Элин Хильдебранд - What Happens in Paradise

She decides to remain standing.

Mavis says, “Thanks for your help with this, Bernie. I’ll circle back next week.” She hangs up. “Irene?”

“Mavis,” Irene says. She turns back to make sure that the office door is closed and that Jayne isn’t stationed outside with her ear to the glass. “I need to talk to you. Can I trust you to keep what we say confidential?”

The question is rhetorical. Mavis doesn’t trade on gossip like the other people in the office because Mavis has invested only her head here, not her heart. She was hired to be a problem-solver and a moneymaker. She’s an ice queen, which, under the present circumstances, is a tremendous asset.

Irene lets it all out as concisely as possible: Russ has been killed in a helicopter crash in the Virgin Islands; Irene’s trip down to St. John with the boys revealed evidence of a second life—an expensive villa, a mistress (also dead), a twelve-year-old daughter. Russ’s body was identified and cremated before Irene arrived. Russ’s boss, Todd Croft, the apparent puppet master of this whole grotesque theater, can’t be reached, and the business’s website is down.

“I’m…I’m speechless,” Mavis says. “Your husband is dead? He had a secret life? ”

Irene blinks.

“I’m sure you don’t want to go into the gritty details. Who can blame you. But…wow. I thought maybe you were angry about your new role here.”

“Oh, I was,” Irene says. “But then all this happened and…” She studies the bottle of fancy water in her hands because it gives her something to do other than cry.

“Irene,” Mavis says. “What can I do to help?”

“I’m giving you my notice,” Irene says. “I can’t come back to work. I thought maybe, with time…but no.” Irene sighs. “I’m not even sure I’ll stay in Iowa City.”

“What?” Mavis says. “What about your house?”

Irene shrugs. Three weeks ago, leaving behind the house would have been unthinkable . That house took six years of her life to complete; it’s a work of art. Now, of course, Irene sees how blindly devoted she was to the project, how she sweated over the details and completely ignored her marriage. It’s entirely possible that Irene had been standing at her workspace in the kitchen poring over four choices of wallpaper for the third upstairs bath and Russ had come to her and said, Honey, I have a lover in the Virgin Islands and I’ve fathered a daughter, and Irene had said, That’s great, honey.

What Russ did was wrong. But Irene is not blameless.

“You know, I’ve been to St. John,” Mavis says. “I stayed at the Westin with my parents. It’s beautiful.”

“I’d like you to pass my resignation on to Joseph,” Irene says. “I’ll call him myself eventually, but right now…”

Mavis waves a hand. “I got it. Consider it handled.”

“And would you smooth things over with the rest of the staff?”

“I certainly will,” Mavis says. “They’ll all miss you, of course. And they’ll assume it’s my fault you’re leaving. The good news is I don’t think they can hate me any more than they already do.”

“They’re midwesterners,” Irene says. “A bit resistant to change.”

“You think?” Mavis says. “I tried to win them over with team building—lunches at Formosa, happy hour at the Clinton Street Social Club—but I’m pretty sure they talk about me behind my back the second I pick up the check.”

“At least they see you,” Irene says.

Mavis cocks her head. She’s not pretty, exactly, but she’s young, strong, and vibrant. She has presence. But someday, Mavis Key, too, will find herself leaving less of an impression. She’ll be overlooked, shuffled aside, forgotten.

Or maybe Irene is just bitter. She tries to regain the feeling she had as she stood on the bow of Huck’s boat, but it’s gone. She wants to go back down to the islands, she realizes then, if only so she can feel seen again.

“I’ll come back for my things another time,” Irene says. “On a Saturday. Or after hours.”

Mavis says, “Whatever you need, Irene. Please ask me.” She opens her arms and Irene allows herself to be hugged. “I hope you figure this out.”

“Me too,” Irene says.

Back at home, Irene sits at the kitchen table with her list in front of her. Death certificates —being pursued. Resignation —tendered.

Obituary . Irene flips to the next page of her notebook and writes, Russell Steele died Tuesday, January 1. He is survived by his wife of thirty-five years, Irene Hagen Steele, and his sons, Baker and Cashman Steele.

Is that all? Irene can’t mention his job at Ascension. She could maybe say that he worked for the Corn Refiners Association for two decades. She could mention Rotary Club and his years of service to the Iowa City school board.

She drops her pen, picks up her phone. She sends a text to her best friend, Dr. Lydia Christensen.

Lydia, the first text says.

Irene feels like she’s falling backward in one of those Outward Bound games where you’re supposed to trust your comrades to catch you.

Russ is dead. He died on New Year’s Day but I didn’t find out until I got home from our dinner. The circumstances were so extraordinary and, honestly, so baffling that I didn’t know how to tell you or anyone else. I’ll call you later, I promise.

Irene presses Send.

Okay, she thinks. It’s officially out in the world. Unlike Mavis, Lydia is not a vault.

A little while later, the doorbell rings. The doorbell is an antique, salvaged from a convent in Vicenza, Italy, and it makes quite a formal sound, somewhere between a gong and cathedral bells. Irene hurries down the hallway, hoping and praying it’s FedEx with the death certificates but knowing that, unless Paulette read Irene’s mind before she left the voicemail, that’s logistically impossible. It might be Lydia, though Lydia normally flings open the door and walks right in. Maybe Lydia called the Dunns and the Kinseys and this is the start of the onslaught. Bobbi Kinsey will have pulled a casserole from her freezer or stopped by the Hy-Vee for a deli tray.

Irene pauses before opening the door and takes a sustaining breath. She’ll tell people the truth—helicopter crash, Virgin Islands, work, but leave out the villa, the mistress, and Maia.

Strong, beautiful Maia.

Irene opens the door. It’s not Lydia, and it’s not Bobbi. It’s four men in dark suits, trench coats, and impractical shoes for the weather. The man in front—African-American, tall and broad, with a grim facial expression—flashes a badge.

“Irene Steele?” he says.

Irene is so stunned, she can’t speak. Is she being arrested?

“Are you Irene Steele?” the man says. “Is this the Steele residence?” He glances above the door frame, then down toward the corner of Linn. “Thirty Church Street?”

Irene nods. “Yes, it is. I am.”

“Agent Kenneth Beckett, FBI, white-collar crime division. We have a search warrant for this address. If you’ll kindly step aside.”

White-collar crime. Irene steps aside.

Three of the agents start searching the house. Irene’s instinct is to follow them—not to hide anything but to make sure they’re careful with her things. However, Agent Beckett wants to talk to Irene in private. She leads him to the amethyst parlor. It’s chilly and she offers to lay a fire.

“Just please sit down, Mrs. Steele,” Agent Beckett says. He’s stern and serious, like an FBI agent on television. Irene notices a black and gold knit cap sticking out of his briefcase.

“Iowa grad?” she asks. “I’m the class of ’84.”

“Class of ’91,” Beckett says. For a second, his eyes smile. “Go Hawks.”