd Zane. That would be brilliant.”

“Did you ever sleep with him?” Lucy asked.

“Todd Zane?” said Suzanne. “No. Did you?”

“Yeah, I did,” said Lucy. “He is great. He told me someone told him that he gave head like a girl.”

“Really?” said Suzanne. “What does that mean? Good?”

“Yeah, I guess good,” said Lucy. She stuck a few pieces of popcorn in her mouth. “I swear,” she said. “I think I’m so slutty sometimes.”

“Could you go get me a Diet Coke?” Suzanne asked in a small voice. “I don’t want to walk by the mirror. My hair is so greasy it looks like it was poured over my head.”

Lucy went to the kitchen and came back with two cans of Diet Coke. “The last time I had sex with Scott Hastings—excuse me, with Colonel Hastings,” she said, “it lasted three hours.”

“You like to have that endless, nightmare sex,” said Suzanne. “You use it like a flesh feedbag, you just put some guy on your face and you go into it like… like I used to go into drugs, I guess.”

“Sometimes I think all I want is to find a mean guy and make him be nice to me,” said Lucy. “Or maybe a nice guy who’s a little bit mean to me. But they’re usually too nice too soon or too mean too long.”

“I think I’m ill suited for relationships,” said Suzanne, “and this is not a thought that’s going away. I mean, I can’t date my whole life. I didn’t even do it well when I was the right age. Think about it. What kind of a wimpy, pathetic guy would be willing to crawl through the moat of my personality and live in my house, with my stuff?” She opened her Diet Coke and sipped it as if she was sucking poison out of an aluminum wound. “I think I’m right on the verge of accepting that I’m going to live out my life in front of a television.” She pointed at the screen. “That’s gonna be the last thing I see before I die,” she said, starting to laugh. “Rob Lowe’s face in St. Elmo’s Fire . I’ll be in a hospital and they’ll be banging on my chest to get my heart started, and I’ll be staring over them at the TV screen, and this movie will be on it. It’s my destiny, I feel it.”

“I know I’m going to get old and be one of those crazy women who sit on balconies and spit on people and scream, ‘Get a haircut!’” Lucy said. “I know this, and I don’t really fear it. I’d just like to move toward it with as much grace and dignity as possible.”

On MTV, a new video came on by a pretty singer whose agent was featured in several scenes. Suzanne knew the agent from her high school days. Her cousin had given him a blow job at a party once, but that was before she’d found Jesus, who knocked those blow jobs at parties right out of her.

“Remember what it was like when you’d be getting ready to jump rope,” she asked, “and two people were turning it, and you were waiting for exactly the right moment to jump in? I feel like that all the time.”

“I keep thinking that we’ll grow out of this,” said Lucy.

“Grow out of it?” said Suzanne. “How much growing do you all of a sudden do after thirty?”

“Maybe it’s a hormonal thing,” Lucy offered.

“Maybe it is food allergies,” said Suzanne. “Maybe my mom’s right. Maybe this is all tuna.”

“Could we be having a nervous breakdown?” Lucy asked. “A controlled nervous breakdown?”

“I don’t know,” Suzanne said doubtfully. “I’m not that nervous, and it’s not really a breakdown. It’s more of a back down, or a backing off. A pit stop. That’s what we’re having, a nervous pit stop. A not-so-nervous pit stop.”

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