Джон Гришэм - A Painted House

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The hill people and the Mexicans arrived on the same day. It was a Wednesday, early in September 1952. The Cardinals were five games behind the Dodgers with three weeks to go, and the season looked hopeless. The cotton, however, was waist-high to my father, over my head, and he and my grandfather could be heard before supper whispering words that were seldom heard. It could be a “good crop.”
Thus begins the new novel from John Grisham, a story inspired by his own childhood in rural Arkansas. The narrator is a farm boy named Luke Chandler, age seven, who lives in the cotton fields with his parents and grandparents in a little house that’s never been painted. The Chandlers farm eighty acres that they rent, not own, and when the cotton is ready they hire a truckload of Mexicans and a family from the Ozarks to help harvest it.
For six weeks they pick cotton, battling the heat, the rain, the fatigue, and, sometimes, each other. As the weeks pass Luke sees and hears things no seven-year-old could possibly be prepared for, and finds himself keeping secrets that not only threaten the crop but will change the lives of the Chandlers forever.
A Painted House is a moving story of one boy’s journey from innocence to experience.

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One farmer said his almanac called for heavy rains in mid-October.

Another said his cousin in Oklahoma was getting flooded, and since our weather came from the West, he felt it was a sure sign that the rains were inevitable.

Pappy mumbled something to the effect that the weather from Oklahoma traveled faster than any news.

There was much debate and lots of opinions, and the overall tone was one of gloom. We’d been beaten so many times by the weather, or by the markets, or by the price of seed and fertilizer, that we expected the worst.

“We ain’t had a flood in October in twenty years,” declared Mr. Red Fletcher, and this set off a heated debate on the history of autumn floods. There were so many different versions and recollections that the issue was hopelessly confused.

Pappy didn’t join the fray, and after half an hour of listening we backed away. He unhooked the trailer, and we headed home, in silence, of course. A couple of times I cut my eyes at him and found him just as I expected — mute, worried, driving with both hands, forehead wrinkled, his mind on nothing but the coming flood.

We parked at the bridge and walked through the mud to the edge of the St. Francis River. Pappy inspected it for a moment as if he might see it rise. I was terrified that Hank would suddenly float to the top and come ashore right in front of us. Without a word, Pappy picked up a stick of driftwood about an inch in diameter and three feet long. He knocked a small limb off it and drove it with a rock into the sandbar where the water was two inches deep. With his pocketknife, he notched it at water level. “We’ll check it in the mornin’,” he said, his first words in a long time.

We studied our new gauge for a few moments, both certain that we would see the river rise. When it didn’t happen, we returned to the truck.

The river scared me and not because it might flood. Hank was out there, cut and dead and bloated with river water, ready to wash ashore where someone would find him. We’d have a real murder on our hands, not a just a killing like the Sisco beating, but a genuine slaying.

The rains would get rid of Cowboy. And the rains would swell the river and move it faster. Hank, or what was left of him, would get swept downstream to another county or maybe even another state where someday someone would find him and not have the slightest clue as to who he was.

Before I fell asleep that night, I prayed for rain. I prayed as hard as I possibly could. I asked God to send the biggest flood since Noah.

We were in the middle of breakfast on Saturday morning when Pappy stomped in from the back porch. One look at his face satisfied our curiosity. “River’s up four inches, Luke,” he said to me as he took his seat and began reaching for food. “And there’s lightnin’ to the west.”

My father frowned but kept chewing. When it came to the weather, he was always pessimistic. If the weather was fine, then it was just a matter of time before it turned bad. If it was bad, then that’s what he’d expected all along. Gran took the news with no expression at all. Her younger son was fighting in Korea, and that was far more important than the next rain. She had never left the soil, and she knew that some years were good, some bad, but life didn’t stop. God gave us life and health and plenty of food, and that was more than most folks could say. Plus, Gran had little patience for all the fretting over the weather. “Can’t do anything about it,” she said over and over.

My mother didn’t smile or frown, but she had a curious look of contentment. She was determined not to spend her life scratching a meager existence from the land. And she was even more determined that I would not farm. Her days on the farm were numbered, and another lost crop could only hasten our departure.

By the time we finished eating, we heard thunder. Gran and my mother cleared the dishes, then made another pot of coffee. We sat at the table, talking and listening, waiting to see how rough the storm would be. I thought my prayer was about to be answered, and I felt guilty for such a devious wish.

But the thunder and lightning moved to the north. No rain fell. By 7 A.M. we were in the fields, picking hard and longing for noon.

When we left for town, only Miguel hopped in the back of the truck. The rest of the Mexicans were working, he explained, and he needed to buy a few things for them. I was relieved beyond words. I wouldn’t be forced to ride in with Cowboy crouched just a few feet away from me.

We hit rain at the edge of Black Oak, a cool drizzle instead of a fierce storm. The sidewalks were busy with folks moving slowly under the store canopies and balconies, trying, but failing, to stay dry.

The weather kept many farm families away from town. This was evident when the four o’clock matinee began at the Dixie theater. Half the seats were empty, a sure sign that it was not a normal Saturday. Halfway through the first show the aisle lights flickered, then the screen went blank. We sat in the darkness, ready to panic and bolt, and listened to the thunder.

“Power’s out,” said an official voice in the rear. “Please leave slowly.”

We huddled into the cramped lobby and watched the rain fall in sheets along Main Street. The sky was dark gray, and the few cars that passed by used their headlights.

Even as kids we knew that there was too much rain, too many storms, too many rumors of rising waters. Floods happened in the spring, rarely during the harvest. In a world where everyone either farmed or traded with farmers, a wet season in mid-October was quite depressing.

When it slacked off a little, we ran down the sidewalk to find our parents. Heavy rains meant muddy roads, and the town would soon be empty as the farm families left for home before dark. My father had mentioned buying a saw blade, so I ducked into the hardware store in hopes of finding him. It was crowded with people waiting and watching the weather outside. In little pockets of conversation, old men were telling stories of ancient floods. Women were talking about how much rain there’d been in other towns — Paragould, Lepanto, and Manila. The aisles were filled with people who were just talking, not buying or looking for merchandise.

I worked my way through the crowd, looking for my father. The hardware store was ancient, and toward the rear it became darker and cavern-like. The wooden floors were wet from the traffic and sagged from years of use. At the end of an aisle, I turned and came face-to-face with Tally and Trot. She was holding a gallon of white paint. Trot was holding a quart. They were loitering like everybody else, waiting for the storm to pass. Trot saw me and tried to hide behind Tally. “Hello, Luke,” she said with a smile.

“Howdy,” I said, looking at the paint bucket. She set it on the floor beside her. “What’s the paint for?”

“Oh, it’s nothin’,” she said, smiling again. Once again I was reminded that Tally was the prettiest girl I’d ever met, and when she smiled at me my mind went blank. Once you’ve seen a pretty girl naked, you feel a certain attachment to her.

Trot wedged himself tightly behind her, like a toddler hiding behind his mother. She and I talked about the storm, and I relayed the exciting news about the power going out in the middle of the matinee. She listened with interest, and the more I talked the more I wanted to talk. I told her about the rumors of rising waters and about the gauge Pappy and I had set at the river. She asked about Ricky, and we talked about him for a long time.

Of course I forgot about the paint.

The lights flickered, and the power returned. It was still raining, though, and no one left the store.

“How’s that Latcher girl?” she asked, her eyes darting around as if someone might hear her. It was one of our great secrets.

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