Уолтер Тевис - The Color of Money

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After 20 years of hibernation, former pool champion "Fast" Eddie Felson is playing exhibition matches with former rival Minnesota Fats in shopping malls for prizes like cable television. With one failed marriage and years of running a pool hall, Eddie is now ready to regain the skills needed to compete in a world of pool that has changed dramatically since he left it behind. The real challenge comes when Eddie realizes that in order to compete successfully, he must hone his skills in the game of nine-ball as opposed to the straight pool that had once won him fame. With a new generation of competitors, fear and doubt and the daily possibility of failure arise, giving Fast Eddie a new challenge to overcome.
The Color of Money is the source of the 1986 film starring Paul Newman in the role he had originated in The Hustler.

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In his jacket pocket was a page torn from a Rec Room copy of Billiards Digest that morning. He took it out now, spread it on the bar in front of him and read over the ad:

EASTERN STATES CHAMPIONSHIP

NINE-BALL EVENT

$7,000 IN PRIZES!!

FIRST PLACE: $2,500

ENTRY FEE: $350

DECEMBER 13, 14, 15

MABLEY’S BILLIARDS

NEW LONDON, CONN.

DEFENDING CHAMP:

GORDON (BABES) COOLEY

He would show it to Fats and ask him what he thought. He finished his drink and ordered another, letting the sweet warmth in his stomach spread, thinking of pool.

He was whistling when he got his cue case from the locker. He began moving through the crowd of Christmas shoppers down toward the banner.

When he arrived it was time to start, but Fats wasn’t there. The table was set up and ready—a Brunswick table for a change, with an honest green cloth. At least a hundred people were seated in the stands and another hundred were hanging around waiting for something to happen. But time passed and Fats did not show up. Eddie called the Ramada Inn and they rang Fats’ room, but no one answered. The shopping-mall manager tried Enoch Wax’s office in Lexington; Enoch had heard nothing from Fats. Eddie waited an hour, shooting a few trick shots to hold the audience and to give himself something to do. At three-twenty there was still no Fats and the bleachers were nearly empty. Eddie told the manager he was leaving, went back to Tony’s, had a drink and called a taxi to take him to the Ramada Inn.

* * *

“Mr. Hegerman checked in about noon,” the clerk at the desk said.

“Could you let me in the room?” Eddie said. He had tried the house phone and let it ring five times. Then he checked the bar, the restaurant, the coffee shop and came back to the desk.

“You’re Mr. Felson?” the clerk said. “Mr. Hegerman’s partner?”

“Yes. Could I have a key?”

“Sheryl will let you in, Mr. Felson.”

Sheryl, it turned out, was the woman with dyed hair at the cashier’s window. Eddie followed her across the lobby and down a long hallway. At Room 117 he took the key from her and opened the door himself.

Fats was in bed. He was dressed and in a sitting position, with his eyes open and his face frozen like that of an elegant waxwork. He was clearly dead.

* * *

On the plane back to Lexington, Eddie had four Manhattans. When he arrived at the apartment he was drunker than he had been in years, even though it didn’t show. When Arabella let him in it was after midnight and she was wearing the white panties and T-shirt she sometimes slept in.

“Fats is dead,” he said as soon as he had set his bag and cue case down. “He made it to Indianapolis but he died before the match.” He went into the kitchen and got himself a beer.

“It’s a shock,” Arabella said. “A real shock.”

Eddie poured beer into a glass and watched the foam settle. “Even dead,” he said, “the son of a bitch looked good.”

Arabella smiled faintly. “I wish I’d met him.” She hesitated a moment. “Something came while you were gone.” She walked to the Korean chest in the living room and took a large, thin package from it.

It was postmarked Miami. In the upper left was a return address but no name. Eddie opened it and slid out a big color photograph. He held it near a lamp and looked.

Against matted trees on a white beach two roseate spoonbills stood on alarmingly thin legs. One of them had begun to hunch its wings up from its body. Its bill inclined upward; its eyes looked toward the sky. The other bird, slightly behind, watched, as if waiting to see what would happen when those pink-tipped wings began to beat the air.

