John Updike - Terrorist

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Terrorist: краткое содержание, описание и аннотация

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Terrorist by John Updike is a timely piece of contemporary literature that is well-written and dense with observation and description. Updike takes readers into the mind of a terrorist and helps us understand the possible motivation and mindset of those involved in terrorism. Terrorist is an important piece of social literature, but it is not light or easy reading. It is slow at points and requires concentration to read.
Terrorist by John Updike is about Ahmad Ashmawy Mulloy, an 18-year-old boy in Northern New Jersey who is devoted to Islam. Ahmad was raised by an Irish-American mother after his Egyptian father disappeared when he was three. Ahmad converts to Islam at age 11 and is instructed in the Qur'an by a local imam.
Ahmad is a sympathetic character. Updike lets readers into his head, forcing us to view American materialism and morality from his viewpoint. Updike also draws us into other characters' lives-Ahmad's mother, a high school guidance counselor, an African-American teenage girl, a worker in the Department of Homeland Security. It was striking to me how lost many of the characters were. In many ways, Ahmad was one of the most thoughtful and moral characters in the story. That is a disturbing realization when you consider that he is being groomed to be a terrorist.
Indeed, just as the protagonist is a thoughtful young terrorist, the novel Terrorist is a thought-provoking book. It is clear that Updike has thought a lot about American society, the inner city and modern morality. His descriptions and complex characters compel readers to do the same.
Terrorist is not easy reading. I did not get caught up in the plot, and that was disappointing. It was easy for me to put the novel down after 25 pages, both because I needed time to process and because it did not always keep my attention. Updike is a great writer, and Terrorist shows that; however, everyone may not like the book.

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"It's been good to talk," Beth lies.

Her older sister has taken the place of her mother in not letting her forget how much is wrong with her. Beth has let herself, as they say, "go." A scent rises to her nostrils from the deep creases between rolls of fat, where dark pellets of sweat accumulate; in the bathtub her flesh floats around her like a set of giant bubbles, semi-liquid in their sway and sluggish buoyancy. How has this happened to her? As a girl she had eaten what she pleased; it had never seemed to her that she ate more than other people, and still doesn't: the food just sticks to her more. Some people have bigger cells than others, she has read. Different metabolisms. Maybe it was being marooned in this house, and the house before it-on Eighteenth Street, and the one before that, a half-mile closer to the downtown, before the neighborhood became too bad-marooned by a man who abandoned her without appearing to. At the high school each day earning his living, who could fault him for that? As a young wife she used to sympathize, but as she aged she came to see how he dramatized everything, leaving in the winter dark and not home until long after dark with his extracurricular duties, his problem students, his emergency sessions with delinquent parents. He would come home depressed because of all the problems he couldn't solve, the poor lives lived in New Prospect to no purpose and now being passed on to the children: "Beth, they don't give a fuck. They never knew structure. They can't imagine a life that goes beyond the next fix, the next binge, the next scrape with the cops or the bank or the INS. The poor kids, they've never had the luxury of being kids. You see them come into the ninth grade with a little hope left in them, a trace of that eagerness second-graders have, a belief that if you learn the rules and do the drills you'll be rewarded; and by the time they graduate, if they do, we've knocked it all out of them. Who's 'we'? America, I suppose, though it's hard to put your finger exactly on where it goes wrong. My grandfather thought capitalism was doomed, destined to get more and more oppressive until the proletariat stormed the barricades and set up the workers' paradise. But that didn't happen; the capitalists were too clever or the proletariat too dumb. To be on the safe side, tiiey changed the label 'capitalism' to read 'free enterprise,' but it was still too much dog-eat-dog. Too many losers, and the winners winning too big. But if you don't let the dogs fight it out, they'll sleep all day in the kennel. The basic problem the way I see it is, society tries to be decent, and decency cuts no ice in the state of nature. No ice whatsoever. We should all go back to being hunter-gatherers, with a hundred-percent employment rate, and a healthy amount of starvation."

Then Jack comes home depressed because the problems beyond solving are getting to be boring, and his gestures at solving them a mere routine, a shtik, a job, a con job. "What really gets me," he would say, "is they refuse to grasp how bad off diey are. They think they're doing pretty good, with some flashy-trashy new outfit they've bought at half-price, or the latest hyper-violent new computer game, or some hot new CD everybody has to have, or a ridiculous new religion when you've drugged your brain back into the Stone Age. It makes you seriously wonder if people deserve to live-if the massacre masterminds in Rwanda and Sudan and Iraq don't have the right idea."

