John Updike - Terrorist

"What makes you so sad?"

"I'm not sad," he says. "I'm fucked. You really do it. I thought my old chassis was ready for the junk heap, but you get those spark plugs firing. You're gorgeous, Terry."

"Cut the malarkey, as my father used to say. You haven't answered my question. Why are you sad?"

"Maybe I was thinking, Labor Day's coming. It's going to be harder to work us in." He has learned to express his difficulties in deceiving his wife without mentioning Beth's name, which Terry hates to hear, for some reason that eludes him. If the truth were known, Beth should be the jealous and indignant one.

Terry smells his very thought. "You're so afraid of Beth's finding out," she spitefully says. "So what if she did? Where can she go? Who would want her, in the shape she's in?"

"Is that the point?"

"No? So what is the point, baby? You tell me."

"Not hurting people?" he suggests.

"You don't think I hurt? You think being fucked and deserted die next minute doesn't hurt?"

Jack sighs. The fight is on, the same old fight. "I'm sorry. I'd like to be with you more." Leaving before he gets bored suits him, actually. Women can be boring. They make everything personal. They're so wrapped up in self-preservation, self-presentation, self-dramatization. With men you don't have to keep maneuvering, you just punch. Dealing with a woman is like jujitsu, looking for the trip.

She senses die threatening run of his thoughts and says, mollifyingly if grumpily, "She probably guesses anyway."

"How would she do that?" Though of course Terry is right.

"Women know," she tells him smugly, bragging up her gender, cuddling closer to him, and toying annoyingly with the hair on his rumpled slack belly. She says, "I keep telling myself, 'Love him less. For your own good, girl. For his good, too.' "

But as Terry says this, she feels an inner sliding and glimpses the relief she might experience if he indeed were to become less to her-if her tacky relationship with this melancholy old loser of a guidance counselor were in fact to end. At the age of forty she has parted from a number of men, and how many of them would she want back? Widi each break, it seems to her in retrospect, she returned to her single life with a fresh forthrightness and energy, like facing a blank, taut, primed canvas after some days away from the easel. The broken circle of her, an arc of it held open in hope of a phone call from a certain man, a knock on the door, an invasion and transformation from without, would close again. This Jack Levy, smart as he is, and even sensitive at times, is a heavy case. A guilty Jewish gloom weighs him down, and her too, if she lets it. She needs somebody nearer her own age, and unmarried. These married men are always more married than they let on at first. They even try to marry bet; without letting go of the legal one first.

"How's Ahmad doing?" he asks her, pseudo-paternally.

He keeps asking her about Ahmad, though as far as she's concerned she wants to move on from mothering to something she's better at. "With me on night duty lately," she says, "and him doing deliveries until after dark many days, we hardly overlap. He's gotten fuller in the face and the rest of him more muscular, what with all this lifting he does- this Charlie he loves so much just comes along for the ride, as far as I can tell. These Lebanese, they get the last penny's worth out of their help. The blacks they hire keep quitting on them, Ahmad did mention. Lately they seem to have promoted him-at least he comes home later and, the few times I see him, acts preoccupied."

"Preoccupied?" Jack says, preoccupied himself-worrying about big Beth, no doubt. Face it: much as she would miss Jack's flattery in bed when they get there, he would be good riddance. Maybe she needs another artist, even if he's like the last, Leo: Leo the un-lion-hearted, utterly stuck on himself, a dripper and scrubber channeling Pollock sixty years too late, quick to push and slap back when he's de-inhibited on liquor or meth, but at least he made her laugh and didn't try to lay a guilt trip on her, implying he could have been a better mother of Ahmad than she was. Or maybe she should go out with a resident, like that new little guy with a blinky stammer on his way to be a neurosurgeon; but, face it, she is too old for a resident now, and in any case they always pass up the nurses they fuck and go for the proctologist's daughter. Still, just the thought of the world of men out there, even at her age, even in northern New Jersey, hardens her heart against this lugubrious, boringly well-intentioned, stale-smelling man. She resolves to put him behind her.

"Secretive," she clarifies. "Maybe he's found a girl. I hope so. Isn't he way overdue?"

Jack says, "Kids today have more to worry about than we did. At least than I did-I shouldn't talk as if we're the same age."

"Oh, go ahead. Help yourself."

"It's not just AIDS and the rest; there's a certain hunger for, I don't know, the absolute, when everything is so relative, and all the economic forces are pushing instant gratification and credit-card debt at them. It's not just the Christian right-Ashcroft and his morning revival meeting down in D.C. You see it in Ahmad. And the Black Muslims. People want to go back to simple-black and white, right and wrong, when things aren't simple."

"So my son is simple-minded."

"In a way. But so is most of mankind. Otherwise, being human is too tough. Unlike the other animals, we know too much. They, the other animals, know just enough to get the job done and die. Eat, sleep, fuck, have babies, and die."

"Jack, everything you say is depressing. That's why you're so sad."

"All I'm saying is that kids like Ahmad need to have something they don't get from society any more. Society doesn't let them be innocent any more. The crazy Arabs are right- hedonism, nihilism, that's all we offer. Listen to the lyrics of these rock and rap stars-just kids themselves, with smart agents. Kids have to make more decisions than they used to, because adults can't tell them what to do. We don't know what to do, we don't have the answers we used to; we just futz along, trying not to think. Nobody accepts responsibility, so the kids, some of the kids, take it on. Even at a dump like Central High, where the demographics are stacked against the whole school population, you see it-this wish to do right, to be good, to sign up for something-die Army, the marching band, the gang, the choir, the student council, the Boy Scouts even. The Boy Scout leader, the priests, all they want is to bugger the kids, it turns out, but the kids keep showing up, hoping for some guidance. In die halls, their faces break your heart, they're so hopeful, wanting to be good, to amount to something. They expect something of themselves. This is America, we all expect something, even the sociopaths have some sort of a good opinion of themselves. You know what they wind up being, the worst discipline cases? They wind up being cops and high-school teachers. They want to please society, though they say they don't. They want to be worthy, if we could just tell them what worth is." His discourse, delivered in a rapid, edgy mutter from within his hairy chest, lurches: "Shit, forget what I just said. The priests and Boy Scout troop leaders don't only want to bugger them; they want to be good, too. But they can't, the little boys' bottoms are just too inviting. Terry, tell me: why am I going on like this?"

Her inner sliding brings her to: "Maybe because you sense that this is your last chance."

"My last chance at what?"

"At sharing yourself with me."

"What are you saying?"

"Jack, it's no good. It's hurting your marriage and isn't doing me any good either. It did at first. You're a great guy – just not my guy. After some of the jerks I've been dealing widi, you're a saint. I mean it. But I got to deal with reality, I've got to think about my future. Already, Ahmad's gone- all he needs from me is some food in the refrigerator."