* * *

Babes Cooley was a small young man, thin-hipped and thin-wristed, but his nine-ball break was like a sledgehammer. Balls spun themselves, ricocheted, caromed off rails; three fell in. He looked at the spread with contempt, thought a moment and began to mop them up. He nudged the one into the side, clipped the two into the far corner, sliced the five down the rail. His position for each was impeccable. When it came to the nine, he drilled it into the nearby corner pocket as though with a rifle. There was applause. As the woman referee racked them up, Babes looked at the man he was playing and said, “Your troubles have just begun.” The man looked away.

Eddie sat on the top row of the three-level bleachers, his cue on his lap, watching. Beside him an old black man was chuckling at Cooley’s arrogance, clearly liking it. Four games were going on at the tables below, with the first eight players having their first round. There were four rounds this opening day; each of the thirty-two entrants was slated for one match of ten nine-ball games. By midnight sixteen would be in the losers bracket and sixteen in the winners. It started again the next day at noon, with losers playing losers; after two rounds of that, eight men would be permanently out of the tournament. Then, after dinner, the winners from this evening would begin their matches. The system was called double elimination; it required a man to lose twice before he was out of it.

This was the first pool tournament Eddie had entered in his life. When he was young, the great hustlers—Wimpy Lassiter, Ed Taylor, Fats—would not have dreamed of going public. Nine-ball tournaments hadn’t even existed. Straight pool for coverage by newspapers had been left to the Willie Mosconis and Andrew Ponzis, superb players too, who donned evening dress and played in hotel ballrooms in New York or Chicago. They made a living from that and from a few endorsements, from a salary as showmen for the Brunswick Company, from giving exhibitions in colleges, publishing slim books with titles like Championship Pocket Billiards . While they tried to dignify the game of pool, to obliterate the memory of whatever smoky rooms they had learned it in—rooms that were always in the worst part of the worst towns—another network of professionals known only to a few had moved around some of those very rooms and others like them, in affable anonymity, men capable of as much pool-table dazzle as their tuxedoed counterparts, but dressed in brown suits like salesmen or in laborers’ dark green, travelling, looking for action. Eddie had joined that incognito fraternity and had, for a brief time in his life, been its finest player.

In front of him, Babes Cooley moved from shot to shot with tight-lipped assurance, lit by bright fluorescents set into a ceiling of gritty Celotex. Babes was dressed gorgeously in a slick blue nylon running outfit, with red racing stripes on the pants and blue Nike shoes, as though he were a basketball player warming up. His opponent was a stolid local man in a brown sweater; he seemed assiduously to ignore the flash of his opponent as he sat in a chair against the far wall and waited to shoot. From the looks of Babes’ game he would have a while to wait.

On each side of this table, other matches were in progress. Two intense young men in tight blue jeans were at one; at the other, a weary man, older than Eddie, watched a youngster in his late teens who was taking a maddeningly long time between shots. The older man had looked familiar when the players were drawing their first-round positions a half hour before, and Eddie saw now with a start that he knew him. It was Gunshot Oliver from Kansas City, a legend from Eddie’s earliest days. When Eddie was fifteen, Gunshot had come through Oakland and played for two nights at Charlie’s; he was the first travelling hustler Eddie had ever seen. This man, waiting with a kind of bleak irritation for the high-strung younger man to shoot, was the first player Eddie had ever seen who exerted the professional’s quiet control over the cue ball, easing it off rails and ducking it between other balls to arrive at position in new and shocking ways. The way he bent to shoot and the steadiness of his stroke had opened Eddie’s eyes. Oliver shot all night against the best local hustler, a man Eddie would not be able to beat for another year, and by three in the morning was playing him at odds of one fifty to a hundred balls. By that time, Gunshot’s name was being spoken reverently by the dozen people watching and Gunshot himself was running seventy or eighty balls at a time with unwearied precision. It had thrilled Eddie’s young, ambitious soul.

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