Cormac McCarthy - All The Pretty Horses

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In All the Pretty Horses, Cormac McCarthy begins his Border Trilogy with a coming of age tale that is a departure from the bizarre richness and mysterious violence of his early novels, yet in many ways preserves the mystery and the richness in a more understated form. Like Blood Meridian, this novel follows a young man's journey to the regions of the unknown. John Grady Cole, more heroic than the protagonists of McCarthy's earlier novels, confronts the evil that is an inescapable part of the universe as well as the evil that grows out of his own ignorance and pride. His story is told in a style often restrained and simple, embedded with lyrical passages that echo his dreams and memory.
In the spring of 1948 on a small Texas ranch, sixteen year old John Grady Cole attends the funeral of his grandfather, with whom he has lived since his parents' separation. The grandfather's ranch has been left to John Grady's mother, a small-time actress who has no interest in it and will sell it. John Grady's father, psychologically damaged by World War II and now physically ill as well, tells his son goodbye. With no apparent future in Texas, and sensing the threat of the new era to the traditional life he values, John Grady urges his old friend Rawlins to accompany him to Mexico. There, John Grady will find that his innocence, or ignorance, will ultimately lead him close to destruction.
Before reaching the border they meet Jimmy Blevins, a dangerous young boy on a magnificent horse. Even though Cole and Rawlins do not trust Blevins and are sure his horse is stolen, they allow him to join them despite their doubts. As they ride into Mexico, they realize that they are no longer in a world that they can understand. When Blevins' clothes and horse disappear during a thunderstorm, they search a nearby Mexican town, where they find the clothes and finally the horse. In spite of Rawlins' voiced forebodings, Blevins steals the horse back, and as John Grady and Rawlins flee the town Blevins gallops past them, pursued by armed men.
John Grady and Rawlins ride south, coming at last to a ranch, the Hacienda de Nuestra Senora de la Purisima Conception. As they talk with the vaqueros about the possibility of employment, John Grady sees a beautiful girl on a black horse, Alejandra, the daughter of hacendado Don Hector Rocha y Villareal. The heir of an aristocratic family, Don Hector is avidly interested in breeding wild mountain horses with his own stock, so John Grady and Rawlins join the vaqueros; John Grady amazes everyone with his ability to break the wild horses quickly and gently.
When Don Hector questions Cole about his past, he omits the episode with Blevins and the fact that he and Rawlins may now be wanted as accomplices in Blevins's horse theft. Concerned about his blossoming relationship with Alejandra, Duena Alfonsa, Don Hector's aunt and Alejandra's godmother, warns John Grady away from the rebellious girl, and informs him that Don Hector will never allow her to marry an American, especially a poor one. But Alejandra comes to him one night and they become lovers.
A few days later John Grady and Rawlins are arrested and taken to a jail in Encantada, where Blevins is already imprisoned for the murder of three men. While the three Americans are transported to the state prison at Saltillo, Blevins is taken from the group and shot. At the prison, they are questioned and beaten, and Rawlins is injured seriously. John Grady, attacked by another prisoner, whom he must kill, learns that evil exists not only in the world but in himself. When he and Rawlins are suddenly released as mysteriously as they were arrested, Rawlins returns to Texas.
But John Grady goes back to La Purisima to search for Alejandra, who is not there. Once again Duena Alfonsa makes clear to him the impossibility of the match. She tells her own story of the power of ignorance and evil (her love for a man who was killed by a mob after helping depose the dictator Diaz) and of her determination to protect Alejandra. Although John Grady does meet Alejandra one last time at a hotel in Zacatecas, it is only as a farewell: she chooses her family's approval (and perhaps their money). In pain, Cole returns to Encantada where he finds Blevins's horse, innocent like all animals and yet the cause of much death and loss. John Grady captures both the horse and the brutal police captain who shot Blevins, and heads homeward. En route, the captain is seized by brigands with a score to settle with him, and John Grady finally returns to Texas.
He finds even less there than before: his father and his childhood nurse are both dead. He rides on with the stolen horse, seeking to restore it to its rightful owner. John Grady has learned, but not yet enough; he has left home and returned a changed man, but there is no home to receive him. All the Pretty Horses is a hero's quest without a neat resolution, a book in which the strange light of mythic struggles shines through the quick-paced adventure.
The Border Trilogy continues with Volume Two, The Crossing, and concludes with the third volume, Cities of the Plain.

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They turned down a narrow street and stopped in front of a house that was painted bright blue. The captain leaned across the cab and blew the horn. After a while the door opened and a man came out. He was rather elegantly dressed after the manner of a charro and he walked around the truck and the captain got out and the man got into the cab and the captain climbed in after him and shut the door and they pulled away.

They drove down the street past the last house and the last of the corrals and mud pens and crossed a shallow ford where the slow water shone like oil in its colors and mended itself behind them before the run-off from the trucktires had even finished draining back. The truck labored up out of the ford over the scarred rock of the roadbed and then leveled out and set off across the desert in the flat midmorning light.

The prisoners watched the dust boil from under the truck and hang over the road and drift slowly off across the desert. They slammed about on the rough oak planks of the truckbed and tried to keep their blankets folded under them. Where the road forked they turned out onto the track that would take them to Cuatro Ciénagas and on to Saltillo four hundred kilometers to the south.

