Николас Спаркс: The Choice

Copyright © 2007 by Nicholas Sparks

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Grand Central Publishing

Hachette Book Group

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New York, NY 10017

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First eBook Edition: September 2007

ISBN: 978-0-446-40131-9

Contents

Copyright

Acknowledgments

Prologue

Part One

One

Two

Three

Four

Five

Six

Seven

Eight

Nine

Ten

Eleven

Twelve

Thirteen

Fourteen

Part Two

Fifteen

Sixteen

Seventeen

Eighteen

Nineteen

Twenty

Twenty-one

Twenty-two

Epilogue

ALSO BY NICHOLAS SPARKS

The Notebook

Message in a Bottle

A Walk to Remember

The Rescue

A Bend in the Road

Nights in Rodanthe

The Guardian

The Wedding

Three Weeks with My Brother (with Micah Sparks)

True Believer

At First Sight

Dear John

For the Lewis family:

Bob, Debbie, Cody, and Cole.

My family.

Acknowledgments

Okay, I’ll be honest. It’s sometimes hard for me to write acknowledgments for the simple reason that my life as an author has been blessed with a kind of professional stability that strikes me as somewhat rare in this day and age. When I think back to my earlier novels and reread the acknowledgments in, say, Message in a Bottle or The Rescue, I see names of people with whom I still work today. Not only have I had the same literary agent and editor since I began writing, but I’ve worked with the same publicists, film agent, entertainment attorney, cover designer, and salespeople, and one producer has been responsible for three of the four film adaptations. While it’s wonderful, it also makes me feel like something of a broken record when it comes to thanking these people. Nonetheless, each and every one of them deserves my gratitude.

Of course, I have to begin—as always—with thanking Cat, my wife. We’ve been married eighteen years and have shared quite a life together: five children, eight dogs (at various times), six different residences in three different states, three very sad funerals of various members of my family, twelve novels and another nonfiction work. It’s been a whirlwind since the beginning, and I can’t imagine experiencing any of it with anyone else.

My children—Miles, Ryan, Landon, Lexie, and Savannah—are growing up, slowly but surely, and while I love them dearly, I’m proud of each and every one of them.

Theresa Park, my agent at Park Literary Group, is not only one of my closest friends, but a fantastic one at that. Intelligent, charming, and kind, she’s one of the great blessings of my life, and I’d like to thank her for everything she’s done.

Jamie Raab, my editor at Grand Central Publishing, also deserves my gratitude for all she does. She puts the pencil to the manuscript in hopes of making it the best it can be, and I’m fortunate to have had access to her intuitive wisdom when it comes to novels. More than that, I’m lucky to call her a friend.

Denise DiNovi, the fabulous producer of A Walk to Remember, Message in a Bottle, and Nights in Rodanthe, is my best friend in Hollywood, and I look forward to those times on the film set, simply so we have a chance to visit.

David Young, the new CEO of Grand Central Publishing (well, not exactly new anymore, I suppose), has not only become a friend, but one who deserves my heartfelt thanks, if only because I have the nasty tendency to deliver my manuscripts at the very last possible moment. Sorry about that.

Both Jennifer Romanello and Edna Farley are publicists and friends, and I’ve adored working with them since The Notebook was published in 1996. Thanks for all that you do!

Harvey-Jane Kowal and Sona Vogel, who do the copy-editing, always deserve my thanks for catching the “little errors” that inevitably crop up in my novels.

Howie Sanders and Keya Khayatian at UTA deserve my thanks for the good fortune I’ve had in film adaptations. I appreciate all that both of you do.

Scott Schwimer always watches out for me, and I’ve come to think of him as a friend. Thanks, Scott!

Many thanks to Marty Bowen, the producer responsible for Dear John . I can’t wait to see how it all turns out.

Thanks again to Flag for another wonderful cover.

And finally, many thanks to Shannon O’Keefe, Abby Koons, Sharon Krassney, David Park, Lynn Harris, and Mark Johnson.

Prologue

February 2007

Stories are as unique as the people who tell them, and the best stories are those in which the ending is a surprise. At least, that’s what Travis Parker recalled his dad telling him when he was a child. Travis remembered the way his dad would sit on the bed beside him, his mouth curling into a smile as Travis begged for a story.

“What kind of story do you want?” his dad would ask.

“The best one ever,” Travis would answer.

Usually, his dad would sit quietly for a few moments, and then his eyes would light up. He’d put his arm around Travis and in a pitch-perfect voice would launch into a story that often kept Travis awake long after his dad had turned out the lights. There was always adventure and danger and excitement and journeys that took place in and around the small coastal town of Beaufort, North Carolina, the place Travis Parker grew up in and still called home. Strangely, most of them included bears. Grizzly bears, brown bears, Kodiak bears . . . his dad wasn’t a stickler for reality when it came to a bear’s natural habitat. He focused on hair-raising chase scenes through the sandy lowlands, giving Travis nightmares about crazed polar bears on Shackleford Banks until he was well into middle school. Yet no matter how frightened the stories had made him, he would inevitably ask, “What happened next?”

To Travis, those days seemed like the innocent vestiges of another era. He was forty-three now, and as he parked his car in the parking lot of Carteret General Hospital, where his wife had worked for the past ten years, he thought again about the words he’d always said to his father.

After stepping out of the car, he reached for the flowers he’d brought. The last time he and his wife had spoken, they’d had an argument, and more than anything he wanted to take back his words and make amends. He was under no illusions that the flowers would make things better between them, but he wasn’t sure what else to do. It went without saying that he felt guilty about what had happened, but married friends had assured him that guilt was the cornerstone of any good marriage. It meant that a conscience was at work, values were held in high esteem, and reasons to feel guilty were best avoided whenever possible. His friends sometimes admitted their failures in this particular area, and Travis figured that the same could be said about any couple he’d ever met. He supposed his friends had said it to make him feel better, to reassure him that no one was perfect, that he shouldn’t be so hard on himself. “Everyone makes mistakes,” they’d said, and though he’d nodded as if he believed them, he knew they would never understand what he was going through. They couldn’t. After all, their wives were still sleeping beside them every night; none of them had ever been separated for three months, none of them wondered whether their marriage would ever return to what it once had been.