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Дэвид Митчелл: Utopia Avenue

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Дэвид Митчелл Utopia Avenue

Utopia Avenue: краткое содержание, описание и аннотация

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Utopia Avenue are the strangest British band you've never heard of. Emerging from London's psychedelic scene in 1967 and fronted by folksinger Elf Holloway, guitar demigod Jasper de Zoet and blues bassist Dean Moss, Utopia Avenue released only two LPs during its brief and blazing journey from the clubs of Soho and draughty ballrooms to Top of the Pops and the cusp of chart success, to glory in Amsterdam, prison in Rome and a fateful American fortnight in the autumn of 1968. David Mitchell's new novel tells the unexpurgated story of Utopia Avenue; of riots in the streets and revolutions in the head; of drugs, thugs, madness, love, sex, death, art; of the families we choose and the ones we don't; of fame's Faustian pact and stardom's wobbly ladder. Can we change the world in turbulent times, or does the world change us? Utopia means 'nowhere' but could a shinier world be within grasp, if only we had a map? **** The long-awaited new novel from the bestselling, prize-winning author of Cloud Atlas and The Bone Clocks. One of the most anticipated books of summer 2020. **Utopia Avenue** is the strangest British band you’ve never heard of. Emerging from London’s psychedelic scene in 1967, and fronted by folk singer Elf Holloway, blues bassist Dean Moss and guitar virtuoso Jasper de Zoet, Utopia Avenue embarked on a meteoric journey from the seedy clubs of Soho, a TV debut on Top of the Pops, the cusp of chart success, glory in Amsterdam, prison in Rome, and a fateful American sojourn in the Chelsea Hotel, Laurel Canyon, and San Francisco during the autumn of ’68. David Mitchell’s kaleidoscopic novel tells the unexpurgated story of Utopia Avenue’s turbulent life and times - of fame’s Faustian pact and stardom’s wobbly ladder - of the families we choose and the ones we don’t - of voices in the head, and the truths and lies they whisper - of music, madness, and idealism. Can we really change the world, or does the world change us?

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Levon Frankland appears. ‘Jeez, did you see that?’

‘Couldn’t miss it. Levon, this is Kenny, a friend from art college. We were in a band together in an earlier life.’

‘A pleasure, Kenny. Levon Frankland. I hope you both dodged Hurricanes Kinnock and Ratner just now.’

‘Yeah,’ says Kenny, ‘by a few inches. What was that about?’

Frankland performs an exaggerated shrug. ‘All I know is gossip, rumour and hearsay, and who listens to that?’

‘Gossip, rumour and hearsay about what?’ insists Dean.

‘Larry Ratner, Archie Kinnock’s wife, a torrid affair and financial irregularities.’

Dean decodes this. ‘Larry was doing Archie Kinnock’s wife?’

‘An ounce of perception, a pound of obscure.’

‘And Archie Kinnock just found this out?’ asks Kenny. ‘Just now? Halfway through a gig?’

Levon looks thoughtful and sombre. ‘It might explain his homicidal rage, I suppose. What do you think?’

Before Dean can analyse the implications further, Oscar Morton – the Brylcreemed, owl-eyed manager of the 2i’s club – steams by, heading to the sunken bunker.

‘Would you mind keeping an eye on Dean’s rucksack for a moment, Kenny?’ asks Levon. ‘Dean and I may be needed.’

‘Uh … sure.’ Kenny looks as confused as Dean. The manager steers Dean by the elbow in the wake of Oscar Morton.

‘Where’re we going?’ asks Dean.

‘I hear knocking. Don’t you?’

‘Knocking? What’s knocking?’

‘Opportunity.’

The sunken bunker smells of drains. Oscar Morton is interrogating the two remaining members of Blues Cadillac and doesn’t notice Dean and Frankland slip in through the door. Jasper de Zoet is in a low-slung chair with his Stratocaster on his lap. Griff the drummer is pissed off. ‘Off the nearest cliff, I hope. I turned down two weeks at Blackpool Winter Gardens for this fookin’ bollocks.’

The 2i’s manager tries Jasper de Zoet. ‘Will they be back?’

‘I couldn’t say.’ De Zoet sounds posh and indifferent,

‘But what happened?’ asks Morton.

‘The phone went.’ Griff nodded at the black telephone on the table. ‘Kinnock picked up. He just listened, frowning, for about a minute. His face turned to blue fookin’ murder. He looked at Ratner. I thought, Eh up, something’s not right , but Ratner didn’t notice. He was restringing his bass. When whoever was calling finished, Kinnock hung up without saying a word and looked at Ratner who finally noticed and told Kinnock he looked like he’d shat his pants. Kinnock asked Ratner, dead quiet, “Are you shagging Joy? And have you bought a flat together with the band’s money?”’

‘Who’s Joy?’ asks Oscar Morton. ‘Archie’s girlfriend?’

