Kwan Kevin - Sex and Vanity

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Sex and Vanity: краткое содержание, описание и аннотация

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The iconic author of the bestselling phenomenon Crazy Rich Asians returns with a glittering tale of love and longing as a young woman finds herself torn between two worlds–the WASP establishment of her father’s family and George Zao, a man she is desperately trying to avoid falling in love with. On her very first morning on the jewel-like island of Capri, Lucie Churchill sets eyes on George Zao and she instantly can’t stand him. She can’t stand it when he gallantly offers to trade hotel rooms with her so that she can have the view of the Tyrrhenian Sea, she can’t stand that he knows more about Curzio Malaparte than she does, and she really can’t stand it when he kisses her in the darkness of the ancient ruins of a Roman villa and they are caught by her snobbish, disapproving cousin, Charlotte. “Your mother is Chinese so it’s no surprise you’d be attracted to someone like him,” Charlotte teases. Daughter of an American-born-Chinese mother and blue-blooded New York father, Lucie has always sublimated the Asian side of herself in favor of the white side, and she adamantly denies having feelings for George. But several years later, when George unexpectedly appears in East Hampton where Lucie is weekending with her new fiancé, Lucie finds herself drawn to George again. Soon, Lucy is spinning a web of deceit that involves her family, her fiancé, the co-op board of her Fifth Avenue apartment, and ultimately herself as she tries mightily to deny George entry into her world–and her heart. Moving between summer playgrounds of privilege, peppered with decadent food and extravagant fashion, Sex and Vanity is a truly modern love story, a daring homage to A Room with a View, and a brilliantly funny comedy of manners set between two cultures

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Charlotte sighed. “There were many reasons, but that was certainly a factor. It remained unsaid, but I know my parents. And I think you’re old enough now, Lucie, to realize how Granny can be sometimes. She used to refer to Jews as ‘the visitors.’ I was so confused whenever she said that until I realized what she meant when I took her shopping for cosmetics at Bergdorf’s one day. She whispered to me, ‘Time to change my regimen. The visitors have all discovered La Prairie!’”

“Oh dear God,” Olivia huffed contemptuously, while Lucie remained silent. Unlike her cousin, she had learned from a very early age precisely how her grandmother could be, and she preferred to block those memories out.

“What happened to Raphaël?” Olivia inquired.

“You know, the usual. Married some other blonde, had a bunch of kids, got divorced, got fat.”

Olivia snorted. “They all get fat, don’t they?”

“But when he was younger, boy, let me tell you … he was really something.”

Olivia raised an eyebrow. “How something was he?”

“Remember that guy in Sixteen Candles that Molly Ringwald was obsessed with?”

“Do I? I was obsessed with him too! God, what was his name? And what ever happened to him?”fn1

“I’m not sure, but Raphaël looked just like him, only handsomer.”

“Was he a good kisser? French boys are the best kissers, I find.”

Charlotte turned onto her back and glanced at her cousin. “Lucie, would you be a darling and go fetch us some drinks. An Arnold Palmer, maybe? I’m dying of thirst.”

“Me too. Get them to put some vodka in mine,” Olivia said.

Lucie rolled her eyes. “Okay, I get the hint.”

She got up from her bed, left the terrace, and relayed the drink orders to a passing spa attendant. She wished to explore more of the grounds but wanted to avoid running into George again at all costs. Since he was probably with his mother getting a Thai massage down by the beach, Lucie thought it best to head upward. She wandered into a beautiful greenhouse constructed of stained-glass windows where a profusion of orchids was being cultivated, and then found another terrace where built-in sofas along the walls were scattered with colorful kilim pillows. Every corner of the property seemed to reveal a stunning new surprise, and she felt as though she were exploring some sort of Alice in Wonderland dreamscape. It’s all too beautiful, she thought. I don’t think I could live in a place this beautiful all year long.

Following signs to the High Garden, she climbed the staircase behind the old villa and came to a glade of ancient tropical palms that created a lush, verdant grove. As she entered, she came upon a marble fountain gurgling next to a carved Etruscan bench. She sat down for a moment in this serene spot, enveloped in the greenery and the chorus of cicadas making their midsummer mating calls, trying to make sense of her thoughts.

