Jon McGregor - Reservoir 13

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Reservoir 13: краткое содержание, описание и аннотация

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Reservoir 13 Midwinter in the early years of this century. A teenage girl on holiday has gone missing in the hills at the heart of England. The villagers are called up to join the search, fanning out across the moors as the police set up roadblocks and a crowd of news reporters descends on their usually quiet home.
Meanwhile, there is work that must still be done: cows milked, fences repaired, stone cut, pints poured, beds made, sermons written, a pantomime rehearsed.
The search for the missing girl goes on, but so does everyday life. As it must.
As the seasons unfold there are those who leave the village and those who are pulled back; those who come together or break apart. There are births and deaths; secrets kept and exposed; livelihoods made and lost; small kindnesses and unanticipated betrayals.
Bats hang in the eaves of the church and herons stand sentry in the river; fieldfares flock in the hawthorn trees and badgers and foxes prowl deep in the woods — mating and fighting, hunting and dying.
An extraordinary novel of cumulative power and grace,
explores the rhythms of the natural world and the repeated human gift for violence, unfolding over thirteen years as the aftershocks of a stranger’s tragedy refuse to subside.

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chat . Deepak said at least it would be a way of getting out of French. Sophie looked away, and saw Andrew waiting at the other bus stop with Irene, his mother. He was the same age as they were but he went to a special school. Their bus pulled up and James warned Liam not to make up any bullshit about Becky Shaw. It snowed and the snow settled thickly. There was a service at the church. The vicar asked the police to keep the media away. Anyone was welcome to attend, she said, but she wanted no photography or recording, no waving of notebooks. She wanted no spectacle made of a community caught in the agony of prayer. The wardens put out extra chairs, but people were still left standing along the aisles. The men who weren’t used to being in church stood with their hats bent into their hands, leaning against the ends of the pews. Some folded their arms, expectantly. The regulars offered them service books opened to the correct page. The vicar, Jane Hughes, said she hoped no one had come looking for answers. She said she hoped no one was asking for comfort. There is no comfort in the situation we find ourselves in today, she said. There is no comfort for the girl’s parents, or for the family members who have travelled to the village to support them. No comfort for the police officers who have been involved in the search. We can only trust that we might meet God among us in these times of trouble. Only ask that we not allow ourselves to be overcome by a grief which is not ours to indulge but instead be uplifted by faith and enabled to help that suffering family in whatever way we are called to do. She paused, and closed her eyes. She held out her hands in a gesture she hoped might resemble prayer. The men who had their arms folded kept them folded. The warden rang the bell three times and the sound carried out through the brightening morning and along the valley as far as the old quarry. At the end of the month the sun came out and the fields softened. The still air shook to the thump of melting rooftop snow. There were rumours and only rumours of where the parents might be now. They were beside themselves, it was said.

In February the police arranged a reconstruction, bringing actors over from Manchester. There had been no leads and they wanted to make a fresh appeal. The press were allowed up to the Hunter place and given instructions on what to film. The day was clear and edged with frost. The press officer asked for quiet. The door of the barn conversion opened and a couple in their early forties appeared, followed by a thirteen-year-old girl. The woman was slim, with blonde hair cropped neatly around her ears. She was wearing a dark-blue raincoat, and tight black jeans tucked into calf-length boots. The man was tall and angular, with wiry dark hair and a pair of black-framed glasses. He was wearing a charcoal-grey anorak, walking trousers, and black shoes. The girl looked tall for thirteen, with dark-blonde hair to her shoulders and a well-acted look of irritation. She was wearing black jeans, a white hooded top, a navy body-warmer, and canvas shoes. The three of them got into a silver car which was parked outside the barn conversion, and drove slowly down to the road. The photographers ran alongside. At the visitor centre the actors waited for the photographers to get into place before climbing out of the car and setting off towards the moor. The girl lagged behind and three times the actors playing her parents turned and called for her to hurry up and join them, and three times the girl responded by kicking at the ground and slowing a little more. The two adult actors held hands and walked ahead, and the girl quickened her pace. This sequence of events had been drawn from police interviews, it was later confirmed. The two adults kept walking until they’d gone over the first rise and dropped out of sight, and a few moments later the girl dropped out of sight as well. The cameras photographed the empty air. The press officer thanked everyone for coming. The three actors came back down the hill. Work started up at the cement works again and the roads were silvered with dust. The freight trains came shunting through the hill and around the long bend between the trees. A pale light moved slowly across the moor, catching in the flooded cloughs and ditches and sharpening until the clouds closed overhead. On the riverbank towards the weir at dusk a heron stood and watched the water. A slow fog came down from the hills overnight. At four in the morning Les Thompson was up and bringing the cows across the yard for milking. Later in the day the vicar was seen driving to the Hunter place. She was inside for an hour with the missing girl’s parents, and she didn’t speak to anyone when she left.

The investigation continued. By the end of March the weather had warmed and the parents were still at the Hunter place. There was no news. Jane Hughes went up to see them again one morning, and on her way past the Jackson place she saw Jackson and the boys out front of the lambing shed. They wore the looks of men who’ve been working hard but see no need to admit it. They had mugs of tea and cigarettes. The smell of breakfast being cooked came from inside the house. It was only when they saw the first children on their way to school that Will Jackson remembered he was due at his son’s mother’s house, to fetch the boy for school. The van wouldn’t start so he took the quad bike, and he knew before he got there that the boy’s mother wouldn’t be happy about this; that it would be one more thing for her to hold against him. When they got back to the school the gates were locked and Will had to call Jones out of the boilerhouse to let them in. He took the boy down to his class. Miss Carter accepted his apologies, and settled the boy down, and asked Will if he might think about the class coming to visit at lambing time. He told her they’d started lambing already and she looked surprised. She asked if there weren’t more to come and he said if she wanted to arrange a school trip she’d have to put something to his father in writing. It was the most she’d heard him say in weeks. When he got back to the yard his brothers were all inside the shed. They’d lost a ewe while he’d been gone. There was a meeting of the parish council. Brian Fletcher had trouble keeping people to the agenda, and eventually had to concede that it was difficult to pay mind to parking issues at a time like this. The meeting was adjourned. The police held a press conference in the function room at the Gladstone, and announced that they wanted to trace the driver of a red LDV Pilot van. The journalists asked if the driver was considered a suspect, and the detective in charge said they were keeping an open mind. The girl’s parents sat beside the detective and said nothing. In the afternoon the wind was high and the clouds blew quickly east. A blackbird dipped across Mr Wilson’s garden with a beakful of dead grass for a nest. There were springtails under the beech trees behind the Close, feeding on fragments of fallen leaves. At night from the hill the lights could be seen along the motorway, the red and the white flowing past one another and the clouds blowing through overhead. The missing girl had been looked for. She had been looked for all over. She had been looked for in the nettles growing up around the dead oak tree in Thompson’s yard. Paving slabs and sheets of ply had been lifted before people moved away through the gates. She had been looked for at the Hunter place, around the back of the barn conversions and in the carports and woodsheds and workshops, in the woodland and in the greenhouses and the walled gardens. She had been looked for at the cement works, the huge buildings moved through with unease, people nosing vaguely behind pallets and forklifts and through the staffroom and canteen, their hands and faces slick with white dust when they ghosted on down the road. At night there were dreams about where she might have gone. Dreams about her walking down from the moor, her clothes soaked and her skin almost blue. Dreams about being the first to reach her with a blanket and bring her safely home.

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