‘Mrs Joy Kinnock,’ answers Griff. ‘Archie’s wife.’

‘Oh great,’ says Morton. ‘So what did Larry say?’

‘Nothing,’ replies Griff. ‘So Kinnock said, “ It’s true, then .” And Ratner came out with a load of garble about how they were waiting for the right time to tell him, and that the flat was an investment for the band, and how you can’t choose who you fall in love with. Once he said the L-word, Kinnock turned full-on Incredible Hulk and … you saw him out there, right? If Ratner hadn’t been sitting closest to the door and got away, he’d probably be dead.’

Oscar Morton massages his temples. ‘Who called?’

‘Not a clue,’ says Griff.

‘Can you two play the second set?’

‘Don’t be fookin’ daft,’ replies the drummer.

‘Electric blues with no bass?’ Jasper makes a dubious face. ‘It would sound one-dimensional. And who’d play harp?’

‘Blind Willie Johnson just had a battered acoustic,’ says Oscar Morton. ‘No amps, no drums, no nothing.’

‘If you want me gone,’ says the drummer, ‘just pay up.’

‘I agreed to pay Archie for ninety minutes,’ says Oscar Morton. ‘You’ve done thirty. Until I get ninety, I owe you sod-all.’

‘Gentlemen.’ Levon speaks up. ‘I have a proposal.’

Oscar Morton turns around. ‘Who are you?’

‘Levon Frankland, Moonwhale Music. This is my client, the bassist Dean Moss, and we may just be your way out.’

I am? thinks Dean. We are?

‘The way out of what?’ asks Morton.

‘Of your dilemma,’ says Levon. ‘Outside are a hundred punters who’ll soon start screaming for refunds. Refunds , Mr Morton. Rents are up. Christmas bills are due. A hundred refunds is the last thing you need. But if you refuse …’ Levon winces ‘… half those kids are off their tits on speed. Things could get very nasty. Riotous, even. What will the City of Westminster magistrates make of that? You need to conjure up a new band. Without delay.’

‘Which you just happen to have,’ says Griff, ‘hidden cunningly up your large intestine?’

‘Which we happen to have –’ Levon indicates the players ‘– right here. Jasper de Zoet, guitar and vocals; Peter “Griff” Griffin, drums; and introducing –’ he slaps Dean’s shoulder ‘– Dean Moss, bass prodigy, harp, vocals. Has Fender, will play.’

The drummer looks at Dean askance. ‘You just happen to have a bass with you, just as our bassist runs out on us?’

‘My bass ’n’ all my worldly goods. I had to leave my bedsit in a hurry earlier.’

Jasper has been strangely quiet throughout, but now he asks Dean, ‘How good are you, then?’

‘Better than Larry Ratner,’ replies Dean.

‘Dean’s superb,’ says Levon. ‘I don’t take on amateurs.’

The drummer puffs on his cigarette. ‘Can you sing?’

‘Better than Archie Kinnock,’ says Dean.

‘So does a castrated donkey,’ says Griff.

‘What songs do you know?’ asks Jasper.

‘Uh … I could do “House of the Rising Sun”, “Johnny B. Goode”, “Chain Gang”. Can you two play those?’

‘Blindfolded,’ says Griff, ‘with one hand up our jaxies.’

I run this venue,’ says Oscar Morton. ‘And if these three have never played together, how do I know they’ll be any good?’

‘You know they’ll be good,’ says Levon, ‘because Jasper’s virtuosic and Griff played in the Wally Whitby Five. Dean, you’ll have to take on trust.’

Griff’s growl sounds not displeased. Jasper isn’t saying no. Dean is thinking, I’ve got nothing to lose. Oscar Morton looks sweaty and sick and needs one more push.

‘I know showbiz is full of bullshit merchants,’ says Levon. ‘We’ve both met far too many. But I am not one.’

The owner of 2i’s releases a sigh. ‘Don’t let me down.’

‘You won’t regret it,’ promises Levon, ‘and for fifteen quid they’re a steal.’ He tells the musicians: ‘Gentlemen, you get four pounds each. My commission is three. Agreed?’

‘Hold your horses!’ Oscar Morton is appalled. ‘Fourteen smackers? For three unknowns? You’re putting me on!’

Levon stares back for a drawn-out moment. ‘Dean, I misread the situation. It looks as if Mr Morton doesn’t want a way out, after all. Let’s leave before the argy-bargy really kicks off.’

‘Wait wait wait!’ Morton’s bluff is called. ’I didn’t say I’d pay nothing . But I was only paying Archie Kinnock twelve.’

Levon peers over his blue shades. ‘Ah, but we both know that Archie Kinnock’s fee was eighteen pounds. Don’t we?’

Oscar Morton hesitates for too long and is lost.

Griff darkens. ‘Eighteen? Archie told us it was twelve.’

‘Which is why you insist on paperwork,’ says Levon. ‘What’s not written in ink on paper is, de jure , written in piss on snow.’

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