Ханиф Курейши - Best British Short Stories 2020

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The nation’s favourite annual guide to the short story, now in its tenth year.
Best British Short Stories invites you to judge a book by its cover – or, more accurately, by its title. This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor’s brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume.
Featuring: Richard Lawrence Bennett, Luke Brown, David Constantine, Tim Etchells, Nicola Freeman, Amanthi Harris, Andrew Hook, Sonia Hope, Hanif Kureishi, Helen Mort, Jeff Noon, Irenosen Okojie, KJ Orr, Bridget Penney, Diana Powell, David Rose, Sarah Schofield, Adrian Slatcher, NJ Stallard, Robert Stone, Stephen Thompson and Zakia Uddin.

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‘I’ve an original McGill of my own if you’d care to see it?’

He drove her to his digs.

‘Not many on the market these days. Difficult to come by unless you have contacts. Gives you a little frisson knowing it’s the actual paper he worked on. Speaking of frissons , I’ve another McGill in here.’ He dropped his trousers. Embroidered mothers-in-law all over his shorts.

He had the McGill framed and gave it to her. The un-nuanced figures of Curate and Vamp, secure in their ink outline against the washes of colour, brought afresh the first rapture of childhood as they opened it together.

Her first present to him was a pair of musical shorts. They played ‘I Do Like to Be Beside the Seaside’ at the touch of a microchip. He put them on to propose. ‘I don’t know your name yet.’ ‘Er, Thomas, Wilson.’ ‘Yes, Thomas Wilson, I will.’

– She did a little sketch of me. Caricature. At least, I hope it’s a caricature. I had it copied, printed up. Send them to her on my longer tours of duty, captioned ‘Greetings from the Fat Man in Postcards’. Funny, women go for the fuller figure. Thin men don’t realise. Look at HG Wells. Never short of female admirers. Used to call him Treacle Wells. One of his women was asked why she found him so attractive. Said, Because his skin smelt of honey. Extraordinary. ‘Stands the Clock at Ten to Three?’ I told my wife about that once. She said, Sounds fun, let’s try. Anointed me with a pot of Gales. Every so often, one of us will say, Let’s have an HG Wells night. Only we moved on to Lemon Curd. Did a Midlands tour a few months ago, sent her a jar, with a boxed chipolata and a note, ‘The shape of things to come.’ Duncton. Making good time. Another trip, I phoned her anonymously, did the old heavy breathing. She just said, cool as you like, ‘If you want the asthma clinic you’ve got the wrong number,’ and hung up. You’d like my wife. Ever been to America?

This will peter out beyond Petworth.

– Petworth Park. Sounds like a municipal tryst for lovers. As I was saying, we do all right, we larger men. Takes women unawares. I grant you a novel called The Fat Man wouldn’t have the same ring, but that’s only prejudice. I usually stop about here, have a breather, stretch my legs.

At exactly here. Mid-point of his journey, zenith of his weekly trajectory. Marked on the Ordnance Survey as Ball’s Cross. Here he is poised between two worlds. He will drive into a lane, walk up and down, lean on a gate. His tongue searches his teeth, seeks out the small molar cavity. Into its rough protective burr his soul nestles. He will be here for several minutes while the magnetic field reverses.

He will drive up the narrow road, turn left, then on to join the A283.

– The quilted fields of England. I love this countryside. Even the names resonate. Chiddingfold. Could be Old English for ‘cemetery’, conjures up the cosiness of village graveyards. All safely gathered in. Hambledon, Bramley. English as autumn mists. Pictures of this sort of landscape – maybe a shire horse in the middle distance, church spire far distance – still work their magic, guarantee the sales. Anything rural or ecclesiastical or both. Even quite modern buildings can do it. Know Guildford Cathedral? Only finished in 1961. Still a popular card. That’s how I met my wife. She was sketching it. Naturally I took a professional interest. Suggested she did a watercolour, maybe soften the cathedral, age it a little, submit it to my art director for a greetings card. She did, he went for the idea, I went for her.

