Don Delillo - Cosmopolis

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From Publishers Weekly
DeLillo skates through a day in the life of a brilliant and precocious New Economy billionaire in this monotone 13th novel, a study in big money and affectlessness. As one character remarks, 28-year-old Eric Packer "wants to be one civilization ahead of this one." But on an April day in the year 2000, Eric's fortune and life fall apart. The story tracks him as he traverses Manhattan in his stretch limo. His goal: a haircut at Anthony's, his father's old barber. But on this day his driver has to navigate a presidential visit, an attack by anarchists and a rapper's funeral. Meanwhile, the yen is mounting, destroying Eric's bet against it. The catastrophe liberates Eric's destructive instinct-he shoots another character and increases his bet. Mostly, the action consists of sequences in the back of the limo (where he stages meetings with his doctor, various corporate officers and a New Economy guru) interrupted by various pit stops. He lunches with his wife of 22 days, Elise Shifrin. He has sex with two women, his art consultant and a bodyguard. He is hit in the face with a pie by a protester. He knows he is being stalked, and the novel stages a final convergence between the ex-tycoon and his stalker. DeLillo practically invented the predominant vernacular of the late '90s (the irony, the close reading of consumer goods, the mock complexity of technobabble) in White Noise, but he seems surprisingly disengaged here. His spotlighted New Economy icon, Eric, doesn't work, either as a genius financier (he is all about gadgetry, not exchange-there's no love of the deal in his "frozen heart") or a thinker. The threats posed by the contingencies that he faces cannot lever him out of his recalcitrant one-dimensionality. DeLillo is surely an American master, but this time out, he is doodling.
From Library Journal
Unlike his sprawling masterpiece, Underworld, DeLillo's 13th novel is short and tightly focused, indeed almost claustrophobic. Most of the action takes place inside a "prousted" (cork-lined) stretch limo, as the reclusive financial wizard Eric Packer is chauffeured across Manhattan for a haircut. Thanks to a presidential visit, antiglobalization demonstrations, and a celebrity funeral, this journey takes up most of the day. Stuck in traffic, Packer anxiously monitors the value of the yen on the limo's computer. Using the car as his office, he summons advisors from nearby shops and restaurants. His physician gives him a rubber-gloved physical exam in the back seat as Packer discusses imminent financial ruin with his broker and angry crowds block the streets. This work most closely resembles The Body Artist in its brevity and straightforward narrative flow. However, the earlier novel was written in an uncharacteristically warm, poetic style, promising a new direction for this important writer, while Cosmopolis reverts to the standard DeLillo boilerplate, perceptive and funny but also brittle and cold. This, coupled with the book's dated 1990s sensibility, makes Cosmopolis a step backward rather than an artistic advance.

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After I turned him over I went through his pockets and found nothing. One of his pockets was torn. He had a crusty purple wound on his head, not that I am interested in description. I am interested in money. I was looking for money. He had one half a haircut but not the other and wore shoes but no socks. The body smell was foul.

I steal electricity from a lamppost. I doubt if this occurred to him, for my living space.

I've suffered many reversals but I'm not one of those scanted men you see in the street, living and thinking in minutes. I live at the ends of the earth philosophically. I collect things, it is true, from local sidewalks. What people discard could make a nation. Sometimes I hear my voice when I am speaking. I am speaking to someone and hear the sound of my voice, third person, filling the air around my head.

The windows were sealed by the City when they condemned the building. But I pried one board loose to let in air. I don't live an unreal life. I live a practical life of starting over, with middle-class values intact. I'm knocking down walls because I don't want to live in a set of little quads where other people lived, doors and narrow hallways, whole families with their packed lives and so many steps to the bed and so many steps to the door. I want to live an open life of the mind where my Confessions can thrive.

But there are times when I want to rub myself against a door or wall, for the sympathetic contact.

I wanted his pocket money for its personal qualities, not its value so much. I wanted its intimacy and touch, his touch, the stain of his personal dirt. I wanted to rub the bills over my face to remind me why I shot him.

For a while I could not stop looking at the body. I looked inside his mouth for signs of rot. That's when I heard the sound in his throat. I thought in all expectancy he was going to talk to me. I wouldn't mind talking to him some more. After all we'd said in the long night I realize there's more for me to say. There are great themes running through my mind. The themes of loneliness and human discard. The theme of who do I hate when there's no one left.

