Ханиф Курейши - Best British Short Stories 2020

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The nation’s favourite annual guide to the short story, now in its tenth year.
Best British Short Stories invites you to judge a book by its cover – or, more accurately, by its title. This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor’s brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume.
Featuring: Richard Lawrence Bennett, Luke Brown, David Constantine, Tim Etchells, Nicola Freeman, Amanthi Harris, Andrew Hook, Sonia Hope, Hanif Kureishi, Helen Mort, Jeff Noon, Irenosen Okojie, KJ Orr, Bridget Penney, Diana Powell, David Rose, Sarah Schofield, Adrian Slatcher, NJ Stallard, Robert Stone, Stephen Thompson and Zakia Uddin.

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We stood in the car park facing each other. What’s going on? I asked, because I had been telling myself not to ask. He moved forward, so I had to stare up at him. You intrigue me, he said. It seemed a strange thing to say after I had told him about myself. He wanted to pretend that he didn’t know what was happening between us. I knew that meant we would see each other again. But the only way I could be sure of what he was thinking was to make him think the same as me. I grabbed his neck, drew him closer. He began kissing back after a few seconds. Hoo, he said afterwards, I wasn’t expecting that. He looked at me sideways. It reminded me of how I had been told to look at goats in the petting zoo when I was younger, but I think he was trying to show me that he was shy or that it was his best angle.

Barbara seemed to know that something had changed. She called me to her office for a catch-up session. While I had never purposely kept anything from Barbara, I thought it best not to tell her about John. It was nice not to share something with my boss, as though I had a lurid piece of gossip about myself. He had called me the previous night. He spoke on the phone with a different voice and I pretended not to know him as he told me his sexual fantasies.

During summer, Barbara and I relocated the school to various coastal towns in Essex. The rest of the year, we had a small studio in Colchester. Barbara drove back every night, and because I still hadn’t learnt to drive, I rented a place in whatever town we were staying in and sublet the little flat I had in Colchester. But her office felt the same wherever we went. The scent of clary sage which she pumped into the air every few hours to relieve her tension. The blinds always down.

Have you heard of YouTube, Barbara? Pardon? she said, adjusting her glasses and then the golden orb she wore around her neck. Whenever I suggested anything new to do with the business, she became tired or her hearing went, so that it was embarrassing to repeat myself. Nothing, I replied. I’ve seen you moping, Vee. I’m not going to be around for ever, she said, again. The first time, I’d thought she had cancer or some other terminal illness, but she had been saying it for a year now.

You have to empower yourself. She reached for the clary sage. Long walks, flower-arranging, learning Italian, weightlifting, decoupage, kick-boxing – pick one, she said, when I asked her how. Empowerment sounded lonely. She was trying to hand me my freedom in the way that people do – teasingly, haltingly. But I was afraid, so I said I was happy.

John and I went to another restaurant in the shopping centre. I called our dates parents’ evenings and he thought it was because of his age, not because he was a parent. At the restaurant, he made notes, asking me to rate it on a five-point scale for service, presentation and ambience. I kept thinking of what Barbara had said, about empowering myself. Pasta kept falling out of my mouth, like I couldn’t concentrate on doing two things at once: eating and looking normal. What’s wrong? he asked. We both watched my unchewed gnocchi land back onto the plate. My jaw snapped the empty air. Work, I said. Afterwards, we drove back to Wakesea, the water flat and black below us, the town’s outline sawtoothing the sky.

White lozenges of motorway signs dissolved into the dark and we were finally in the town, winding past the tiny houses. He put the radio on, a song that had been playing from every car and shop all summer. The chorus went carry on having fun, fun, fun/never stop being young. This is such an odd place for a lone woman to move to, he said. He said ‘lone woman’ in a quavering voice like someone might say ‘lone killer’. I’ve always wanted to move around for my work, I said. But it probably wouldn’t have happened if Barbara hadn’t called the day after the psychic. I stopped speaking, changed the radio station. What psychic? He glanced at me, and then looked away swiftly, as if he was worried I would answer. I shook my head. Nothing. My road came into view. It was always quiet, as though the other residents had fled.

