Kevin Brockmeier: The Brief History of the Dead

Unquestionably, the city was changing. People who had perished in the epidemic came and went very quickly, sometimes in a matter of hours, like a mid-spring snow that blankets the ground at night and melts away as soon as the sun comes up. A man arrived in the pine district one morning, found an empty storefront, painted a sign in the window with colored soap (SHERMAN'S CLOCK REPAIR. FAST AND EASY. OPENING SOON), then locked the door and shuffled away and never returned. Another man told the woman he had slept the night with that he was going to the kitchen for a glass of water, and when she called to him a few minutes later, he did not answer. She searched the apartment for him. The window beside her dressing table was open, as though he had climbed out onto the balcony, but he was nowhere to be found. The entire population of a small Pacific island appeared in the city on a bright windy afternoon, congregated on the top level of a parking garage, and were gone by the end of the day.

But it was the people who had been in the city the longest who most felt the changes. While none of them knew – or had ever known – how much time they had in the city, or when that time would come to an end, there had usually been a rhythm to their tenure, certain things a person could expect: after finishing the crossing, you found a home and a job and a company of friends, ran out your six or seven decades, and while you could not raise a family, for no one aged, you could always assemble one around you.

Mariama Ekwensi, for one, had made her home on the ground floor of a small house in the white clay district for almost thirty years. She was a tall, rangy woman who had never lost the bearing of the adolescent girl she had once been, so dazed and bewildered by her own growth. The batik cotton dresses she wore were the color of the sun in a child's drawing. Her neighbors could always spot her coming from several blocks away. Mariama was a caretaker at one of the city's many orphanages. She thought of 9herself as a good teacher but a poor disciplinarian, and it was true that she often had to leave her children under the watch of another adult in order to chase after one who had taken off running. She read to the smaller children – books about long voyages, or about animals who changed shape – and she took the older ones to parks and museums and helped them with their homework. Many of them were badly behaved, with vocabularies that truly made her blush, but she found such problems beyond her talents. Even when she pretended to be angry with the children, they were clever enough to see that she still liked them. This was her predicament. There was one boy in particular, Philip Walker, who would light out toward the shopping district every chance he got. He seemed to think it was funny to hear her running along behind him, huffing and pounding away, and she never caught up with him until he had collapsed onto a stoop or a bench somewhere, gasping with laughter. One day, she followed him around a corner and chased him into an alley and did not come out the other end. Philip returned to the orphanage half an hour later. He could not say where she had gone.

Ville Tolvanen shot pool every night at the bar on the corner of Eighth and Vine. The friends he had at the bar were the same friends he had known when he was alive. There was something they used to say to each other when they went out drinking in Oulu, a sort of song they used to sing: I'll meet you when I die / At that bar on the corner of Eighth and Vine. One by one, then, as they passed away, they found their way to the corner of Eighth and Vine, walked gingerly, skeptically, through the doors of the bar, and caught sight of one another by the pool tables, until gradually they were all reassembled. Ville was the last of the group to die, and finding his friends there at the bar felt almost as sweet to him as it had when he was young. He clutched their arms and they clapped him on the back. He insisted on buying them drinks. "Never again…," he told them, and though he could not finish the sentence, they all knew what he meant. He was grinning to keep his eyes from watering over, and someone tossed a peanut shell at him, and he tossed one back, and soon the floor was so covered with the things that it crunched no matter where they put their feet. For months after he died, Ville never missed a single night at the tables – and so when he failed to appear one night his friends went out looking for him. They headed straight for the room he had taken over the hardware store down the street, where they banged on the door and then dislodged the lock with the sharp edge of a few playing cards. Ville's shoes were inside, and his wristwatch, and his jacket, but he was not.

Ethan Hass, the virologist, drank not in the bars at all but from a small metal flask that he carried on his belt like a Boy Scout canteen. He had been watching the developments in his field for thirty years before he died, reading the journals and listening to the gossip at the conventions, and it sometimes seemed to him that every government, every interest group, every faction in the world was casting around for the same thing, a perfect virus, one that followed every imaginable vector, that would spread through the population like the expanding ring of a raindrop in a puddle. It was clear to him now that somebody had finally succeeded in manufacturing it. But how on earth had it been introduced? He couldn't figure it out. The reports from the recently dead were too few, and they were never precise enough. One day he locked himself in the bathroom of the High Street Art Museum and began to cry insistently, sobbing out something about the air and the water and the food supply. A security guard was summoned. "Calm down, guy. There's plenty of air and water for you out here. How about you just open the door for us?" The guard used his slowest, most soothing voice, but Ethan only shouted, "Everybody! Everything!" and turned on the faucets of the sinks, one by one. He would not say anything else, and when the guard forced the door open a few minutes later, he was gone.

It was as though a gate had been opened, or a wall thrown down, and the city was finally releasing its dead. They set out from its borders in their multitudes, and soon the parks, the bars, the shopping centers were all but empty.

One day, not long after the last of his neighborhood's restaurants had closed its doors, the blind man was standing on the steps of the church, waiting for someone who would listen to his story. No one had passed him all day long, and he was beginning to wonder if the end had come once and for all. Perhaps it had happened while he was sleeping, or during the half minute early that morning when he had thought he smelled burning honey. He heard a few car horns honking from different quarters of the city, and then, some twenty minutes later, the squealing of a subway train as its brakes gripped the tracks, and then nothing but the wind aspirating between the buildings, lingering, and finally falling still. He listened hard for a voice or a footstep, but he could not make out a single human sound.

He cupped his hands around his mouth. "Hello?" he shouted. "Hello?" But no one answered.

He experienced an unusual misgiving. He brought his hand to his chest. He was afraid that the heartbeat he heard was his own.

The wind had been blowing for twenty-three days, first from the east and then from the south, making a prolonged death moan inside the vents. Occasionally a gust of ice would push its way through the hut's system of turns and baffles, and hundreds of clear gray crystals would come fanning out over the room, peppering down onto the desk and the floor. Laura would stop whatever she was doing and watch them melt. She was disheartened by how long it took. The heating panels were obviously breaking down, if not crippled beyond repair. Next the lights would go, and after that, if she was still alive, it would be the food stores. What a total damned disaster.