Blevins had unfolded his blanket and was stretched out on it with his arms under his head. He lay staring up at the pure blue desert sky where there was no cloud, no bird. When he spoke, his voice shuddered from the hammering of the truckbed against his back.

Boys, he said, this is goin to be a long old trip.

Thev looked at him, they looked at each other. They didnt say if they thought it would be or not.

The old man said it'd take all day to get there, said Blevins. I asked him. Said all day.

Before noon they struck the main road coming down out of Boquillas on the border and they took the road downcountry. Through the pueblos of San Guillermo, San Miguel, Tanque el Revés. The few vehicles they encountered on that hot and guttered track passed in a storm of dust and flying rock and the riders on the truckbed turned away with their faces in their elbow sleeves. They stopped in Ocampo and offloaded some crates of produce and some mail and drove on toward El Oso. In the early afternoon they pulled in at a small cafe by the roadside and the guards climbed down and went in with their guns. The prisoners sat chained on the truckbed. In the dead mud yard some children who'd been playing stopped to watch them and a thin white dog who seemed to have been awaiting just such an arrival came over and urinated for a long time against the rear tire of the truck and went back.

When the guards came out they were laughing and rolling cigarettes. One of them carried three bottles of orange sodawater and he passed them up to the prisoners and stood waiting for the bottles while they drank. When the captain appeared in the doorway they climbed back onto the truck. The guard who'd taken the bottles back came out and then the man in the charro outfit and then the driver. When they were all in their places the captain stepped from the shade of the doorway and crossed the gravel apron and climbed into the cab and they went on.

At Cuatro Ciénagas they struck the paved road and turned south toward Torreón. One of the guards stood up and holding on to the shoulder of his companion looked back at the roadsign. He sat again and they glanced at the prisoners and then just sat looking out over the countryside as the truck gathered speed. An hour later they left the road altogether, the truck laboring over a dirt track across rolling fields, a great and fallow baldíos such as was common to that country where feral cattle the color of candlewax come up out of the arroyos to feed at night like alien principals. Summer thunderheads were building to the north and Blevins was studying the horizon and watching the thin wires of lightning and watching the dust to see how the wind blew. They crossed a broad gravel riverbed dry and white in the sun and they climbed into a meadow where the grass was tall as the tires and passed under the truck with a seething sound and they entered a grove of ebony trees and drove out a nesting pair of hawks and pulled up in the yard of an abandoned estancia, a quadrangle of mud buildings and the remains of some sheep-pens.

No one in the truckbed moved. The captain opened the door and stepped out. Vámonos, he said.

They climbed down with their guns. Blevins looked about at the ruined buildings.

What's here? he said.

One of the guards leaned his rifle against the truck and sorted through the ring of keys and reached and unlocked the chain and threw the loose ends up onto the truckbed and picked up the rifle again and gestured for the prisoners to get down. The captain had sent one of the guards to scout the perimeter and they stood waiting for him to come back. The charro stood leaning against the front fender of the truck with one thumb in his carved leather belt smoking a cigarette.

What do we do here? said Blevins.

I dont know, said John Grady.

The driver hadnt gotten out of the truck. He was slumped back in the seat with his hat over his eyes and looked to be sleeping.

I got to take a leak, said Rawlins.

They walked out through the grass, Blevins hobbling after them. No one looked at them. The guard came back and reported to the captain and the captain took the guard's rifle from him and handed it to the charro and the charro hefted it in his hands as if it were a game gun. The prisoners straggled back to the truck. Blevins sat down a little apart and the charro looked at him and then took his cigarette from his mouth and dropped it in the grass and stepped on it. Blevins got up and moved to the rear of the truck where John Grady and Rawlins were standing.

What are they goin to do? he said.

The guard with no rifle came to the rear of the truck.

Vámonos, he said.

Rawlins raised up from where he was leaning on the bed of the truck.

S61o el chico, said the guard. Vámonos.

Rawlins looked at John Grady.

What are they goin to do? said Blevins.

They aint goin to do nothin, said Rawlins.

He looked at John Grady. John Grady said nothing at all. The guard reached and took Blevins by the arm. Vámonos, he said.

Wait a minute, said Blevins.

Están esperando, said the guard.

Blevins twisted out of his grip and sat on the ground. The guard's face clouded. He looked toward the front of the truck where the captain stood. Blevins had wrenched off one boot and was reaching down inside it. He pulled up the black and sweaty innersole and threw it away and reached in again. The guard bent and got hold of his thin arm. He pulled Blevins up. Blevins was flailing about trying to hand something to John Grady.

Here, he hissed.

John Grady looked at him. "'hat do I want with that? he said.

Take it, said Blevins.

He thrust into his hand a wad of dirty and crumpled peso notes and the guard jerked him around by his arm and pushed him forward. The boot had fallen to the ground.

Wait, said Blevins. I need to get my boot.

But the guard shoved him on past the truck and he limped away, looking back once mute and terrified and then going on with the captain and the charro across the clearing toward the trees. The captain had put one arm around the boy, or he put his hand in the small of his back. Like some kindly advisor. The other man walked behind them carrying the rifle and Blevins disappeared into the ebony trees hobbling on one boot much as they had seen him that morning coming up the arroyo after the rain in that unknown country long ago.

Rawlins looked at John Grady. His mouth was tight. John Grady watched the small ragged figure vanish limping among the trees with his keepers. There seemed insufficient substance to him to be the object of men's wrath. There seemed nothing about him sufficient to fuel any enterprise at all.

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