Дэвид Митчелл - Utopia Avenue

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Utopia Avenue are the strangest British band you've never heard of. Emerging from London's psychedelic scene in 1967 and fronted by folksinger Elf Holloway, guitar demigod Jasper de Zoet and blues bassist Dean Moss, Utopia Avenue released only two LPs during its brief and blazing journey from the clubs of Soho and draughty ballrooms to Top of the Pops and the cusp of chart success, to glory in Amsterdam, prison in Rome and a fateful American fortnight in the autumn of 1968.
David Mitchell's new novel tells the unexpurgated story of Utopia Avenue; of riots in the streets and revolutions in the head; of drugs, thugs, madness, love, sex, death, art; of the families we choose and the ones we don't; of fame's Faustian pact and stardom's wobbly ladder. Can we change the world in turbulent times, or does the world change us? Utopia means 'nowhere' but could a shinier world be within grasp, if only we had a map? ****
The long-awaited new novel from the bestselling, prize-winning author of Cloud Atlas and The Bone Clocks.
One of the most anticipated books of summer 2020.
**Utopia Avenue** is the strangest British band you’ve never heard of.
Emerging from London’s psychedelic scene in 1967, and fronted by folk singer Elf Holloway, blues bassist Dean Moss and guitar virtuoso Jasper de Zoet, Utopia Avenue embarked on a meteoric journey from the seedy clubs of Soho, a TV debut on Top of the Pops, the cusp of chart success, glory in Amsterdam, prison in Rome, and a fateful American sojourn in the Chelsea Hotel, Laurel Canyon, and San Francisco during the autumn of ’68.
David Mitchell’s kaleidoscopic novel tells the unexpurgated story of Utopia Avenue’s turbulent life and times - of fame’s Faustian pact and stardom’s wobbly ladder - of the families we choose and the ones we don’t - of voices in the head, and the truths and lies they whisper - of music, madness, and idealism.
Can we really change the world, or does the world change us?

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Jasper is noodling on his Stratocaster in his room.

‘Crash us a ciggie too, would yer?’ asks Kenny.

‘Take the pack. What Floss left, anyway.’

Kenny’s hand’s trembling. Dean helps him light up. Kenny takes a grateful drag. ‘When did I see yer last?’

‘March. Grosvenor Square. Day o’ the big demo.’

‘Yeah, me ’n’ Floss tried smack a bit after that. Ever done it?’

‘I’m scared o’ needles,’ admits Dean.

‘Yer can cook it on a spoon and suck the fumes up a straw, but … whatever yer do, don’t go near the stuff. Yer know how everyone tells yer, “Don’t touch drugs” , and yer do ’em , and yer think, They were feeding me bullshit? Well, smack’s the one where it’s not bullshit. First time, it was … a-fucking- ma -zing. Like coming. With angels. Can’t describe it.’ Kenny rubs a sore on his nostril. ‘But yer have to get that feeling back. Not “want to”. “Have to”. Only the second time, it’s not as good. Third time’s not as good as the second. Down it goes. Now … yer gums’re bleedin’, yer feel like shit, yer hate it, but … yer need it to feel normal. Lost my job. Flogged my guitar. Rod gave us a few bags o’ weed to sell. To pay for the smack, like. As a favour. I kept it under the floorboards in our room.’

‘The commune in Hammersmith? Rivendell?’

‘Nah, there was a bust-up.’ Kenny flinches. ‘Rod got us into a place he owns on Ladbroke Grove. A no-questions-asked sort o’ bedsit. A friend o’ Rod’s minded the door, day ’n’ night, so Floss felt safe. All our earnings from the weed, though, went on smack. But yer need more ’n’ more o’ the stuff. So, last week, Rod said he’d pay us a fiver plus an ounce o’ Afghan White a week for “storage”. Meaning, he stored a stash o’ coke under the floorboards in our room. It was our job to mind it.’

Why’d Rod Dempsey trust two junkies to mind a stash of drugs? Dean is afraid he can guess.

‘The Afghan was the purest we’d had in ages. The high wasn’t like the first time, but it was like the fifth or sixth. Better than it’d been for ages. Two days later –’ Kenny sucks the life out of his cigarette ‘– the coke was gone. The floorboards’d been lifted. I told Rod. Straight away. He’s got a psycho side. He screamed at me. Asked if I thought he was stupid. But we never nicked it. I swear on my life. On Floss’s life. On bloody everybody’s life. We never.’

Rod Dempsey nicked it , Dean thinks. ‘I believe yer.’

‘When Rod calmed down, he told me that me ’n’ Floss owed him six hundred quid. I told him we didn’t have six quid. Six bob. So Rod said, me ’n’ Floss could pay him back by …’ Kenny’s finding it hard to talk ‘… going to parties.’

‘What kind o’ parties?’

Kenny’s breathing speeds up. ‘Yesterday night, we were taken to a … a place in Soho, behind the Courthouse. Quite classy. Me ’n’ Floss was separated. I was given a bath, scrubbed down, shaved … They gave me a dab o’ smack – and … there was three men …’

‘What?’

‘Don’t make me spell it out. F’fucksake, Dean. Use yer imagination. Yeah? What yer thinking, that’s what they did. In turns. Get the fucking picture?’

