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Jon McGregor: Reservoir 13

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Jon McGregor Reservoir 13

Reservoir 13: краткое содержание, описание и аннотация

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Reservoir 13 Midwinter in the early years of this century. A teenage girl on holiday has gone missing in the hills at the heart of England. The villagers are called up to join the search, fanning out across the moors as the police set up roadblocks and a crowd of news reporters descends on their usually quiet home. Meanwhile, there is work that must still be done: cows milked, fences repaired, stone cut, pints poured, beds made, sermons written, a pantomime rehearsed. The search for the missing girl goes on, but so does everyday life. As it must. As the seasons unfold there are those who leave the village and those who are pulled back; those who come together or break apart. There are births and deaths; secrets kept and exposed; livelihoods made and lost; small kindnesses and unanticipated betrayals. Bats hang in the eaves of the church and herons stand sentry in the river; fieldfares flock in the hawthorn trees and badgers and foxes prowl deep in the woods — mating and fighting, hunting and dying. An extraordinary novel of cumulative power and grace, explores the rhythms of the natural world and the repeated human gift for violence, unfolding over thirteen years as the aftershocks of a stranger’s tragedy refuse to subside.

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3

At midnight when the year turned there were fireworks going up from all across the village. The dance at the hall was crowded and hot and there was steam in the light of the doorway. In the morning there were spent rockets lying in the street and sparklers jammed into the planters in the square. There was rain for most of the day and snow on the higher ground. The tips of the new-growth heather could just be reached through the snow. Woodpigeons came into the gardens where feed was put out and were often chased away. A contractor came out to the Jackson place with the ultrasound tackle and Gordon Jackson took her out to the ewes. They spent most of the morning doing the scans and the two of them had to work closely. The proportion of twins was decent and there were fewer barrens than in most years. Gordon felt good about the way the morning had gone. The woman’s name was Deborah and she knew how to handle the sheep. She had strong arms and a firm grip. He asked what she was doing at the weekend and she said she had family to see. There was an ambiguity in her use of the word family but he let it go. When he dropped her back at her van she left him with a smile that some would have taken for a dismissal. She stayed on his mind for some days. The parish council moved their meetings to the function room of the Gladstone, and there was an immediate improvement in attendance which Brian later told Sally reflected poorly on all concerned. Martin and Ruth Fowler separated, which was more of a surprise to him than it was to some others. He was heading for an interview at the job centre when Ruth stopped him by the door and said she was leaving. There was a winded feeling in his stomach but he didn’t let on. Christ, Ruth, you couldn’t have picked more of a moment? She held up her hands as though she was sorry and she told him there was never a good time, there was never the time to talk. He stood in the doorway and rubbed his face. There were words he wanted to say but they were muddled. If he started he would get there too late. He told her he’d got some good prospects for work, that things were on the mend. He stopped because there was no point. When Ruth made a decision. She touched the side of his face and he slapped her hand away. There were words but he couldn’t get started. He was going to be late. He wanted things to be different but they weren’t going to be different. Do what you feel like doing, he said. She stood in the doorway and watched him go. They had been married since they were twenty-two, a year after meeting each other at a Young Farmers’ dance. Neither of them had been young farmers, but it was known as a place for meeting. He’d bought her a drink, and there was a bluntness in the way he spoke that she knew was a cover for being shy. He couldn’t dance, but there was otherwise a grace in his gestures and especially in his hands which intrigued her. When they met for the second time he took her to see the butcher’s shop he was taking over from his father. He gave her a tour, and as they stood behind the counter he kissed her and she leant back against the chopping block. For her this was when it was settled. The wood of the chopping block was bowled and smooth beneath her hands. When they married she moved into his house, and a few years after that, while she was pregnant with Bruce, his parents moved out to a sheltered housing complex in town. They were happy for a long time, or comfortable, and when that changed Ruth had been hard-pressed to explain why.

