Alice McDermott - After This

Здесь есть возможность читать онлайн «Alice McDermott - After This» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

After This: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «After This»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

OVER the course of her five previous novels, Alice McDermott has staked an impressive claim on a subject matter and a turf – Irish-American Catholic families congregated, for the most part, in New York City and its suburbs on Long Island. The Irish have, of course, long been a significant presence in American fiction, appearing well before the mass immigration of the late 19th century (think of "Huckleberry Finn"), and the novels, notably, of William Kennedy attest to the subject's continuing strength. McDermott adds her own luster to this seemingly familiar community through her skill at evoking small, memorable incidents and her willingness to ignore certain narrative conventions.
Most fictional family sagas contain a lot of what could be called plain reporting: answers to the questions (who? what? when? where? why?) that are the basic stuff of journalism. But in her family dramas, McDermott has largely refused to provide a helpful framework of dates, genealogies or factual background. Instead, she has focused on the shifting inner lives of her characters, confident that God – or the larger picture – will be found in the details.
The opening of her latest novel, "After This," demonstrates McDermott's technique at its most elliptical and effective. On a blustery April day in Midtown Manhattan, Mary (no last name given) leaves a church (almost certainly St. Patrick's Cathedral) after lighting a candle, as she has done throughout the war, even though the fighting is over. (Since the war in question is clearly World War II, the action must take place, at the earliest, in the spring of 1946). Mary has also prayed: "She was 30, with no husband in sight. A good job, an aging father, a bachelor brother, a few nice friends. At least, she had asked – so humbly, so earnestly, so seriously – let me be content." Outside the church, squinting in the sunlight, Mary meets a friend of her brother's, who unexpectedly asks her to dinner. "At a restaurant," he explains, when she seems confused. "The two of us." Mary agrees, they part, and she goes into Schrafft's for what's left of her lunch hour.
At the counter she exchanges small talk about the weather with a man seated next to her. "Reminds me of some days we had overseas," he says, standing up to pay his bill. Mary watches him walk away: "And here, of all things, was desire again. (She could have put the palm of her hand to the front of his white shirt.)" Mary returns to her office and later goes home to a walk-up apartment in an unnamed borough to prepare lamb chops for her father and brother before her dinner date, which passes pleasantly and ends with a chaste kiss. The next day, when she returns to Schrafft's, the man she met the day before is waiting outside. Reader, she marries him.
This sequence could stand alone as a classic short story in the Joycean, epiphanic mode: an accretion of humdrum moments that gather force and blossom into the transfiguration of a life. Yet such stories seldom cry out for a sequel – does anyone want to know what Gabriel and Gretta Conroy said to each other the morning after "The Dead" concludes? – and McDermott's deft, delicate beginning is a hard act to follow. Mary, so vivid in her first appearance, rapidly fades into careworn motherhood. Fewer than a dozen pages later, she and her husband, John Keane, are taking a rare break from Sunday Mass at a Long Island beach, deserted after the Labor Day weekend, with their three children. John seems stunned by his responsibilities; Mary's pregnancy will only add to them. A hurricane is beginning to churn up the Eastern Seaboard, and the stinging, wind-borne sand drives the family back home. That night, a tree in the Keanes' yard is blown over. The next morning, a neighbor with a chain saw, who also happens to be a registered nurse, appears just in time to help Mary deliver her baby.
Once this hectic episode concludes, McDermott's narrative turns episodic and digressive, and "After This" begins to resemble a photo album with many missing snapshots and pages. Here is John serving on the building committee of St. Gabriel's Parish, helping raise money for a new church and gym. Over there are Mary and her daughter standing in line to see Michelangelo's Pietà in the Vatican pavillion at the 1964 World's Fair. (McDermott, characteristically, omits the 1964 part, leaving that for her readers to deduce.) Here we see the neighbor's teenage daughter going into Manhattan for an abortion, accompanied by the older of the two Keane daughters, who reads "A Farewell to Arms" in the waiting room. And up ahead, Pauline, Mary's old friend from her office days and the Keane family's honorary spinster aunt, is injured in a fall. Strangely, Pauline's mishap and its aftereffects receive far more attention than the major tragedy that befalls Mary and John, registered almost subliminally and barely referred to again.
Each of the Keane children shines briefly before disappearing. Shy, awkward Jacob drops out of St. John's after a year of poor grades and draws an unlucky lottery number for the Vietnam draft. Michael, charming and irreverent, spends most of his time at his upstate college in a seedy saloon. Annie, the bookish child (inspired by one of Pauline's visits to escape into a Faulkner novel while thinking about "the odor of aging female flesh"), goes to study in England and changes her plans because of a young man she meets on a bus. Clare, devoted youngest child and just as devoted Catholic, nonetheless finds a way to break her parents' hearts.
This assembly of splintered stories suggests that McDermott, like Virginia Woolf in "The Waves," has come to care less about her individual characters than about the unseen forces – fate, the zeitgeist, the inexorable progress of time – that shape and trace the patterns of their lives. With no warning or explanation, she provides capsule previews of the deaths of two family members that are jarring not just because they deflate suspense but because they suggest that it's futile to invest much interest in these characters.
Late in the novel, Clare Keane, having finally found a boyfriend during the long summer vacation, returns to her Catholic high school displaying new aplomb and self-confidence: "Of course of course, the teachers, even the nuns told each other, indulgent and naïve. Those who had been at the school when Annie was a student said, with a shrug, Life goes on." And that seems to be the burden and the message of "After This." Life does, irrefutably, go on. But if that's all there is to say about the matter, why bother with art and stories, which defy the limits of birth and death by trying to immortalize the interesting things that happen in between? For all its page-by-page brilliance, "After This" leaves that question hanging.

