Kevin Chong - The Plague

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A modern retelling of the Camus classic that posits its story of infectious disease and quarantine in our contemporary age of social justice and rising inequity.
At first it was the dead rats. They started dying in cataclysmic numbers, followed by other city creatures. Then people begin experiencing flu-like symptoms as well as swellings in their lymph nodes. The citizenry reacts in disbelief when the diagnosis comes in and later, when a quarantine is imposed on the increasingly terrified city.
Inspired by Albert Camus’ classic 1947 novel, Kevin Chong’s The Plague follows Dr. Bernard Rieux’s attempts to fight the treatment-resistant disease and find meaning in suffering. His efforts are aided by Megan Tso, an American writer who is trapped in the city while on a book tour, and Raymond Siddhu, a city hall reporter at a daily newspaper on its last legs from the latest round of job cuts.
Told with dark humor and an eye trained on the frailties of human behavior, Chong’s novel explores themes in keeping with Camus’ original vision—heroism in the face of futility, the psychological strain of quarantine—but fraught with the political and cultural anxieties of our present day.

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In the process of preparing the apartment for rental, she cleared some of her own space. She found Janet’s unopened letters and read them for the first time. There were three separate letters written three months apart in the first three months after their split. The first letter was the longest and most conciliatory. The final one was cold and brief. The second one fell in the middle of those extremes.

“She basically wrote the same letter three different ways,” she told Tso. “The third letter was the clearest one.” In her unanswered correspondence, she explained that she felt guilty for mistreating Grossman and that she could not repay her. She would never be happy trying to repay her. She chose instead to live with her guilt and move on.

The admission of fault moved Grossman. “It means more to me than her saying she would always love me,” she said. “Because love fades. It’s guilt that lasts.”

To celebrate the city’s reopening, Grossman reactivated another “long-dormant thing,” her internet dating profile. She invited Tso over for tea so that she could share her initial impressions about her romantic prospects. Hanging on a clothes line from the wall over the kitchen table was what at first seemed to be a chain of paper dolls. Upon closer inspection, Tso realized that the dolls, held to the clothesline with binder clips, were pictures of Grossman. They were the cut-out images of herself from Janet’s paintings.

Grossman noticed the figures had caught Tso’s attention. “I’m not sure I’ll keep the cut-outs like that,” she said. “I might put them all in a scrapbook.” She had arranged the paper dolls from the youngest-looking one—Grossman wearing her Gertrude Stein T-shirt—to depictions of her from later in their relationship. Each figure, stripped from its tableaux, was finely detailed. As the paper dolls danced across the clothesline, the depictions of Grossman’s features gained wrinkles and the tint of her hair mutated. Her expression grew lighter, less like a horny satyr and more restful and content, as she collected experience. At the end of the line, Tso saw her friend.

_________

From outside the quarantine zone, Raymond Siddhu sent out resumes for various communications jobs in the public and private sector.

As he waited for a response, he continued the couples therapy that he and Uma had begun in late January. During their sessions, Siddhu revealed his previous infidelity to his wife. Although she had long suspected the incident, she felt its sting, but she also appreciated his confession as an attempt to reduce her own sense of guilt over her affair. Siddhu realized that the schism in their marriage had been exacerbated by the strain of separation; it was a fissure that had been growing since their sons were born.

They each wrote a list of their daily childcare tasks. He’d known she did more work around the house, but this chart was striking. “The list is skewed,” Siddhu insisted at first. “She’s been on maternity leave.”

Now out of work, Siddhu began to take his sons to the park. He did their laundry and cooked dinner on the days when Uma, whose internet fling had ended, did the books in the office of her brother’s Honda dealership. Uma texted him during the day to check on his emotional temperature. Saturday nights alternated between date nights and “me” nights—when either Siddhu or Uma were free to do what they wanted.

He followed the coverage around Elliot Horne-Bough’s arrest for invasion of privacy and began to craft a proposal for a true-crime book. Out on bail, Horne-Bough remained an enigma worthy of study, but Siddhu had found his erratic leadership style to be exhausting. Writing about him, especially if he were to cooperate, would return Siddhu to his mercy for an indefinite period of time.

That’s when he received a call from the mayor’s office for an interview as a communications director. They set up an appointment for the Monday after the city gates opened. “The mayor obviously knows your work,” his aide told Siddhu. “He wants you on his team.”

Siddhu knew he didn’t want to be on the team of any person or party or company. As a journalist, he had aligned himself with the objective truth. At least he strived to do so beyond any of his inherent biases and the limitations imposed on him by deadlines and access. He also knew he had to feed his family. And he liked Parsons. Given a choice between Horne-Bough and Parsons, he’d work for Parsons.

_________

Orla Castello completed paperwork for early retirement. When she met with Rieux for coffee, she had already made plans with a nonprofit to help coordinate the founding of a hospital in Sierra Leone. A new wave of the Ebola virus had decimated the medical system, taking down ten percent of its doctors and nurses. She would leave in the spring.

“I want to get out of here before they start handing out medals—not that I expect to get any,” Castello said.

“You’d be the first in line,” Rieux told her.

“I have a feeling that the wrong people will get those medals. They’ll be the ones who come out of it talking about ‘lessons learned.’ They’ll talk about innovation and say it was simple. It was actually complicated. People suffered no matter what we decided to do.”

She asked Rieux about his wife.

“Elyse has made a remarkable recovery—I shouldn’t have called her treatment quackery,” Rieux said. “But we’ve grown too far apart. She’s leaving Mexico but has no plans to come home.”

She leaned across the table toward him. “I’m sorry,” she told him. “I love both of you.”

He squeezed her hands.

This was the first time he’d admitted out loud that his marriage was over, something he hadn’t even told his mother. He felt like he’d stabbed himself.

“I didn’t know how poorly I cared for her—until all this happened,” Rieux said. “Things might be different if I’d understood her pain.”

“You always tried, Bernard. She knew that,” Castello said. “You’re too hardworking. When are you going to take a vacation?”

“In about two weeks,” he said with a smile. “I still have patients to see and paperwork to put together.”

The bill came to the table. She snatched it from the plate like a cat swatting at a bird. “Go on holiday earlier,” she told him. “People are going to live and die whatever you do.”

_________

The Sanitation League met an unceremonious demise as calls to its hotlines and emailed requests plummeted more drastically than the rate of infection. Tso and Rieux personally thanked every volunteer for their service. They talked about throwing a party after the quarantine was over, but neither could manage to do anything. Besides, Tso needed to leave.

Through the US consulate Tso purchased a ticket home. The time in Vancouver had drained her savings—the consulate would reimburse her, but the lag in processing meant that she pushed up against her credit-card limit. She needed to make money soon, and her old job had opened up. A friend in Los Angeles emailed to say that she was moving in with her boyfriend. Tso had always loved her apartment. Did she want it? Tso could take over her lease in March.

She decided that a sudden return to her old life would be the best cure for any hangover that came from her experience in Vancouver. Leaving these new friends behind would be bittersweet, but there was no point in staying in one place when everyone else’s lives were being reordered. You either leave people, or you’re being left behind, she told herself.

At the US consulate, she was given an envelope. It had been couriered from their Japanese counterparts. The note was written on tissue-thin writing paper in a frail hand.

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