All through lunch, it felt like her mind had been doing Cirque du Soleil–size contortions over George and his mother. Why were the others being so mercilessly critical? The Ortiz sisters were such hypocrites. They didn’t care for Mrs. Zao’s “showy” style, but weren’t they being showy in their own way? Every time she saw the sisters, they were immaculately outfitted from head to toe, and even the Sultanah confirmed that the sisters dressed in couture. Yes, their black pearl earrings, delicate cashmere cardigans, and Chanel kitten heels looked subtler than Rosemary’s spangled chiffon caftans, but it was a look that still screamed of money, the sort of money that was far snobbier than the Zaos’. The sisters might live in Manila, but they were so interchangeable with all the women she had grown up around, the ones who populated the Upper East Side. And it was so apropos of Charlotte to align with those sisters. In a few decades, she would be just like them. She would be exactly like them all.

At the same time, Lucie felt terribly annoyed with herself. Ever since she had been with George at Casa Malaparte, she hadn’t been able to stop obsessing over her actions. She was mortified that she had allowed herself to sob in his arms like that. She had never cried so dramatically like that in front of anyone, even her mother, and she wondered what he must think of her now.

After her fit of tears on the rooftop had subsided, she had pulled away from him quickly, embarrassed, and they had walked back to the hotel in silence, George maintaining a respectful few paces behind her. He always seemed to be behind her. When did he first see her on the piazzetta? How was he right there when she fainted? Had he been sitting behind her the whole time? He probably saved her from cracking her skull on the ground. Just like he had saved that man’s life when everyone else just stood there staring as they sucked on their Aperol spritzes. His quick heroism, tirelessly giving the man mouth-to-mouth, was what made the difference between him living or dying.

The palm grove opened onto a hilltop garden overgrown with wild barley and poppies. From this summit, the panoramic views of Positano and the sea beyond were breathtaking to behold, but Lucie found her eyes focusing on something else: the figure of a man standing on the precipice of a crumbling stone wall. Lucie cursed herself silently. Six villas, seven terraces, and thirty acres of grounds, but of course she would run into George. Lucie’s first instinct was to turn around and head back down to the lower terrace. The last thing she wanted to do was face him again, risk speaking again.

She was about to flee when George glanced around, his face inscrutably in half shadow. Against the deep blue sky and the intense white of the midafternoon sun, his skin glowed like alabaster. Inexplicably, she found herself walking slowly through the swaying barley toward him. He jumped down from the wall, and all of a sudden she imagined it was still yesterday, and she was still lying on the cold volcanic cobblestone of the piazzetta, George leaning over her, his mouth pressed against hers, blowing into her urgently, exhaling that warm breath of life.

Before she knew what was happening, she felt her lips pressing against his.

“Lucie! Lucie, are you there?”

Charlotte emerged through the palm grove just as Lucie jolted away from George.

“Lucie! I’ve been trying to find you for ages! Mordecai wants us down at the dock immediately. He says we have to go right now if we want to take the yacht back to Capri!”

CHAPTER ELEVEN

Hotel Bertolucci

Capri, Italy

“When did you paint these?” Auden asked.

“Over the past two years. This one’s the most recent, it’s not really finished. I worked on it until I had to leave for Italy,” Lucie replied, pointing to an image of overlapping swaths of deep purple.

They were sitting in the salon of the hotel. Auden leaned forward from his armchair and stared at the iPad in astonishment. When Lucie had first told him about her paintings while they were swimming in the cove at Da Luigi, he thought he’d be seeing the pleasant abstract paintings to be expected of a nineteen-year-old—the sort of faux Franz Kline pieces one could find at Restoration Hardware that would go perfectly with your new curved velvet sofa and your fiddle-leaf fig plant.

Auden had led plenty of creativity workshops in his time and witnessed the artwork that came out of them from his artistically frustrated clients; most of it ranged from amateurishly angsty to downright awful. He would never have called himself an art expert, but the work flashing before his eyes seemed precociously accomplished. In looking at the canvases soaked in restrained monochromatic al nero di seppia tones, brushstrokes infused with a Dionysian physicality, he sensed an unresolved Lacanian tension that juxtaposed the lyrical gestures of early Helen Frankenthaler, the bold symbology of post-Los Angeles Judy Chicago, and the visceral fury of pre-Madonna Basquiat.fn1

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