Don Delillo - Cosmopolis

She flushed a little, sipping her drink.

The man lay facedown in the mud in front of his dacha outside Moscow, shot numerous times just after returning from a trip to Albania Online, where he'd set up a cable TV network and signed agreements for a theme park in Tirana, the capital.

Eric and Nikolai had tracked wild boar in Siberia. He told Kinski about this. They'd seen a tiger in the distance, a glimpse, a sting of pure transcendence, outside all previous experience. He described the moment to her, the precious sense of last life, a species in peril, and the vastness of the silence around them. They remained motionless, the two men, long after the animal had vanished. The sight of the tiger aflame in high snow made them feel bound to an unspoken code, a brotherhood of beauty and loss.

But he was glad to see the man dead in the mud. The reporter kept using the word dacha. He stood at an angle to the camera, allowing a clear look at the villa, the dacha, through an alley of pines. On another screen a commentator made vague references to unsavory business associates, to anti-globalist elements and local wars. Then she talked about the dacha. Found dead facedown outside his dacha. They searched for security in the word, self-confidence. It was all they knew about the man and the crime, something Russian, that he was dead outside his dacha outside Moscow.

Eric felt good about it, seeing him there, unnumbered bullet wounds to the body and head. It was a quiet contentment, an easing of some unspecifiable pressure in the shoulders and chest. It relaxed him, the death of Nikolai Kaganovich. He didn't say this to Kinski. Then he did. Why not? She was his chief of theory. Let her theorize.

"Your genius and your animus have always been fully linked," she said. "Your mind thrives on ill will toward others. So does your body, I think. Bad blood makes for long life. He was a rival in some sense, yes? He was physically strong perhaps. He had a large personality. Filthy rich, this chap. Women in his soup. Reasons enough to feel a sneaky sort of euphoria when the man dies horribly. There are always, always reasons. Don't examine the matter," she said. "He died so you can live."

The car reached the corner and stopped. There were tourists pressing through the theater district in all the words that make a multitude. They moved in swirls and drifts, shuffling in and out of megastores and circling vendors' carts. They stood in a convoluted line, folded back against itself, for cut-rate tickets to Broadway shows. Eric watched them cross the street, stunted humans in the shadow of the underwear gods that adorned the soaring billboards. These were figures beyond gender and procreation, enchanted women in men's shorts, beyond commerce, even, men immortal in their muscle tone, in the clustered bulge at the crotchline.

Heavy trucks went downtown bouncing, headed to the garment district or the meatpacking docks, and nobody saw them. They saw the cockney selling children's books from a cardboard box, making his pitch from his knees. Eric thought they were the same thing, these two, and the old Chinese was the same, doing acupoint massage, and the repair crew passing fiber-optic cable down a manhole from an enormous yellow spool. He thought about the amassments, the material crush, days and nights of bumper to bumper, red light, green light, the fixedness of things, the obsolescences, going mostly unseen. They saw the old man do his therapeutic massage, working a woman's back and temples as she sat on a bench, her face pressed to a raised cushion attached to a makeshift frame. They read the handwritten sign, relief from fatigue and panic. How things persist, the habits of gravity and time, in this new and fluid reality. The cockney from his knees said, I don't ask you where you get your money, don't ask me where I get my books. They stopped and looked, browsing his cardboard box. The old Chinese stood erect, kneading the woman's acupuncture points, thumbing the furrows behind her ears.

Eric saw people stop at the foreign exchange booth on the southeast corner. This prompted him to open the sunroof and stick his head outside, able to get an unobstructed look at the currency prices skimming across the building just ahead. The yen was climbing, still, trading up against the dollar.

He sat in the jump seat facing Kinski and told her what the situation was, broadly, that he was borrowing yen at extremely low interest rates and using this money to speculate heavily in stocks that would yield potentially high returns.

"Please. Means nothing to me."

But the stronger the yen became, the more money he needed to pay back the loan.

"Stop. I'm lost."

He kept doing this because he knew the yen could not go any higher. He explained that there were levels it could not reach. The market knew this. There were oscillations and shocks that the market tolerated to a certain point but not beyond. The yen itself knew it could not go higher. But it did go higher, time and again.

She held the vodka glass between her palms, rolling it while she thought. He waited. She wore tiny tasseled loafers and white ankle socks.

"The wise course would be to back down, stand off. You are being advised to do this," she said. "Yes."

"But there's something you know. You know the yen can't go any higher. And if you know something and don't act upon it, then you didn't know it in the first place. There is a piece of Chinese wisdom," she said. "'lip know and not to act is not to know."

He loved Vija Kinski.

"To pull back now would not be authentic. It would be a quotation from other people's lives. A paraphrase of a sensible text that wants you to believe there are plausible realities, okay, that can be traced and analyzed."

"When in fact what."

"That wants you to believe there are foreseeable trends and forces. When in fact it's all random phenomena. You apply mathematics and other disciplines, yes. But in the end you're dealing with a system that's out of control. Hysteria at high speeds, day to day, minute to minute. People in free societies don't have to fear the pathology of the state. We create our own frenzy, our own mass convulsions, driven by thinking machines that we have no final authority over. The frenzy is barely noticeable most of the time. It's simply how we live."

She finished with a laugh. Yes, he admired her gift for cogent speech, shapely and persuasive, with a rubbed finish. This is what he wanted from her. Organized thoughts, challenging remarks. But there was something dirty in her laugh. It was scornful and coarse.

"Of course you know this," she said.

He did and did not. Not to this nihilistic degree. Not to the point where all judgments are baseless.

"There's an order at some deep level," he said. "A pattern that wants to be seen."

"Then see it."

He heard voices in the distance.

"I always have. But it's been elusive in this instance. My experts have struggled and just about given up. I've been working on it, sleeping on it, not sleeping on it. There's a common surface, an affinity between market movements and the natural world."

"An aesthetics of interaction."

"Yes. But in this case I'm beginning to doubt I'll ever find it."

"Doubt. What is doubt? You don't believe in doubt. You've told me this. Computer power eliminates doubt. All doubt rises from past experience. But the past is disappearing. We used to know the past but not the future. This is changing," she said. "We need a new theory of time."

The car moved forward, clearing one stream of southbound traffic but stopping short of the next, suspended in the compressed space where Seventh Avenue and Broadway begin to intersect. He heard the voices more clearly now, carrying across the traffic, and saw people running, the vanguard of a crowd, coming this way, and others spilling off the sidewalks, startled and confused, and a styrofoam rat twenty feet tall dodging taxis in the street.