Don DeLillo - Americana

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A young television executive takes to the road in the 1960s with a movie camera to capture his own past in a "cinema verite" documentary. Within this framework, he delivers his observations on the influence of film, modern corporate life, young marriage, New York City and hipness.

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She watched me standing above her and I tried to think of nothing. She was absolutely still, watching me, not a grass-blade of motion, opening new rooms by the systematic locking of doors. Knowing this, she did not reach out nor move toward nor away from me when I lay down on the bed. I stretched out on top of the sheets. I have always been proud of my body.

"Don't be afraid," she said. "Tell me what you want me to do."

"I don't know yet. Let's just stay like this for a moment. Do you remember the night we spent in Maine in that old house? You told me a bedtime story."

"Don't be afraid, David."

"I'm not."

"You were in terror back there."

"Yes," I said.

"You mustn't be afraid. I'll help you. I'll do anything you want me to do."

"First, before anything else, I want you to tell me a story. Like in Maine. Like the story you told that night before I went to sleep."

(So ready, so lewd and willing was Sullivan, so skilled the artist immersed in her craft that she did not even pause at this request, much less break into waves of saving laughter.)

"And a deep sleep it was," she said.

"A story. A bedtime story."

"I have just the thing. It's about an evil old uncle of mine and the incredible experience we shared in a small boat on a fog-shrouded day in Somes Sound."

"Are you going to make it up?"

"It's real," she said. "You made me think of it when you mentioned Maine."

"Tell me then."

"I had a hated and feared and bloody Ulsterman of an uncle," Sullivan said. "At the age of eighteen he left Dublin for Belfast, renouncing church, state, family and the adulterous shade of Parnell. My father's brother he was, the blackest of ex-Catholics, a blasphemer of the militant and dour type, not at all merry and joshing and ribald like the likes of my dead dad. Years later he came to this country and settled eventually in Maine, in a small town not far from Bar Harbor. And I went to visit him once, seeking to redress an old family grievance. It was a quiet simple town, a fit and proper place for Uncle Malcolm. He came to the door and I had almost forgotten how wild and ominous a man he looked-bald, firm, compact, real as a keg of stout. His eyes were dark, two pilot lights burning, and he looked at me as though I were the Pope's most favored concubine. He hated Catholics. He hated my father like plague, like incense. Brothers they were, stem and stern, Shem and Shaun, tight Dublin and tighter Belfast. In my letter I had given no hint of the purpose of my visit. We sat on the porch. It was a moonlit night. Statues of patriots stood on the green. No barding lads or songsters rolled out of the pubs and not a dark hop of Guinness in sight. There were no pubs; there were statues. I sculpt, as you know, and those statues, David, chilled me. Such Christianity. Such Christlessness. They looked like buggered schoolmasters pretending it was only the corner of a desk behind them. There is some grace to war; certainly there was to our revolution. But it would take a blind man with very stubby fingers to think some grace into those stones. Nothing demonic, no swirl of tunic, no hunt, no bad dreams, no courage. Upright, upstanding and up the ass. (Lord forgive me.) Christianity anyway. The ages of Omdurman and Chíllianwalla. Perversion of Christ. Infant of Prague on the plastic dashboard blessing the box of Kleenex over the back seat. Priests with stale breath clamoring after my soul in the stark black wilderness of a confessional, pursuing the curve of regenerative grace with their sleepy fingers. Uncle Malcolm and I were sitting on rockers. We were rocking in fact in step. He did not ask why I had come. He merely looked out at the statues in the dim light as if thinking that patriotic stone brings nothing to our grasp of history unless it rests beneath language; to be silent in the stone's silence is the beginning of a union with the past. But maybe he was thinking only of his boat. Because that's what he mentioned next. He owned a sloop, he said, a Hinckley sou-wester, and she was moored in a cove around the bend from Bar Harbor, which meant only twenty minutes by car from that very porch."

"This is getting boring," I said.

"You must permit me at least a fraction of the self-indulgence you reserve for your own tired ends. Not that I mean to sound harsh. But I've cooperated with you up to now and I'm willing to continue to whatever point you choose to take us. And you've asked for a bedtime story."

"I'm sorry. Please go on."

"Large issues will begin to manifest themselves out of the dull set of pieties I've been constructing here. This is not easy work for me."

"Have you rehearsed any of this?" I said.

