Don DeLillo - Americana

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A young television executive takes to the road in the 1960s with a movie camera to capture his own past in a "cinema verite" documentary. Within this framework, he delivers his observations on the influence of film, modern corporate life, young marriage, New York City and hipness.

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Austin told me how to get in touch with him and said he would like to hear more about my plans. I realized for the first time how handsome he was. He had dark hair and eyes. His shoulders were broad. There was a splendid intensity about him. We all got up and Austin and I shook hands. Carol stood off to the side, her arms folded under her breasts, normally a housewife's backyard stance, trading gossip and detergent advice, but her hips were thrust forward somewhat, eyes interested and musing, and this more than redeemed the moment. I told Austin I liked his car, a green Barracuda, and in the course of the next few sentences I managed to point out that my red Mustang, now in Maine, had the same kind of high-back buckets, plus dual racing mirrors.

As they drove away, I nodded to Richard and he slipped off the bandstand and walked back to the camper with me. We talked with the others for a while. Later, over a dinner of corned beef and sangria, Sullivan announced that Richard Spector would henceforth be known as Kyrie Eleison. I reached for the tape recorder.

"I used to be a mailboy in the Justice Department in Washington," he said. "I felt I was becoming transparent. I had the feeling that after I ate dinner, people could see the food in my stomach. That's just one of the things that was happening to me. I began to fear that chunks of government buildings would dislodge and fall on top of me. But I think the worst thing of all was when I was walking on a crowded street. You know how people jockey back and forth, the fast walkers trying to overtake the slow walkers. There's always a lot of shoving and the fast walkers are always stepping on the slow ones and knocking their shoes off. I was a fast walker. I was always hurrying even when I was just going for an aimless stroll, and I used to get annoyed when slow walkers got in my way. One day I was trying to get around an old man who kept drifting toward the curb and blocking my path and suddenly I found myself shouting at him in my own head, shouting inwardly and silently: LOOK OUT! LOOK OUT! I never actually spoke the words. I just shouted them mentally. I began to do that all the time. LOOK OUT, I would say to people. MOVE! MOVE! And I could see the words in my head in big block letters like in a cartoon. Then one day a woman slowed down suddenly and I almost crashed into her. I found myself shouting a new word in my head: DIE! If I had said it aloud she probably would have died. It was really a hideous inner scream and I could see the word in my head in red letters with a big exclamation point. I began to realize I was abnormal. I was a person who walked along the street mentally shouting DIE at innocent people. After several months of this I tried to make a conscious effort to stop shouting the word. But it was too late. It just popped into my head automatically. DIE! DIE! I'll tell you the kind of person I was. I was the kind of person who's always falling in love with the wives of his best friends."

"Have you stopped shouting DIE?" Sullivan said.

"I stopped shouting it the day I quit my job and I haven't shouted it since. I haven't shouted anything since. I'll tell you what else I was. I was the kind of person who always reads those lists of the dead and missing that newspapers print after plane crashes. I read the lists compulsively. I don't know what I expected to find. The name of a friend? My own name? A long list of dead people's names is the most depressing thing you can read. Some of the names are incomplete and some have no hometowns next to them. Then they list the missing. How could anybody be missing from a plane crash? Where could they go? I'll tell you what else I used to do. I had a strange kind of embarrassment about saying people's names, especially the names of good friends and relatives. For some reason I could never address them by their right names. It was some goofy form of embarrassment. I used to call people Max, Charlie, Guido or Steve. Those were the four names I used most often. I didn't use one particular name for one particular person. The names and people were interchangeable. I might address somebody as Max one day and as Guido the next. It could even change from sentence to sentence. Nobody seemed to mind. I guess it's like being referred to as buddy or pal or friend. I don't know why I picked Max, Charlie, Guido and Steve. I had no trouble with women. I always called women by their right names. Why couldn't I call men by their right names?"

"Has that changed too?" I said.

"Everything's changed," he said. "I no longer have any anxiety about not being able to speak French. It used to worry me. My father speaks French very well. He was always inviting people to dinner and speaking French with them. It was his way of maintaining power over me. But now I don't care about that stuff anymore. I'm no longer frightened. There's a whole bunch of people like me who have broken out. We're not interested in the power that older people grasp for. They try to keep us down by speaking French and knowing how to mix whisky sours and wearing suits where the buttons on the coatsleeves really unbutton. But a lot of us have broken out. We don't care if we don't know how to pronounce the names of French wines. What's wrong with California wine anyway? What the heck, this is America. Bad as it is, we have to learn to live with it."

Kyrie slept in the hotel room that night. The rest of us settled down on our cots inside the camper. Just before I went to sleep, I imagined myself fighting with Brand. We hit each other dozens of times. Then something else moved across my mind, possessions, things in my home, shapes of objects un-fondled of late, the Olivetti Lettera 32, the Nikon F, and then girls in purple stockings rolling across a paper plain, and James Joyce and Antonioni and Samuel Beckett sitting in my living room, six legs crossed at the ankles, Tana Elkbridge naked on Riverside Drive while her husband read Business Week at thirty thousand feet, and Jennifer naked in the West Eighties, something touching about her hipbones, and Meredith naked in Gramercy Park, and Sullivan naked in the bath. Then we were fighting again. I backed away from a long right and came back with a left to the cheekbone and a short straight right square on the point of the chin. Brand went to his knees and hung there, breathing blood. I kicked him in the stomach and went to sleep.

We had breakfast in a diner the next morning. Men in short-sleeve shirts came and went. I formed my hand into a claw. Brand sat at the table laughing. Then Sullivan began to laugh. People at the counter turned to look at them. Brand was slumped over the table, arms folded, and his head rocked as he laughed. Sullivan sat rigidly, facing Brand, laughing out over his head. I formed both hands into claws and bobbed up and down in the chair. Lips parted slightly, curling down at the corners, I bared my lower set of teeth and dug them into my upper lip. I knew they were not laughing at me and yet I continued to make ghoulish faces and claw at the air. I did not like to be left out. I did not know why they were laughing and so I pretended they were laughing at me. Pike began to laugh. I turned toward the people at the counter and clawed at their backs. Kyrie was laughing now. The waitress came with our food and Brand looked up at her and nearly fell off the chair howling. My claws became hands again. Kyrie pointed at his scrambled eggs and this set them off on a fresh wave of laughter. The waitress smiled as she stood by the table writing out the check. Brand pointed at her pencil. She looked at it and began to laugh. Everything was funny. It was a clear day in spring and suddenly everything was funny. I went to the bathroom and looked at myself in the mirror.

They laughed all through breakfast. Somebody would point to something and they'd all laugh. The ketchup bottle was hilarious. Brand continually took off his glasses and wiped them with a napkin. His was the universal face of alumni bulletins. Assistant plant manager of the general foam division, Tenneco Chemicals, East Rutherford, N.J. Training and education officer, Air University's Warfare Systems School, Maxwell AFB, Ala. Brand the junior partner. The young Republican. He was about an inch taller than I was. He weighed 210 or so. His eyes were panes of muddy glass, gray and very distant. Now he stood and blessed the restaurant, his face deadpan again, his right hand making crosses over the heads of the assembled men and women. I finished breakfast and left a twenty-dollar bill on the table. Pike followed me out. We stood on the sidewalk in front of the hotel. It was called Ames House, I noticed.

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