It was love at first sight. He had leaned over her shoulder, watched the pastel smudge the deep-grained paper. Her long hair matched the quaking grass, ruffled by the same breeze. Her chin set in concentration, a soft furrow echoing a distant field. He retreated until she was packing up, handed her his card.

They drove into town, had coffee and scones with a view of the Guildhall, then drove through darkening Surrey lanes.

This was the pattern of their Sundays for a month.

On the Sunday of Michaelmas, after their coffee, he parked in sight of the cathedral, wound down the window. ‘You’d make a perfect Mrs Wilson Thomas. You might even enjoy it.’ ‘Will I, Wilson Thomas? Yes.’

– She became very interested in colour-washed pen and ink. We both love the work of Thomas Rowlandson, his chromatic delicacy against the robust penwork, the feathery foliage. I got her to do a series of views in that style, tried to get the firm to accept them as a set of upmarket postcards. Came to nothing. I had a few printed up, send them to her when I’m on the road, with a little poem on the back, something out of Clare or Herrick or William Blake. Blake is her idol. The watercolours, the woodcuts – she loves them. Did you know he lived near Bognor? Felpham, few miles along the coast. She wanted to visit it, soak up the atmosphere. Tricky. Had to head her off on that. Suggested a little project of my own – trace the locales of Wilson Steer’s works. Personal interest – he was a distant relative on my grandmother’s side. I’m named after him, in fact. So whenever I have a few days’ leave, we’ve been trundling round the country, Suffolk, Yorkshire, Stroud Valley, tracking down the footprints of his easel, so to speak. She copies the paintings, I photograph the scene. ‘Then and now’ sort of thing. Surprising how much of the country is still unspoiled. Turn down a lane, find a stile, follow a path between furrowed fields. Smell of wet earth. Leafmould in the hedgerows. Like generations of wisdom, sifting into the soil. She’ll put her arm through mine, say, Breathe it in. I know just what she means. You’d like my wife. See that programme on cancer on the box?

Wilson is much possessed by death, and sees the skull beneath the skin. For if one of them should die? Or leave? Easier to face the knock upon the door.

Wilson is not, has never been, a political man, but he has watched, appalled, the bi-polarity of the world crumble. He is unnerved. The world now reminds him of a pre-Columbus globe in reverse. He sometimes feels the axis tilt, feels the slide and scramble. Each stop at Ball’s Cross becomes a little longer.

Wilson has read somewhere of a scientist who requested his ashes be made into a firework, who ended his earthly intactness in the starshower of a score of rockets.

He thinks of him now, thinks of himself, sees his wives and assembled guests, with their sausages on sticks, gazing at the flare and burst, thinks of his soul ricocheting off the stars.

NJ STALLARD

THE WHITE CAT

Linda had spent most of June trying to kill the white cat. For her first attempt, she used a simple method: three tablespoons of rat poison in a saucer of milk. She left the saucer next to the sliding doors of the villa. A few days later, she found two dead birds in the garden and one in the swimming pool, the grey feathers mangled in the gutter. Linda collected the birds in a shoebox and buried them beneath the bougainvillaea.

After that, she bought a BB gun from the hunting store in the mall. But when she tried to practise she couldn’t pull the trigger. She said it brought back memories of her grandpa’s suicide.

‘Would you believe me if I told you I’m an animal person?’ Linda said, leaning against the kitchen island where I was eating my cereal. She wore denim cut-offs, a faded pink T-shirt and a plastic golf visor. Her skin was aged from too much sun and the split ends of her blonde ponytail fluttered in the breeze of the AC.

‘You are?’

‘Of course I am, honey. I’ve had plenty of pets. I ride horses. I would never kill an animal except in self-defence.’

Linda didn’t want to kill the white cat, she explained. The cat had terrorised her. It left decapitated lizards on the doorstep. It stared at her while she swam. Plus it was ugly. A tiny head and a long thin body covered in pink sores and clumps of white fur. A missing eye.

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