Мэтт Хейг - The Midnight Library

But then the person Nora was sitting next to – a smartly dressed business woman in her fifties, and the source of the musky perfume smell – leaned in and whispered, ‘I’m so sorry about what happened to you. You know, the stuff in Portugal . . .’

‘What stuff?’

The woman’s reply was drowned out as the audience erupted into applause at that moment.

‘What?’ she asked again.

But it was too late. Nora was being beckoned towards the stage and her brother was elbowing her.

Her brother’s voice, bellowing almost: ‘They want you. Off you go.’

She headed tentatively towards the lectern on the stage, towards her own huge face smiling out triumphantly, golden medal around her neck, projected on the screen behind her.

She had always hated being watched.

‘Hello,’ she said nervously, into the microphone. ‘It is very nice to be here today . . .’

A thousand or so faces stared, waiting.

She had never spoken to so many people simultaneously. Even when she had been in The Labyrinths, they had never played a gig for more than a hundred people, and back then she kept the talking between the songs as minimal as possible. Working at String Theory, although she was perfectly okay talking with customers, she rarely spoke up in staff meetings, even though there had never been more than five people in the room. Back at university, while Izzy always breezed through presentations Nora would worry about them for weeks in advance.

Joe and Rory were staring at her with baffled expressions.

The Nora she had seen in the TED talk was not this Nora, and she doubted she could ever become that person. Not without having done all that she had done.

‘Hello. My name is Nora Seed.’

She hadn’t meant it to be funny but the whole room laughed at this. There had clearly been no need to introduce herself.

‘Life is strange,’ she said. ‘How we live it all at once. In a straight line. But really that’s not the whole picture. Because life isn’t simply made of the things we do, but the things we don’t do too. And every moment of our life is a . . . kind of turning.’

Still nothing.

‘Think about it. Think about how we start off . . . as this set thing. Like the seed of a tree planted in the ground. And then we . . . we grow . . . we grow . . . and at first we are a trunk . . .’

Absolutely nothing.

‘But then the tree – the tree that is our life – develops branches. And think of all those branches, departing from the trunk at different heights. And think of all those branches, branching off again, heading in often opposing directions. Think of those branches becoming other branches, and those becoming twigs. And think of the end of each of those twigs, all in different places, having started from the same one. A life is like that, but on a bigger scale. New branches are formed every second of every day. And from our perspective – from everyone’s perspective – it feels like a . . . like a continuum. Each twig has travelled only one journey. But there are still other twigs. And there are also other todays. Other lives that would have been different if you’d taken different directions earlier in your life. This is a tree of life. Lots of religions and mythologies have talked about the tree of life. It’s there in Buddhism, Judaism and Christianity. Lots of philosophers and writers have talked about tree metaphors too. For Sylvia Plath, existence was a fig tree and each possible life she could live – the happily-married one, the successful-poet one – was this sweet juicy fig, but she couldn’t get to taste the sweet juicy figs and so they just rotted right in front of her. It can drive you insane, thinking of all the other lives we don’t live.

‘For instance, in most of my lives I am not standing at this podium talking to you about success . . . In most lives I am not an Olympic gold medallist.’ She remembered something Mrs Elm had told her in the Midnight Library. ‘You see, doing one thing differently is very often the same as doing everything differently. Actions can’t be reversed within a lifetime, however much we try . . .’

People were listening now. They clearly needed a Mrs Elm in their lives.

‘The only way to learn is to live.’

And she went on in this manner for another twenty minutes, remembering as much as possible of what Mrs Elm had told her, and then she looked down at her hands, glowing white from the light of the lectern.

As she absorbed the sight of a raised, thin pink line of flesh, she knew the scar was self-inflicted, and it put her off her flow. Or rather, put her into a new one.

‘And . . . and the thing is . . . the thing is . . . what we consider to be the most successful route for us to take, actually isn’t. Because too often our view of success is about some external bullshit idea of achievement – an Olympic medal, the ideal husband, a good salary. And we have all these metrics that we try and reach. When really success isn’t something you measure, and life isn’t a race you can win. It’s all . . . bollocks, actually . . .’

The audience definitely looked uncomfortable now. Clearly this was not the speech they were expecting. She scanned the crowd and saw a single face smiling up at her. It took a second, given the fact that he was smartly dressed in a blue cotton shirt and with hair far shorter than it was in his Bedford life, for her to realise it was Ravi. This Ravi looked friendly, but she couldn’t shake the knowledge of the other Ravi, the one who had stormed out of the newsagent’s, sulking about not being able to afford a magazine and blaming her for it.

‘You see, I know that you were expecting my TED talk on the path to success. But the truth is that success is a delusion. It’s all a delusion. I mean, yes, there are things we can overcome. For instance, I am someone who gets stage fright and yet, here I am, on a stage. Look at me . . . on a stage! And someone told me recently, they told me that my problem isn’t actually stage fright. My problem is life fright . And you know what? They’re fucking right. Because life is frightening, and it is frightening for a reason, and the reason is that it doesn’t matter which branch of a life we get to live, we are always the same rotten tree. I wanted to be many things in my life. All kinds of things. But if your life is rotten, it will be rotten no matter what you do. The damp rots the whole useless thing . . .’

Joe was desperately slicing his hand in the air around his neck, making a ‘cut it’ gesture.

‘Anyway, just be kind and . . . Just be kind. I have a feeling I am about to go, so I would just like to say I love my brother Joe. I love you, brother, and I love everyone in this room, and it was very nice to be here.’

And the moment she had said it was nice to be there, was also the moment she wasn’t there at all.

System Error

She arrived back in the Midnight Library.

But this time she was a little away from the bookshelves. This was the loosely defined office area she had glimpsed earlier, in one of the broader corridors. The desk was covered with administrative trays barely containing scattered piles of papers and boxes, and the computer.

The computer was a really old-fashioned-looking, cream-coloured boxy one on the desk by the papers. The kind that Mrs Elm would once have had in her school library. She was at the keyboard now, typing with urgency, staring at the monitor as Nora stood behind her.

The lights above – the same bare light bulbs hanging down from wires – were flickering wildly.

‘My dad was alive because of me. But he’d also had an affair, and my mum died earlier, and I got on with my brother because I had never let him down, but he was still the same brother, really, and he was only really okay with me in that life because I was helping him make money and . . . and . . . it wasn’t the Olympic dream I imagined. It was the same me. And something had happened in Portugal. I’d probably tried to kill myself or something . . . Are there any other lives at all or is it just the furnishings that change?’