After This — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «After This», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

With the changing light, the room seemed to grow more familiar. She was thousands of miles from home with an utter stranger at her side and yet she was falling into a pleasant, comfortable sleep, she was anticipating, with pleasure, perhaps, what the new day would bring. There was, there would always be, the snag of disappointment-it would not be the life she had wanted-but there was, at last, as well, something it would take her until the end of the year to begin to understand. At the end of the year, when she moved to London with him, quitting school, quitting home, dealing her parents (it could not be helped) another blow, she would recall the story Professor Wallace had told them that night, she would begin to see the wisdom of it-the wisdom of scattering, each to a different corner of whatever shelter they had found, so that should the worst happen, happen again, it would not take them all.

Tony persichetti got religion-or religions, his sister said. He’d spent some months on an ashram in Pennsylvania, a few more with some Krishnas in New York, then traveled across Europe with a Brooklyn girl and ended up on a kibbutz where his whole day was spent, he’d said, shoveling chicken shit. And where, inexplicably (mixing his religious metaphors, Susan said), he shaved his head.

Michael Keane laughed. “Sounds like Tony,” he said.

And then home again, thin and weather-beaten, looking more like a convict than an aesthete. He came into her room and ran a hand down one of the wood panels he had helped their father to install, pressed it gently inward and withdrew a small plastic bag of brittle hash. “I’ve been thinking about this, waiting here for me, for months,” he said.

“Did you think about Mom and Dad,” Susan asked him. “You stupid fuck. They were waiting here for you, too.”

Not to say that that did the trick, Susan told Michael Keane, but the next Sunday night, Tony cleaned himself up and went out and came back some hours later and called them all into the living room, his mother and father, Susan herself who was only home for the weekend because the prodigal had once again returned and her parents had begged her to help welcome him. He announced that he was an alcoholic. That he’d just gone to his first AA meeting. And that with God’s help and theirs, he would get his life together at long last.

Susan couldn’t help it, she told Michael, this back and forth with Tony had been going on for so long. The crazy Vietnam-vet cliché had worn pretty thin. “Do you have any particular God in mind?” she’d said.

The AA meetings were held at St. Gabriel’s, in the basement cafeteria. Tony had breathed in a lungful of his old grammar-school air and found God again. Or God found him, there where he had hunkered down with his bologna sandwiches as a kid. Easier, he said, to pick up an old belief than to talk yourself into a new one. Now he began his day with 6:30 Mass, then went to the job his father had gotten him at Creedmoor, an office thing, then took classes at Queens College. He was headed for a master’s in social work. He was dating a girl he’d met at school.

Her parents, she said, were holding their breaths, not yet certain, it seemed, that the troubled Vietnam-vet thing was something they could say was finally over.

“And you?” she asked. They were in a bar on the East Side, they were being jostled, backs and arms, by the after-work crowd. He told her he had a job at a Catholic school, in Brooklyn, seventh grade. He said the pay was lousy but the kids were great. “Déjà vu all over again,” he said. He was sharing an apartment in the city with three friends from school. “Finally,” he said, “out of the basement.”