The words are ‘drugged’ and ‘raped’ , realises Dean.

Kenny wipes his eyes on his sleeve. He tokes on his cigarette, sharply. ‘Floss was in the car. After. She didn’t speak. I didn’t. The driver did. We’d earned back ten quid of our debt, he said. Five hundred and ninety more to go. He told us to forget the police. They’re paid off. If we ran away, he said our families’d be liable. He showed Floss a photo of her sister and said, “Lovely little thing, ain’t she?” Back at Ladbroke Grove we had a sleeping tablet ’n’ ice-cream and this morning we got Methadone. Floss told me to get her out o’ this or … she’d kill herself. I know she’s not bluffing. ’Cause I’m the same.’

‘D’yer want to hide out here?’

‘This’ll be one o’ the first places he’ll look.’

‘Why didn’t yer ask for help off the bat?’

‘Floss didn’t think yer’d believe me. Do yer?’

‘I didn’t know Rod did this – but … I’ve seen how he puts hooks into people. Plus, how could yer make this up? Why would yer?’

Kenny, in the half-gloom, grips Dean’s wrist.

Dean takes everything he has from his wallet – over eleven pounds – and puts it into Kenny’s hand. ‘The heroin. I’m no expert, I know from Harry Moffat that just saying, “Quit what’s killing you,” does nothing. But if yer don’t get clean …’

Jasper’s noodling turns into his ‘Nightwatchman’ solo.

Kenny stuffs the money into his pocket. ‘I’ll get us out to the middle o’ nowhere. Somewhere there’s no dealers. Isle o’ Sheppey maybe. I dunno. Find a bit o’ shelter, and … we’ll try cold turkey again. Yer feel like yer bloody dying. But that house in Soho, it was worse than dying.’

The telephone rings. Kenny stands up, pale and shaking.

‘It’s okay,’ says Dean. ‘It’ll be Elf to say she’s late.’

Kenny crouches, like a frightened animal. ‘It’s him .’

‘Honest, Kenny. Apart from at a party last month, I’ve hardly seen him.’ Dean picks up the receiver. ‘Hello?’

‘Dean, how the hell are yer? Rod Dempsey here.’

The air is sucked out of Dean’s lungs. ‘Rod?’

Kenny’s backing off, shaking his head.

Rod Dempsey does a friendly little laugh. ‘Yer sound … funny. Case o’ speak o’ the devil, is it?’

If I needed proof, this is it.

Kenny’s left the flat. The front door’s half open to the pale dusk. I can’t help him, ’cept by lying well enough to fool a world champion. ‘Yer must be a bloody mind-reader, Rod. Swear to God, ten minutes ago – no, five – me ’n’ Jasper were talking ’bout the best dope we ever smoked, and we thought o’ that Helmand Brown. Yer brought it over last autumn, with Kenny ’n’ Stew? Remember that?’

‘An unforgettable night. I can get yer some more, if yer want. Different batch, but just as good.’

‘Perfect. Yeah. Uh. We’re just finishing the new album, but soon after, maybe? I’ll give yer a call.’

‘Will do. Speaking o’ Kenny, have yer seen him? I’m trying to track him down.’

‘So’m I, actually.’ Hide yer lie in a haystack of facts ’n’ half-truths. ‘Not since Grosvenor Square. He was in a commune out Shepherd’s Bush way. Have yer seen him? Is he okay?’

Rod Dempsey calculates. ‘I met him ’n’ his lady friend last month. The Commune was giving him grief, so he asked me to keep my ear to the ground. A pal’s renting a place in Camden, all mod cons, good price. It’s perfect for him ’n’ Floss . Problem is, I’ve lost his number. Could yer track him down for me? Urgent, like.’

Rod Dempsey’s hiding his lies in half-truths too. ‘I’d like to help. I’m trying to think who might know. But I’m drawing blanks.’

‘That’s the thing ’bout London,’ says the drug dealer, pimp and God knows what else. ‘There’s no knowing who’s coming round the next corner. Is there?’

The only signs of Kenny and Floss are two cigarette stubs on the bottom step. Evening is pooling in Chetwynd Mews. Dean’s mind is a noisy Top Five chart of problems and crises. He opens the garage doors to visit his Spitfire. He switches on the bulb and stares at her. The new place has to have a lock-up garage , he thinks, or a beauty like you won’t last fifteen minutes. It’s too late for a drive, but Dean climbs in and tries to find a moment’s peace. He doesn’t. He could be some kid’s dad. That’s the last thing I want. An affair with Tiffany Hershey’s a gratifying thrill, but How’s that going to end? Being turfed out by Jasper’s father is a pain, but it won’t end in homelessness. Kenny ’n’ Floss, though, that’s another matter. Nothing can ever undo what’s already been done to them. Even if – when, if, if, when – they kick the heroin, Dean knows their peace will always be frayed, will always have shadows at the edges. Floss is right to hate me. I’ve got a part in this. Kenny came to London because of Dean, and Dean did nothing to help him. Nothing . A figure crosses the mouth of the garage, stops, and looks in. ‘Hello, Dean.’

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