Cormac McCarthy - All The Pretty Horses

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In All the Pretty Horses, Cormac McCarthy begins his Border Trilogy with a coming of age tale that is a departure from the bizarre richness and mysterious violence of his early novels, yet in many ways preserves the mystery and the richness in a more understated form. Like Blood Meridian, this novel follows a young man's journey to the regions of the unknown. John Grady Cole, more heroic than the protagonists of McCarthy's earlier novels, confronts the evil that is an inescapable part of the universe as well as the evil that grows out of his own ignorance and pride. His story is told in a style often restrained and simple, embedded with lyrical passages that echo his dreams and memory.
In the spring of 1948 on a small Texas ranch, sixteen year old John Grady Cole attends the funeral of his grandfather, with whom he has lived since his parents' separation. The grandfather's ranch has been left to John Grady's mother, a small-time actress who has no interest in it and will sell it. John Grady's father, psychologically damaged by World War II and now physically ill as well, tells his son goodbye. With no apparent future in Texas, and sensing the threat of the new era to the traditional life he values, John Grady urges his old friend Rawlins to accompany him to Mexico. There, John Grady will find that his innocence, or ignorance, will ultimately lead him close to destruction.
Before reaching the border they meet Jimmy Blevins, a dangerous young boy on a magnificent horse. Even though Cole and Rawlins do not trust Blevins and are sure his horse is stolen, they allow him to join them despite their doubts. As they ride into Mexico, they realize that they are no longer in a world that they can understand. When Blevins' clothes and horse disappear during a thunderstorm, they search a nearby Mexican town, where they find the clothes and finally the horse. In spite of Rawlins' voiced forebodings, Blevins steals the horse back, and as John Grady and Rawlins flee the town Blevins gallops past them, pursued by armed men.
John Grady and Rawlins ride south, coming at last to a ranch, the Hacienda de Nuestra Senora de la Purisima Conception. As they talk with the vaqueros about the possibility of employment, John Grady sees a beautiful girl on a black horse, Alejandra, the daughter of hacendado Don Hector Rocha y Villareal. The heir of an aristocratic family, Don Hector is avidly interested in breeding wild mountain horses with his own stock, so John Grady and Rawlins join the vaqueros; John Grady amazes everyone with his ability to break the wild horses quickly and gently.
When Don Hector questions Cole about his past, he omits the episode with Blevins and the fact that he and Rawlins may now be wanted as accomplices in Blevins's horse theft. Concerned about his blossoming relationship with Alejandra, Duena Alfonsa, Don Hector's aunt and Alejandra's godmother, warns John Grady away from the rebellious girl, and informs him that Don Hector will never allow her to marry an American, especially a poor one. But Alejandra comes to him one night and they become lovers.
A few days later John Grady and Rawlins are arrested and taken to a jail in Encantada, where Blevins is already imprisoned for the murder of three men. While the three Americans are transported to the state prison at Saltillo, Blevins is taken from the group and shot. At the prison, they are questioned and beaten, and Rawlins is injured seriously. John Grady, attacked by another prisoner, whom he must kill, learns that evil exists not only in the world but in himself. When he and Rawlins are suddenly released as mysteriously as they were arrested, Rawlins returns to Texas.
But John Grady goes back to La Purisima to search for Alejandra, who is not there. Once again Duena Alfonsa makes clear to him the impossibility of the match. She tells her own story of the power of ignorance and evil (her love for a man who was killed by a mob after helping depose the dictator Diaz) and of her determination to protect Alejandra. Although John Grady does meet Alejandra one last time at a hotel in Zacatecas, it is only as a farewell: she chooses her family's approval (and perhaps their money). In pain, Cole returns to Encantada where he finds Blevins's horse, innocent like all animals and yet the cause of much death and loss. John Grady captures both the horse and the brutal police captain who shot Blevins, and heads homeward. En route, the captain is seized by brigands with a score to settle with him, and John Grady finally returns to Texas.
He finds even less there than before: his father and his childhood nurse are both dead. He rides on with the stolen horse, seeking to restore it to its rightful owner. John Grady has learned, but not yet enough; he has left home and returned a changed man, but there is no home to receive him. All the Pretty Horses is a hero's quest without a neat resolution, a book in which the strange light of mythic struggles shines through the quick-paced adventure.
The Border Trilogy continues with Volume Two, The Crossing, and concludes with the third volume, Cities of the Plain.

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The water they found was at a stone stocktank and they dismounted and drank from the standpipe and watered the horses and sat in the bands of shade from the dead and twisted oaks at the tank and watched the open country below them. A few cattle stood perhaps a mile away. They were looking to the east, not grazing. He turned to see what they were watching but there was nothing there. He looked at the.captain, a gray and shrunken figure. The heel was missing from one boot. There were streaks of black and streaks of ash on his trouserlegs from the fire and his buckled belt hung in a loop from his neck where he'd been using it to sling his arm.

I aint goin to kill you, he said. I'm not like you.

The captain didnt answer.

He pulled himself up and took out the keys from his pocket and using the rifle to steady himself he hobbled over and bent and took hold of the captain's wrists and unmanacled them. The captain looked down at his wrists. They were discolored and raw from the cuffs and he sat rubbing them gently. John Grady stood over him.

Take off your shirt, he said. I'm goin to pull that shoulder. Mande? said the captain.

Quítese su camisa.

The captain shook his head and held his arm against him like a child.

Dont sull up on me. I aint askin, I'm tellin.

Cómo?

No time otra salida.

