Don Delillo - Cosmopolis

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From Publishers Weekly
DeLillo skates through a day in the life of a brilliant and precocious New Economy billionaire in this monotone 13th novel, a study in big money and affectlessness. As one character remarks, 28-year-old Eric Packer "wants to be one civilization ahead of this one." But on an April day in the year 2000, Eric's fortune and life fall apart. The story tracks him as he traverses Manhattan in his stretch limo. His goal: a haircut at Anthony's, his father's old barber. But on this day his driver has to navigate a presidential visit, an attack by anarchists and a rapper's funeral. Meanwhile, the yen is mounting, destroying Eric's bet against it. The catastrophe liberates Eric's destructive instinct-he shoots another character and increases his bet. Mostly, the action consists of sequences in the back of the limo (where he stages meetings with his doctor, various corporate officers and a New Economy guru) interrupted by various pit stops. He lunches with his wife of 22 days, Elise Shifrin. He has sex with two women, his art consultant and a bodyguard. He is hit in the face with a pie by a protester. He knows he is being stalked, and the novel stages a final convergence between the ex-tycoon and his stalker. DeLillo practically invented the predominant vernacular of the late '90s (the irony, the close reading of consumer goods, the mock complexity of technobabble) in White Noise, but he seems surprisingly disengaged here. His spotlighted New Economy icon, Eric, doesn't work, either as a genius financier (he is all about gadgetry, not exchange-there's no love of the deal in his "frozen heart") or a thinker. The threats posed by the contingencies that he faces cannot lever him out of his recalcitrant one-dimensionality. DeLillo is surely an American master, but this time out, he is doodling.
From Library Journal
Unlike his sprawling masterpiece, Underworld, DeLillo's 13th novel is short and tightly focused, indeed almost claustrophobic. Most of the action takes place inside a "prousted" (cork-lined) stretch limo, as the reclusive financial wizard Eric Packer is chauffeured across Manhattan for a haircut. Thanks to a presidential visit, antiglobalization demonstrations, and a celebrity funeral, this journey takes up most of the day. Stuck in traffic, Packer anxiously monitors the value of the yen on the limo's computer. Using the car as his office, he summons advisors from nearby shops and restaurants. His physician gives him a rubber-gloved physical exam in the back seat as Packer discusses imminent financial ruin with his broker and angry crowds block the streets. This work most closely resembles The Body Artist in its brevity and straightforward narrative flow. However, the earlier novel was written in an uncharacteristically warm, poetic style, promising a new direction for this important writer, while Cosmopolis reverts to the standard DeLillo boilerplate, perceptive and funny but also brittle and cold. This, coupled with the book's dated 1990s sensibility, makes Cosmopolis a step backward rather than an artistic advance.

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I was briefly married to a disabled woman with a child. I used to look at her child, who was barely out of infancy, and think I'd fallen down a hole.

I was teaching and lecturing then. Lecturing is not the word. I dart from subject to subject in my mind. I don't want to do the type of writing where I recite biography, parentage and education. I want to rise up from the words on the page and do something, hurt someone. It is in me to hurt someone and I haven't always known this. The act and depth of writing will tell me if I'm capable.

I frankly want your sympathy. I spend my bare cash every day on bottled water. This is for drinking and bathing. I have my toilet arrangements that I made, my take-out places that I patronize and my water needs in a building without water, heat or lights, except what I provide.

It's hard for me to speak directly to people. I used to try to tell the truth. But it's hard not to lie. I lie to people because this is my language, how I talk. It's the temperature inside the head of who I am. I don't aim remarks at the person I'm speaking to but try to miss him, or glance a remark so to speak off his shoulder.

After a time I began to take satisfaction in this. It was never in me to mean what I said. Every unnecessary lie was another way to build a person. I see this clearly now. No one could help me but myself.

I watched the live video feed from his website all the time. I watched for hours and realistically days. What he said to people, how he turned so sharply in his chair. He thought chairs were largely stupid and demeaning. How he swam when he swam, ate meals, played cards on camera. The way he shuffled the cards. Even though I worked in the same headquarters I waited out on the street to see him leave. I wanted to pinpoint him in my mind. It was important to know where he was, even for a moment. It put my world in order.

They were not lies anyway. They were not falsehoods, most of them, but simple deflections off the listener's body, his or her shoulders, or they were total misses.

To speak directly to a person was unbearable. But in these pages I am going to write my way into truth. Trust me. They demoted me to lesser currencies. I write to slow down my mind but sometimes there is leakage.