"In bed at night I often converse with the great English-speaking figures of history. I think I can admit that to you. I develop philosophies, legends, autobiographical notes, small bits of feminine wisdom, anecdotes and lies. I present these to someone like Swift or Blake; then, as Swift or Blake, I comment and criticize. It may be only an illusion but my mind seems to be at its best just before sleep. I've had some brilliant dialogues with myself, I think; or, more to the point, with the great figures of the past. So your instinct is quite correct. In a sense I've rehearsed this story. In fact I've told it many times, refining, editing, polishing, getting nearer and nearer the awesome truth. But I have never yet revealed that truth. I have never told the whole story, not to Coleridge, not to Melville, not to Conrad. I've never revealed the mystery of the final hours of that fog-shrouded day in a thírty-five-foot sloop in Somes Sound-not to a soul living or dead."

"One second, please," I said. "I want to turn out the light."

"The rocking chairs went to and fro in perfect military formation. Uncle looked out on that dead historic vista, that Yorktown, Shiloh, that headless glimpse of Khartoum. Then he said he planned to go sailing the next morning and he asked if I would care to join him. A jolt between the eyes. But of course I accepted. There was all the moment of a biblical confrontation. To turn down such an offer would be to damn those issues which had sent Uncle hightailing it to Belfast and the likes of my dear dad down to the local for a pint of the bitterest. We spent most of the rest of the night in silence. He cooked us some stew which he served in two unmatching bowls, proclaiming even to such a disinterested party as a blood relative the depth and tenacity of his confirmed bachelorhood. We slept at opposite ends of the house. My room was a touch of the madness of Captain Ahab-bare, frigid, tilted like an afterdeck; not a sign of love for one's chosen element, not a sliver of scrimshawed ivory, not a mug, coastal rock, schooner print, even tombstone rubbing-bare, chilled, northern, damp as a foggy star. Cold cracking dawn it was when he hammered on my door. I went downstairs for a breakfast that was all molasses and agglutinating protein, some old seaman's notion of the need to cement one's bones for fear the wind will take them. In half an hour we were walking down the dock toward his dinghy and we rowed out through fog opened by the faintest lines of light and then his boat appeared, high on the water, green and white, heaving in easy slaps of tide, and even in that dimness I could see she had nothing of himself about her. We climbed aboard and he told me briefly where things were and what they did and how to crank this and ease off on that. The boat was called Marston Moor and she was the trimmest thing I'd ever seen. She was light and looked fast. Every inch of brightwork gleamed. She was a lovely thing, David, and brutally named, which was only to be expected. Uncle hoisted the jib. I cast us off the mooring and then raised the mainsail and we moved into a morning thick with unanswered questions, and unasked. Running lights picking out a red nun. Bells clanging. Gulls on the buoys. Lobster boats mooning about in the fog, their horns lowing and a bundled figure or two peering at us from the decks, so silent, so strategically silent, the cursed eye of the sailor who dreams his bones at fifty fathoms and resents the intruder because the intruder has not earned that particular plot of sea. What large fools those lobstermen must have thought us to be prowling through that gruel. Uncle glanced over the small wheel into the binnacle directly before him. Compass, wheel and mainsheet were his. I handled the jib. We said next to nothing to each other. In two hours the fog began to lift and we could see the pine forests of Mount Desert Island and then in time the foothills and then the broad brown summits of Cadillac and Pemetic mountains. It was a sight. Mist still curdling over bald spots on the slopes. The low green pines and carriage roads. Surf etching into juts and shank of rock. Frenchman's Bay. The bringing of the writ of royal Europe. By noon it was a different day, warmer, windier, all blue, crisp and squinting, sunlight beginning to butter us in godliness. For it was God's world, David, and no thought might enter the mind which did not acknowledge this. It was a sight. The blue of that water was an angel's blue. White lighthouses stood on jetties of land. We saw herring gulls and cormorants. Porpoises came bucking out of the sea and the black bells tolled. There was a sense of the firmament, an unencompassed word above us brushed by the tatters of a single cloud. The sunlight was a sword on that water. There was nothing out there that had been changed by anything but itself. God. The God-made and the untouched-by-hands. Even our boat, lovely leaning thing that she was, heeling in the wind across that great yoke of light, even Marston Moor was a mild virus, reducing our rag of sea to the status of a pretty photograph. Uncle pointed out Isle au Haut, that beautiful island which seemed to stand, as other islands sit or drowse, as the last high thing, the last of trees and soil, before the sweep of the Atlantic. I don't think we were ever out of sight of land. Some of the islands were large, banked with spruce and pine, and there were small villages set above the perimeter of