He got the captain's shirt off and spread it out and made him lie on his back. The shoulder was badly discolored and his whole upper arm was a deep blue. He looked up. The beaded sweat glistened on his forehead. John Grady sat and put his booted foot in the captain's armpit and gripped the captain's arm by the wrist and upper elbow and rotated it slightly. The captain looked at him like a man falling from a cliff.

Dont worry, he said. My family's been practicin medicine on Mexicans a hundred years.

If the captain had made up his mind not to cry out he did not succeed. The horses started and milled and tried to hide behind one another. He reached up and grabbed his arm as if he'd reclaim it but John Grady had felt the coupling pop into place and he gripped the shoulder and rotated the arm again while the captain tossed his head and gasped. Then he let him go and picked up the rifle and rose.

Está compuesto? wheezed the captain.

Yeah. You're all set.

He held his arm and lay blinking.

Put on your shirt and let's go, said John Grady. We aint settin out here in the open till your friends show up.

Ascending into the low hills they passed a small estancia and they dismounted and went afoot through the ruins of a cornfield and found some melons and sat in the stony washedout furrows and ate them. He hobbled down the rows and gathered melons and carried them out through the field to where the horses stood and broke them open on the ground at their feet for them to feed on and he stood leaning on the rifle and looked toward the house. Some turkeys stepped about in the yard and there was a pole corral beyond the house in which stood several horses. He went back and got the captain and they mounted up and rode on. When he looked back from the ridge above the estancia he could see that it was more extensive. There was a cluster of buildings above the house and he could see the quadrangles laid out by the fences and the adobe walls and irrigation ditches. A number of rangy and slatribbed cattle stood about in the scrub. He heard a rooster crow in the noon heat. He heard a steady distant hammering of metal as of someone at a forge.

They plodded on at a poor pace up through the hills. He'd unloaded the rifle to save carrying it and it was tied along the saddleskirt of the captain's horse and he had reassembled the fireblackened revolver and loaded it and put it in his belt. He rode Blevins' horse and the animal had an easy gait and his leg had not stopped hurting but it was the only thing keeping him awake.

In the early evening from the eastern rim of the mesa he sat and studied the country while the horses rested. A hawk and a hawk's shadow that skated like a paper bird crossed the slopes below. He studied the terrain beyond and after a while he saw riders riding. They were perhaps five miles away. He watched them and they dropped from sight into a cut or into a shadow. Then they appeared again.

He mounted up and they rode on. The captain slept tottering in the saddle with his arm slung through his belt. It was cool in the higher country and when the sun set it was going to be cold. He pushed on and before dark they found a deep ravine in the north slope of the ridge they'd crossed and they descended and found standing water among the rocks and the horses clambered and scrabbled their way down and stood drinking.

He unsaddled junior and cuffed the captain's bracelets through the wooden stirrups and told him he was free to go as far as he thought he could carry the saddle. Then he built a fire in the rocks and kicked out a place in the ground for his hip and lay down and stretched out his aching leg and put the pistol in his belt and closed his eyes.

In his sleep he could hear the horses stepping among the rocks and he could hear them drink from the shallow pools in the dark where the rocks lay smooth and rectilinear as the stones of ancient ruins and the water from their muzzles dripped and rang like water dripping in a well and in his sleep he dreamt of horses and the horses in his dream moved gravely among the tilted stones like horses come upon an antique site where some ordering of the world had failed and if anything had been written on the stones the weathers had taken it away again and the horses were wary and moved with great circumspection carrying in their blood as they did the recollection of this and other places where horses once had been and would be again. Finally what he saw in his dream was that the order in the horse's heart was more durable for it was written in a place where no rain could erase it.

When he woke there were three men standing over him. They wore serapes over their shoulders and one of them was holding the empty rifle and all of them wore pistols. The fire was burning from brush they'd piled on it but he was very cold and he had no way to know how long he'd been sleeping. He sat up. The man with the rifle snapped his fingers and held out his hand.

Deme las haves, he said.

He reached into his pocket and took out the keys and handed them up. He and one of the other men walked over to where the captain sat chained to the saddle at the far side of the fire. The third man stood by him. They freed the captain and the one carrying the rifle came back.

Cuáles de los caballos son suyos? he said.

Todos son míos.

The man studied his eyes in the firelight. He walked back to the others and they talked. When they came past with the captain the captain's hands were cuffed behind him. The man carrying the rifle levered the action open and when he saw that the gun was empty stood it against a rock. He looked at John Grady.

Donde está su serape? he said.

No tengo.

The man loosed the blanket from his own shoulders and swung it in a slow veronica and handed it to him. Then he turned and they passed on out of the firelight to where their horses were standing in the dark with other companions, other horses.

Quiénes son ustedes? he called.

The man who'd given him his serape turned at the outer edge of the light and touched the brim of his hat. Hombres del país, he said. Then all went on.

Men of the country. He sat listening as they rode up out of the ravine and then they were gone. He never saw them again. In the morning he saddled Redbo and driving the other two horses before him he rode up from the ravine and turned north along the mesa.

He rode all day and the day clouded before him and a cool wind was coming downcountry. He'd reloaded the rifle and he carried it across the bow of the saddle and rode with the serape over his shoulders and looseherded the riderless horses before him. By evening all the north country was black and the wind was cold and he picked his way along the rim country through the sparse swales of grass and broken volcanic rock and he sat above a highland bajada in the cold blue dusk with the rifle across his knee while the staked horses grazed behind him and at the last hour light enough by which to see the iron sights of the rifle five deer entered the bajada and pricked their ears and stood and then bent to graze.

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