Now I bank at one location only because I am dwindling down financially to nothing. It's a small bank with one machine inside, one in the street set into the wall. I use the street machine because the guard will not let me in the bank.

I could tell him I have an account and prove it. But the bank is marble and glass and armed guards. And I accept this. I could tell him I need to check Recent Activity, even though there is none. But I am willing to do my transactions outside, at the machine in the wall.

I am ashamed every day, and more ashamed the next. But I will spend the rest of my life in this living space writing these notes, this journal, recording my acts and reflections, finding some honor, some worth at the bottom of things. I want ten thousand pages that will stop the world.

Allow me to speak. I'm susceptible to global strains of illness. I have occasions of susto, which is soul loss, more or less, from the Caribbean, which I contracted originally on the Internet some time before my wife took her child and left, carried down the stairs by her illegal immigrant brothers.

On the one hand it's all a figment and a myth. On the other hand I'm susceptible. This work will include descriptions of my symptoms.

He is always ahead, thinking past what is new, and I'm tempted to admire this, always arguing with things that you and I consider great and trusty additions to our lives. Things wear out impatiently in his hands. I know him in my mind. He wants to be one civilization ahead of this one.

I used to keep a roll of bills wrapped in a blue rubberband that was stamped California Asparagus. That money is in circulation now, hand to hand, unsanitized. I have a stationary bike that I found one night with a missing pedal.

I advertised clandestinely for a used gun and bought it subtly and privately when I was online and still employed but barely, knowing the day was coming, he is erratic, his work habits are disintegrating, which was visible in their faces, despite the humor and pathos of owning such a complicated weapon for a person such as me.

I can see the scornful humor and pity in what I do sometimes. And I can almost enjoy it on the level of being helpless.

My life was not mine anymore. But I didn't want it to be. I watched him knot his tie and knew who he was. His bathroom mirror had a readout telling him his temperature and blood pressure at that moment, his height, weight, heart rate, pulse, pending medication, whole health history from looking at his face, and I was his human sensor, reading his thoughts, knowing the man in his mind.

It tells your height in case you shrink at night, which can happen anabolically.

Cigarettes are not part of the profile of the person you think I am. But I'm a violent smoker. I need what I need very badly. I don't read for pleasure. I don't bathe often because it isn't affordable. I buy my clothes at Value Drugs. You can do this in America, dress yourself from a drugstore head to toe, which I admire quietly. But whatever the sundry facts, I'm not so different from you in your inner life in the sense that we're all uncontrollable.

They carried her down the stairs in her wheelchair with her baby. I was disoriented in my head. Maybe you have seen the spikes on a lying polygraph. This is my wave of thought sometimes, thinking how do I respond to this. I left teaching to make my million. It was the right time and tide to do this. But then I felt derived, sitting at my workstation. I felt inserted there, a person in a situation not of his choosing, even though I'd made the choice to be there, and the closest he ever came was overhearing distance.

I'm ambivalent about killing him. Does this make me less interesting to you, or more?

I'm not one of those trodden bodies you try not to look at when you walk down certain streets. I don't look at them either. I'm knocking down the walls in my living space, a task of many weeks that's nearly done now I buy my bottled water in the Mexican grocery up the street. There are two clerks or an owner and a clerk and they both say No problem. I say Thank you. No problem.

I used to lick coins as a child. The fluting at the edge of a common coin. The milling it is called. I lick them still, sometimes, but worry about the dirt trapped in the milling.

But to take another person's life? This is the vision of the new day. I am determined finally to act. It is the violent act that makes history and changes everything that came before. But how to imagine the moment? I'm not sure I can reach the point of even doing it mentally, two faceless men with runny colored clothes.

And how will I find him to kill, much less actually aim and shoot? So it is largely academic, this give-and-take.

When I pay with coins I go into small fixations of miscounting and fumbling.

But how do I live if he's not dead? He can be a dead father. I will offer this hope. They can harvest his sperm, then freeze it for fifteen months. After this it's a simple matter to impregnate his widow or a voluntary mother.

Then another person will grow into his form and flesh and I will have something to hate when it is old enough to be a man.

People think about who they are in the stillest hour of the night. I carry this thought, the child's mystery and terror of this thought, I feel this immensity in my soul every second of my life.

I have my iron desk that I hauled up three flights of stairs, with ropes and wedges. I have my pencils that I sharpen with a paring knife.

There are dead stars that still shine because their light is trapped in time. Where do I stand in this light, which does not strictly exist?

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