I lived in a rented house at the end of the terrace. John peered out at its lit windows. He didn’t turn the engine off. Why are the lights on? I do it to put off the burglars, I replied. I’ve told you that. He had never come into my house before. I asked him nervously whether he was going to get out. He leaned over and kissed me, mouth pursed. And then he moved back and stared ahead, seemingly waiting for me to leave. Well, I’ll hear from you soon, I said. I got out and slammed the door. The night air was cold coming in from the sea. It tapped my chest and my bare arms. I searched for my key, hoping it wouldn’t take so long that it looked like I was waiting for him, but also that I wouldn’t find it so quickly that I would disappear into the house and he would forget about me, about us.

The car idled outside as I stood in the hallway and stared into the mirror. My make-up had run. I looked like a child’s drawing of a dangerous stranger. Lipstick bleed, mascara pitted around my eyes. Was that why he hadn’t come in? No one withheld for that long. When I went into the kitchen, the floor was covered in slugs. They must have come in when it rained. But it was now so hot again that they had dried up. I didn’t have any cutlery, or anything sharp, apart from a nail file that I had left on the counter. I knelt down on the floor and scraped up one greying slug with the file and threw it into the bin. Then I walked back into the living room to draw the curtains. The halogen bulb made the fat pink roses on them swim. I switched it off and lifted a curtain. John was watching me from the car, his face grainy in the darkness. I imagined him as a strange man compelled by my every move. I walked to the door slowly and waited for him to knock.

At the end of each class, the girls practised their routine for the show. There were two weeks left before the finale. The better dancers had solos, the less good ones were part of the general chorus. Cherri danced by herself in a corner of the room. She had not come to resemble John, but sometimes I could see him crouched behind her eyes, watching me. It made me want to reach an uncomplicated part of him. Cherri, shouldn’t you be over there? I pointed to the other back row dancers who were watching us. I realised that the abrupt movements that she was making were part of a sequence that she had devised herself.

You said that you wanted to see me dance, she said. Cherri had not yet learnt how to synchronise her arms and legs. She could still only move one set of limbs at a time. My self-parenting guide had taught me that handling such moments wrongly could be permanently damaging, that my words could one day pound in her head like blood. You have to practise a lot to do a solo, I said. People have expectations, not just me but all the people who will watch you. I know, she said, as if that was unimportant. We could dance together after class. Just you and me, I said.

She peered down at her new-looking trainers. The soles lit up and were inappropriate for dancing. I can do it myself, she said. But you can help if you want. Will your dad come to the finale? I asked, after a few seconds, as if it was an afterthought. She nodded. We could work on a dance that will impress him, I said. She looked up sharply. I don’t want to impress him, she said, I just don’t want to be in the back row.

Have you been with an older man before me? John asked a few days later. I said yes. He looked disappointed. I picked up the oil bottle from the side of the bed and put it into the cupboard, which was mostly empty, apart from a few toys I had bought in anticipation of tonight. He lay on the bedsheets, his head behind his hands, his body stiff, like he was imitating someone relaxing. This house is so unlived in, he said. What’s your house like? He didn’t answer. Will you put pictures up if you stay? he asked. He kept looking around at the bare walls. No, I don’t think so, I said. I hadn’t noticed before that they had nothing on them. I lay down next to him and put my head on his chest. Staring up at the ceiling, I noticed for the first time that someone had traced a smiley face with the gloss paint. Terrible things happened to you once, he said. Before we met, he added. I didn’t know how he knew, but it made me think that we could connect. When people shared their most awful and life-changing experiences, they were more likely to fall in love. It wasn’t just a coincidence Barbara found me when she did, I said.

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