Don Delillo - Cosmopolis

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From Publishers Weekly
DeLillo skates through a day in the life of a brilliant and precocious New Economy billionaire in this monotone 13th novel, a study in big money and affectlessness. As one character remarks, 28-year-old Eric Packer "wants to be one civilization ahead of this one." But on an April day in the year 2000, Eric's fortune and life fall apart. The story tracks him as he traverses Manhattan in his stretch limo. His goal: a haircut at Anthony's, his father's old barber. But on this day his driver has to navigate a presidential visit, an attack by anarchists and a rapper's funeral. Meanwhile, the yen is mounting, destroying Eric's bet against it. The catastrophe liberates Eric's destructive instinct-he shoots another character and increases his bet. Mostly, the action consists of sequences in the back of the limo (where he stages meetings with his doctor, various corporate officers and a New Economy guru) interrupted by various pit stops. He lunches with his wife of 22 days, Elise Shifrin. He has sex with two women, his art consultant and a bodyguard. He is hit in the face with a pie by a protester. He knows he is being stalked, and the novel stages a final convergence between the ex-tycoon and his stalker. DeLillo practically invented the predominant vernacular of the late '90s (the irony, the close reading of consumer goods, the mock complexity of technobabble) in White Noise, but he seems surprisingly disengaged here. His spotlighted New Economy icon, Eric, doesn't work, either as a genius financier (he is all about gadgetry, not exchange-there's no love of the deal in his "frozen heart") or a thinker. The threats posed by the contingencies that he faces cannot lever him out of his recalcitrant one-dimensionality. DeLillo is surely an American master, but this time out, he is doodling.
From Library Journal
Unlike his sprawling masterpiece, Underworld, DeLillo's 13th novel is short and tightly focused, indeed almost claustrophobic. Most of the action takes place inside a "prousted" (cork-lined) stretch limo, as the reclusive financial wizard Eric Packer is chauffeured across Manhattan for a haircut. Thanks to a presidential visit, antiglobalization demonstrations, and a celebrity funeral, this journey takes up most of the day. Stuck in traffic, Packer anxiously monitors the value of the yen on the limo's computer. Using the car as his office, he summons advisors from nearby shops and restaurants. His physician gives him a rubber-gloved physical exam in the back seat as Packer discusses imminent financial ruin with his broker and angry crowds block the streets. This work most closely resembles The Body Artist in its brevity and straightforward narrative flow. However, the earlier novel was written in an uncharacteristically warm, poetic style, promising a new direction for this important writer, while Cosmopolis reverts to the standard DeLillo boilerplate, perceptive and funny but also brittle and cold. This, coupled with the book's dated 1990s sensibility, makes Cosmopolis a step backward rather than an artistic advance.

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"People will not die. Isn't this the creed of the new culture? People will be absorbed in streams of information. I know nothing about this. Computers will die. They're dying in their present form. They're just about dead as distinct units. A box, a screen, a keyboard. They're melting into the texture of everyday life. This is true or not?"

"Even the word computer."

"Even the word computer sounds backward and dumb."

She opened her eyes and seemed to look right through him, speaking quietly, and he began to imagine her asquat his chest in the middle of the night, in candlelight, not sexually or demonically driven but there to speak into his fitful sleep, to trouble his dreams with her theories.

She talked. This was her job. She was born to it and got paid for it. But what did she believe? Her eyes were unrevealing. At least to him they were, faint, gray, remote to him, unalive to him, bright at times but only in the flush of an insight or conjecture. Where was her life? What did she do when she went home? Who was there besides the cat? He thought there had to be a cat. How could they talk about such things, these two? They were not qualified.

It would be a breach of trust, he thought, to ask if she had a cat, much less a husband, a lover, life insurance. What are your plans for the weekend? The question would be a form of assault. She would turn away, angry and humiliated. She was a voice with a body as afterthought, a wry smile that sailed through heavy traffic. Give her a history and she'd disappear.

"I understand none of this," she said. "Microchips so small and powerful. Humans and computers merge. This is well beyond my range. And never-ending life begins." She took a moment to look at him. "Shouldn't the glory of a great man's death argue against his dream of immortality?"

Kinski naked on his chest.

"Men think about immortality. Never mind what women think. We're too small and real to matter here," she said. "Great men historically expected to live forever even as they supervised construction of their monumental tombs on the far bank of the river, the west bank, where the sun goes down."

Kinski vivid in his nightmares, commenting on events therein.