At the Ash Wednesday service Jane Hughes daubed the congregation’s foreheads with a thumbprint of ash in a way that hadn’t been done for years. There were only the very regulars there, and the service was short. But there was a hushed intimacy to it that made the ashy touch of Jane’s thumb seem quite in keeping with the moment, and when they came out into the cold sunshine they were each caught by the same moment of self-consciousness, reaching towards their foreheads. In the churchyard a pair of blackbirds courted, fanning their tails and fluffing their rumps and watching each other bright-eyed. There’d been a break in the frost so Mr Wilson went up to the allotments and put some new rhubarb crowns in the ground. The place was busy as it hadn’t been since autumn. Clive was potting up broad beans. Miriam Pearson was raking over a bed and sowing rows of early carrots. Jones was still digging. There was a short period in the afternoon when the heat of the work and the steady fall of the sun had people shrugging off coats and hats, hanging them on earthed shovels while they stretched their backs, but the chill soon returned to the day and the light faded and the ground began to steel. There was a new moon, thin and cold and high. In his studio Geoff Simmons wedged up balls of clay for the wheel, weighing them out and cutting each one with a wire. His studio was at the top of the lane behind the Jackson place, in a converted feed store he’d bought with an inheritance ten years before. The planning permission was for a workshop only but it was known he spent nights on a sofa in there. He had the front area set up as a shop but there weren’t many who had yet beaten a path to his door. He sat at the wheel and soaked his hands in a bowl of water. The whippet lay curled on a rug beside the oil-heater. In the evening the teenagers were seen down by the weir, drinking. At the school there’d been talk that either James Broad or Liam, or both, had once slept with Becky Shaw. The talk seemed malicious and unlikely. Sophie and Lynsey wanted to know where the talk had come from and James told them he didn’t want to fucking think about it. Sophie tried to give him a hug but he shook her off. Liam threw stones into the water. The girl had been looked for; in the beech wood, in the river, in the hollows at Black Bull Rocks. She had been looked for at the abandoned quarry, the storage containers broken open and the rotting freight wagons broken open and the doors left hanging as people moved on down the road. They had wanted to find her. They had wanted to know she was safe. They had felt involved, although they barely knew her.

The sound of the water over the weir came up to the village in staticky bursts, shifting and faltering on the wind as though the volume was being flicked up and down. Thompson’s men led the first of the herd into the milking parlour, each cow finding her place and dropping her head to the feed-tray while the men worked along the line and cleaned the teats. By the river the keeper cut back a willow, and as he took off another branch he watched the trail of sawdust drift downstream. The curl into a back eddy. The drop and sweep across a shallow fall. There were footsteps on the path and he set to the next branch. There was always plenty of work. At school the police came and spoke to Liam and James and Lynsey about any involvement they’d had with the missing girl. New information had been provided regarding the family’s stay at the Hunter place the summer before she’d disappeared. The interviews were handled sensitively, with the parents present at all times, but they led to trouble for the three of them at school. No further action was taken. They all three acknowledged spending some time with the girl that summer, but denied even knowing she was around over the Christmas period. They had no useful information to share. The police thanked them for their time and apologised for any distress which may have been caused. The clocks went forward and the evenings opened out. The buds on the branches were brightening. There were mattresses dumped in the old quarry and sometimes this was seen as a service by the couples who went there at night. Ruth Fowler moved away to Harefield. Neither she nor Martin had ever lived alone before. She found the adjustment easier than Martin. There was talk she was planning on opening a shop of her own. Organics. They went for that type of thing in Harefield. It was noticed that Martin was often away from the house. He was in the Gladstone or he was walking through the village, down the lane past Fletcher’s orchard to the packhorse bridge. When he was home there were lights on through most of the night. In the mornings his car was sometimes seen idling outside the butcher’s shop. Their daughter, Amy, was away at university when they separated. Ruth had offered to talk to her, and at first Martin was grateful but when Amy came and took her things over to Ruth’s new place he realised what had happened. He knew she had to choose but he still felt snubbed. Bruce, their eldest, was in Manchester, the last anyone had heard. He could do what he wanted, was Martin’s feeling. Martin didn’t want to know.

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