And because she knew the story, she said, “How’s crazy Pauline?”

Susan was blonder than he’d remembered her, prettier, too. He added, “I’m thinking of going to law school,” not sure yet if it were true.

Susan said, “The guy I live with goes to law school. NYU. It’s good.”

Michael nodded. His roommates were spread around the room, the familiar hunt for connections.

“He knows you,” she said. “You caddied together one summer. He was in high school. You were home from college.”

“This is a high-school sweetheart?” Michael said.

She slowly closed her eyes, smiled a drawn smile. “A re-acquaintance,” she said. Begun when he had called her, out of the blue, to say, “There was a rumor when we were in high school and I wonder if it’s true.” Jill O’Meara’s name was mentioned. Susan’s eyes, when she opened them, were darker still. “Sometimes it’s easier to pick up an old boyfriend than to talk yourself into a new one.”

“A pickup, then,” Michael said, and recognized his father’s sense of humor.

“A serious relationship,” she said coyly to disguise what a complicated thing it was, her life with this boy.

Michael raised his glass. “Good for you.”

“Annie seems happy,” Susan said, an apology for not being free, because she liked Michael Keane, would have loved to go out with him when, as she thought of it, she was young. “She likes it over there.”

“She really does,” Michael said. For the first time since they saw each other, he looked beyond her, toward the other women in the room.

“And Clare’s good?” she said. “Still at dear old Mary Immaculate Academy?”

“One more year,” he said. “Then college.”

“Your parents will miss her.”

But Michael shook his head. “They’re already planning their golden years in Florida. Though God knows what they’ll do with Pauline.”

“Poor Pauline,” Susan said.

And now their eyes met again, a prelude to separating once more.

Michael had an impulse to say-so simple-and Jacob’s teaching, too, out on Long Island. Better at it than I am. Over at last, that crazy-vet thing. (Or no, he amended the tale-Sorry, Jacob): Never really did do that crazy-vet thing. Whatever was terrible over there kept to himself, the blanket pulled up over the shoulder, the head turned to the wall. The courage it took, for a kid so fearful, to keep so much to himself.

Jacob’s fine, he had an impulse to say. And for just a second there would be the misapprehension on her face, for just a second, the solid past would loosen its grip. Jacob’s same as always. Too nice. Married Lori Ballinger. A couple of beautiful kids yet to be born.

“It was good to see you, Michael,” Susan said.

He bent down to kiss her cheek. “Good to see you, too,” he said. “Say hi to Tony.”

And then walked away with it written all over his face-his friends said later, kidding him-disappointment, the failure to connect, the sorrow of a lost opportunity.

Clare keane returned to school that fall looking grown up. That’s how some of the teachers put it. “You’ve grown up.” Not that this was surprising to them, especially the older of them who had been witness to it for decades: the bony freshman come back as mature young woman for senior year-the time in between seeming no more, they told one another September after September, than the blink of an eye. Clare was only a little taller, and, like most of the girls, freckled and tanned, streaks of sun in her reddish brown hair. Her braces had come off-there was that difference. But there was also the way she carried herself. She had lost-one of the Sisters confided to a lay teacher and the lay teacher heartily agreed-that childish look she used to wear, wide-eyed and eager to please. She’d always been smart enough, there was no doubt about that, but there had also been about her an air of innocence that belonged, perhaps, to an earlier time, an air of innocence that in this day and age-even the Sisters said it-seemed to indicate a lack of depth.

But this fall there was a new quickness in her eye and the range of her emotions did not seem limited in its illustration to a wide smile or a solemn frown. She laughed more. She socialized with some of the more troublesome and popular girls. She had learned, apparently, over the course of what she described to everyone who asked her as the best summer of her life, that there was a hierarchy to her interests and her pleasures after all. Although there was still something childish about her body, especially in the outdated shirtwaist dress that had been for too long now the school’s summer uniform, there was, also, finally, an assuredness in her movements that had not been there before. She had found a boyfriend this summer. (Of course of course, the teachers, even the nuns told each other, indulgent and naive. Those who had been at the school when Annie was a student said, with a shrug, Life goes on.) His name was Gregory Joseph. She wore his heavy high-school ring on a gold chain around her neck.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «After This»

Представляем Вашему вниманию похожие книги на «After This» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «After This»

Обсуждение, отзывы о книге «After This» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x