The complex is the intelligence unit of the firm. This is who I called with my mostly empty threat. I knew they would interpret my comments as the specialized knowledge of a former employee and would gather rapid data on such. It was satisfying to me, telling them their own names, even somebody's mother's maiden name in a brilliant and telling thrust, and detailing the procedures and routines. I was in their heads, now, making contact. I didn't have to carry the burden alone.

I have my writing desk, which I dragged along the sidewalk, through the alley and up the stairs. This was an undertaking of days, with a system of wedges and ropes. This was two days I needed to do this.

I never felt a distinction over time between child and man, boy and man. I was never consciously a child as the term is usually applied. I feel like the same thing I always was.

I used to write him letters after they let me go but stopped because I knew it was pathetic. I also knew there was something in my life that needed to be pathetic but I forced myself to break off contact. The fact that he would never see the letters was not an issue. I would see them. The issue was writing them and seeing them myself. So think how surprised I was that I did not have to track him and stalk him, which I was unfitted to do and anyway haunted by opposing forces concerning does he die or not.

And whatever I said to them on the phone and however rapidly they gathered data, how could they trace me to where and how I live?

I don't own a watch or clock. I think of time in other totalities now. I think of my personal time-span set against the vast numerations, the time of the earth, the stars, the incoherent light-years, the age of the universe, etc.

World is supposed to mean something that's selfcontained. But nothing is self-contained. Everything enters something else. My small days spill into lightyears. This is why I can only pretend to be someone. And this is why I felt derived at first, working on these pages. I didn't know if it was me that was writing so much as someone I want to sound like.

I still have my bank that I visit systematically to look at the last literal dollars remaining in my account. I do this for the ongoing psychology of it, to know I have money in an institution. And because cash machines have a charisma that still speaks to me.

I am working on this journal while a man lies dead ten feet away. I wonder about this. Twelve feet away They said I had problems of normalcy and they demoted me to lesser currencies. I became a minor technical element in the firm, a technical fact. I was generic labor to them. And I accepted this. Then they let me go without notice or severance package. And I accepted this.

One of my syndromes is agitated behavior and extreme confusion. This is known in Haiti and East Africa as delirious gusts in translation. In the world today everything is shared. What kind of misery is it that can't be shared?

I did not read for pleasure, even as a child. I never read for pleasure. Take this any way you will. I think about myself too much. I study myself. It sickens me. But this is all there is to me. I'm nothing else. My so-called ego is a little twisted thing that's probably not so different from yours but at the same time I can say confidently that it's active and bursting with importance and has major defeats and triumphs all the time. I have a stationary bike with a missing pedal that someone left on the street one night.

I also have my cigarettes close at hand. I want to feel like a writer and his cigarette. Except I'm out, they're gone, the pack has those little specks at the bottom that I already licked out of existence, and I'm tempted to smell the dead man's breath for a taste of whatever's there, the cigar he smoked a week ago in London.

All through the day I became more convinced I could not do it. Then I did it. Now I have to remember why.

I thought I would spend whatever number of years it takes to write ten thousand pages and then you would have the record, the literature of a life awake and asleep, because dreams too, and little stabs of memory, and all the pitiful habits and concealments, and all the things around me would be included, noises in the street, but I understand for the first time, now, this minute, that all the thinking and writing in the world will not describe what I felt in the awful moment when I fired the gun and saw him fall. So what is left that's worth the telling?

The car crossed the avenue into the West Side and had to slow down at once, moving through the crosswalk against the light, shedding waves of pedestrians.

Torval's voice reported a water-main break somewhere up ahead.

Eric saw his security aides, one to each side of the limo, walking at a calculated pace and wearing similar outfits of dark blazer, gray trousers and turtleneck shirt.

One of the screens showed a column of rusty sludge geysering high from a hole in the ground. He felt good about this. The other screens showed money moving. There were numbers gliding horizontally and bar charts pumping up and down. He knew there was something no one had detected, a pattern latent in nature itself, a leap of pictorial language that went beyond the standard models of technical analysis and out-predicted even the arcane charting of his own followers in the field. There had to be a way to explain the yen.

He was hungry, he was half starved. There were days when he wanted to eat all the time, talk to people's faces, live in meat space. He stopped looking at computer screens and turned to the street. This was the diamond district and he lowered the window to a scene that was rocking with commerce. Nearly every store had jewelry on display and shoppers worked both sides of the street, slipping between armored bank trucks and private security vans to look at fine Swiss watches and eat in the kosher luncheonette.

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