rocks. Others were small and uninhabited, some not much more than sheer masses of granite. We were heeled way over now and I looked at Uncle. He still wore his foul-weather gear, right hand at the wheel, left trimming the main. He was riding that boat, not sailing it; he was riding a dolphin or a woman, a young bucking thing that might never be breached. I was starved and as soon as the wind dropped I went down to the cabin and cooked some lunch for us on the kerosene stove. He thanked me. Through the early part of the afternoon we were never quite becalmed but Uncle had to search out catspaws on the water to find some puff of wind. He never seemed to consider using the engine. I watched the islands through binoculars. I saw a woman carrying a laundry basket, and a boy running, and a man standing against the whitewashed curve of a lighthouse. They seemed incredible discoveries, pieces of rare blended mineral, land-sailors who had learned that straight lines kill. And the smaller islands. All blue and purest granite. Not a human soul. But not silent. No, they had the glory of a voice. Cry of sea birds and the endless spanning roar of surf. After a while I took the wheel and Uncle went below to consult his charts. The breeze freshened then and after a long tack into the sunset we lowered sail and motored into a cove formed by two tiny islands, mere smithereens of land, one almost solid rock, the other a bit larger and wooded. Uncle gave me the sounding lead and I tossed it in and called off the fathoms, trying to put a bit of nautical singsong in my hopeless voice. We dropped anchor then and sat on deck watching the sunset. Then we saw the windjammers, three of them, coming down at us out of that appallingly beautiful wound in the sky, square-rigged and running with the wind, blazing with the sky's iodine, completely unreal, passing now behind the smaller of our islands, one gone, two, and as the last of them vanished the first reappeared, spars crossing high over the granite, the dignity of those ships, their burnt passage from the red horizon to blue and now to darkness, the coming of the Magi. Uncle said they were packed to the bulkheads with tourists from Camden. Ah yes. After they'd gone we dined below on hash and eggs in the rocking bronze light. And I told him finally why I had come. The grievance was an old one, going even deeper than the fierce powder-burns between Orange and Green. Before his death-at St. Vincent's Hospital, New York-my father had told me that Uncle Malcolm, after leaving Dublin, had managed by unjust means to acquire title to a family plot of land on the west coast of Scotland above Lochcarron. Land willed to the family by some distant ancestor who, the story went, had blood connections to ancient clans. Land held for generations by chieftains, lairds, earls, assorted elite. And then finally-history turning like the chamber of a gun-by merchants, fools and migrant sons. All this new to me. Some inch of Scotland in my blood. The origins were lost, of course, and the mixture known possibly only by that man who first crossed down the Highlands and sailed the Northern Channel no doubt to Belfast, perhaps taking himself a bride who bore him sons who returned, perhaps, some of them, to the ancestral land, and some of them, perhaps, wandering son from father and settling in Eire to begin the new line which harvested my father's father, and himself, and his brother, my uncle Malcolm, soul of a cattle reiver. And telling this to me, more or less, my father by his eyes seemed to leave out bits and pieces. Get back the land. Be strong where I was docile. Settle all scores, avenge all injuries, please the memory of your dead mother who has also known the lows which that man has reached. Your poor dear mother. Poor lamb of an angel. Christ have mercy. I was to demand then what was my birthright. A speck of the Highlands. And there was the eye of it. All my rich hatreds and comfortable bigotries come to this. Scotch-Irish! American! (Ineluctable, Mr. Faulkner; coeval, Mr. Joyce.) Some sudden lurch in the runnings of my blood. Broadsword and pipers. Sagging dugs of the Ozarks. Centuries of the Scottish kirk. And that first part of it I told to Malcolm-the land above Lochcarron. He said it was his, acquired honorably, and would hear no more of it. What plans did he have for it then? He would live the last years of his life there, he said, and be buried in that soil. A will had been drawn up. Things had been properly administered. I had his word. He went up on deck and I followed him. All was calm. We observed an hour of silence, listening to a deranged bird shriek in the woods. Belfast and Maine. Dungeons of silence. Tons and eons of silence. To learn that history cannot inform our blood unless we listen for it. Secrets of the stone-cutters of New England. All those tight towns boasting their Bulfinch steeples and Paul Revere bells. Whose navies built on Belfast's silence. And aren't there eighteen Belfasts in America? And didn't Ulster stock the colonies? Men, potatoes and spinning wheels. Orange, not Green, dying in our revolution. But my hate could leap waterfalls with the insanity of salmon to find its pool of birth and truth. He sang me a song then, out there on deck in the darkness, barely voicing the words, a glimmer of Ireland and Scotland and even Shakespeare in his accent, and I don't think he even knew he was singing aloud.

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