"There you sit, of large visions and prideful acts. Why die when you can live on disk? A disk, not a tomb. An idea beyond the body. A mind that's everything you ever were and will be, but never weary or confused or impaired. It's a mystery to me, how such a thing might happen. Will it happen someday? Sooner than we think because everything happens sooner than we think. Later today perhaps. Maybe today is the day when everything happens, for better or worse, ka-boom, like that."

It was twilight, only dimmer, with a silvery twinge in the air, and he stood outside his car watching taxis extract themselves from the ruck. He didn't know how long it was since he'd felt so good.

How long? He didn't know.

With the currency ticker restored to normal function, the yen showed renewed strength, advancing against the dollar in microdecimal increments every sextillionth of a second. This was good. This was fine and right. It thrilled him to think in zeptoseconds and to watch the numbers in their unrelenting run. The stock ticker was also good. He watched the major issues breeze by and felt purified in nameless ways to see prices spiral into lubricious plunge. Yes, the effect on him was sexual, cunnilingual in particular, and he let his head fall back and opened his mouth to the sky and rain.

The rain came washing down on the emptying breadth of Times Square with the billboards ghost-lighted now and the tire barricades nearly cleared dead ahead, leaving 47th Street open to the west. The rain was fine. The rain was dramatically right. But the threat was even better. He saw a few tourists creep along Broadway under bunched umbrellas to stare at the charred spot on the pavement where an unknown man had set fire to himself. This was grave and haunting. It was right for the moment and the day. But the credible threat was the thing that moved and quickened him. The rain on his face was good and the sour reek was fine and right, the fug of urine maturing on the body of his car, and there was trembling pleasure to be found, and joy at all misfortune, in the swift pitch of markets down. But it was the threat of death at the brink of night that spoke to him most surely about some principle of fate he'd always known would come clear in time.

Now he could begin the business of living.

PART TWO

3

She had coral brown skin and well-defined cheekbones. There was a beeswax sheen to her lips. She liked to be looked at and made the act of undressing seem proudly public, an unveiling across national borders with an element of slightly showy defiance.

She wore her ZyloFlex body armor while they had sex. This was his idea. She told him the ballistic fiber was the lightest and softest available, and the strongest as well, and also stab-resistant.

Her name was Kendra Hays and she was easy in his presence. They mock-boxed for about a second and a half. He licked her body here and there, leaving fizzes of spittle behind.

"You work out," she said.

"Six percent body fat."

"Used to be my number. Then I got lazy."

"What are you doing about it?"

"Hit the machines in the morning. Run in the park at night."

She had cinnamon skin, or russet, or a blend of copper and bronze. He wondered if she felt ordinary to herself, riding an elevator alone, thinking about lunch.

She shed the vest and took her room service scotch to the window. Her clothing was folded on a chair nearby. He wanted to spend a day in silence, in his meditation cell, just looking at her face and body, as an exercise in Tao, or fasting with the mind. He didn't ask her what she knew about the credible threat. He wasn't interested in details, not yet, and Torval wouldn't have said much, anyway, to the bodyguards.

"Where is he now?"

"Who?"

"You know."

"He's in the lobby. Torval? Watching them come and go. Danko's in the hall outside."

"Who's that?"

"Danko. My partner."

"He's new."

"I'm new. He's been watching your back for some time now, ever since those wars in the Balkans. He's a veteran."

Eric sat cross-legged on the bed popping peanuts in his mouth and watching her.

"What's he going to say to you about this?"

"Torval? Is that who you're talking about?" She was amused. "Say his name."

"What's he going to say to you?"

"Just so you're safe. That's his job," she said. "Men get possessive. What. You don't know this?"

"I heard the rumor. But the fact is I technically speaking went off duty an hour ago. So it's basically my time we're dealing with here."

He liked her. The more he knew Torval would hate her, the more he liked her. Torval would hate her hotbloodedly for this. He'd spend weeks glaring out at her from under his stormy brows.

"Do you find this interesting?"

She said, "What?"

"Protecting someone in danger."

He wanted her to move slightly left so that her hip would catch the glow of the table lamp nearby.

"What makes you willing to do this? Take this risk."

"Maybe you're worth it," she said.

She dipped a finger in her drink, then forgot to lick it. "Maybe it's just the pay. The pay's pretty good. The risk? I don't think about the risk. I figure the risk is yours.

You're the man in the crosshairs."

She thought this was funny.

"But is it interesting?"

"It's interesting to be near a man somebody wants to kill."

"You know what they say, don't you?"

"What?"

"The logical extension of business is murder." This was funny too.

He said, "Move a little left."

"Move a little left."

"There. Nice. Perfect."

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