And by letting herself get fat she has disqualified herself from cheering him up like she used to. He never would say so. He would never be rude. She wonders if that is die Jewish in him-the sensitivity, the burden, a sense of superiority really that tries to keep his sorrow to himself, getting up early and going to the window rather than wake her up with it by staying in bed. They have had a good life together, Beth decides, pushing herself up from the tiny hard wood-seated Shaker chair, bracing herself with a hand on the back, taking care not to tip it with her weight. That would be a pretty sight, sprawled on the floor with a broken pelvis, unable even to reach down and tug her bathrobe down for the paramedics when they came.

She must get out of her bathrobe and go do some shopping. They are running out of basics-soap, laundry detergent, paper towels, toilet paper, mayonnaise. Cookies and snacks. She can't ask Jack to buy all these things on top of picking up the microwave meals from ShopRite or takeout from the Chinese place whenever they keep her at the library until six. And cat food. Where is Carmela? The cat doesn't get stroked enough, she sleeps all day under the sofa, depressed, and runs around like a wild thing at night. It was wrong in a way to get her spayed, but then if you don't it's wall-to-wall kittens.

She and Jack have had a good life together, Beth tells herself, getting a living pushing pencils-tapping computer keys now-and being pleasant and helpful to people. This was more than Americans in the old days had been allowed to do, slaving in the mills when cities still made things; people are so afraid of the Arabs, but it's the Japanese and Chinese and Mexicans and Guatemalans and those others in these low-wage platforms who are doing us in, putting our workforce out of work. We come to this country and pen the Indians into reservations and build skyscrapers and superhighways and then everybody wants a piece of our domestic markets, like a whale being gutted by sharks in that Hemingway story; but that was a marlin. The same idea. And Hermione has been fortunate too, landing an important Washington job with one of the administration's key players, but it's ridiculous the way she goes on about her boss-the savior of us all, to hear her tell it. You get a spinster mentality from stopped-up hormones, like those nuns and priests who turn out to be so cruel and wanton, not believing any of what they've been preaching, to judge from their actions, molesting these poor trusting little children trying to be good Catholics. Getting married and learning the sorts of thing men do, the way they smell and behave, at least is normal: it releases frustrations and quenches ridiculous romantic ideas. On her way to the stairs and her bedroom to change into street clothes (but what? is the problem; nothing is going to disguise a hundred extra pounds, nothing is going to make her look snappy on the street again), Beth thinks she wouldn't mind peeking into the kitchen to see if there's something to nibble in the refrigerator even if she did just have lunch. As if to suppress that impulse she lets herself flop back into the La-Z-Boy, and levers up the foot-rest to ease the throb in her ankles. Dropsical, the doctor calls them, where Jack once could circle them with his thumb and middle finger. No sooner stuck there in the chair's embrace, she realizes she needs to go pee. Well, ignore it and the need goes away, her life's experience has taught her.

Now, where did that TV remote get to? She picked it up and clicked the TV off, and then her memory is blank. It's frightening, how often her mind is blank. She checks both chair arms and with an effort peers over the arms to the celadon carpet that man sold her, thinking for the second time that day of Miss Dimitrova and her stretching exercises. It must have been balanced on an arm and then slid down into the crevice beside the cushion when she just flopped herself here instead of going upstairs to dress. The fingers of her right hand explore the tight crevice, the vinyl imitating cowhide from the old Wild West days that probably weren't so wonderful if you were there, and then those of the left hand the crevice on the other side, and they do encounter it-the cool matte length of the channel clicker. It would all be easier if her body wasn't so much in the way, pushing the cushion so tight against the chair arm she had to be careful of catching a nail on a seam or something metal. Hairpins and coins and even needles and pins collect in these cracks. Her mother was always sewing or mending something in that old skirted plaid armchair by the window at home to catch the light, the deep wooden sill with its dotted-swiss curtains and tray of geraniums and view of greenery so lush it kept its moist places right through the middle of the day. She points the remote and clicks it to Channel Two, CBS, and the summoned electrons slowly gather, making sounds and an image. The background music on As the World Turns is subtly more orchestral, less wispily pop, than that on All My Children -woodwinds and deep strings mixed in with the more ghostly sounds, a knocking like hoofbeats fading in the distance. Beth can tell from the excited music and the expressions on the faces of the young actor and actress who have just spoken-angry, eyebrow-knitting, even frightened expressions-that what they have just said to one another was momentous, pivotal, a parting or a murder agreed upon, but she has missed it; she has missed the world turning. Beth could almost cry.

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