Don DeLillo - End Zone

Then we were going down the runway, the sounds louder now, many new noises, some grunts and barks, everyone with his private noise, hard fast rhythmic sounds. We came out of the mouth of the tunnel and I saw the faces looking down from both sides, the true, real and honest faces, Americans on a Saturday night, even the more welltodo among them bearing the look of sharecroppers, a vestigial line of poverty wearing thin but still present on every face, the teenagers looking like prewar kids, 1940, poorly cut short hair and a belligerent cleanliness. After the introductions I butted pads with Bobby Hopper and then bounced up and down on the sideline as we won the coin toss. The captains returned and we all gathered together around Creed, all of us making noises, a few prayers said, some obscenities exchanged, men jumping, men slapping each other's helmets. Creed said something into all the noise and then the kickreturn team moved onto the field. I glanced across at Centrex. They looked big and happy. They were wearing red jerseys with silver pants and silver helmets. We wore white jerseys with green pants and green and white helmets. My stomach was tight; it seemed to be up near my chest somewhere. I was having trouble breathing and an awful sound was filling my helmet, a sound that seemed to be coming from inside my head. I could see people getting up all over the stadium and the cheerleaders jumping and a couple of stadium cops standing near an exit. I could see the band playing, the movements of the band members as they played, but I couldn't hear the music. I looked down to my right. Bobby Iselin and Taft Robinson were the deep men. Speed and superspeed. About sixtyeight yards upfield the kicker raised his right arm, gave a little hop, and began to move toward the ball.

The special teams collided, swarm and thud of interchangeable bodies, small wars commencing here and there, exaltation and firstblood, a helmet bouncing brightly on the splendid grass, the breathless impact of two destructive masses, quite pretty to watch.

(The spectator, at this point, is certain to wonder whether he must now endure a football game in print- the author's way of adding his own neat quarternotch to the scarred bluesteel of combat writing. The game, after all, is known for its assaulttechnology motif, and numerous commentators have been willing to risk death by analogy in their public discussions of the resemblance between football and war. But this sort of thing is of little interest to the exemplary spectator. As Alan Zapalac says later on: "I reject the notion of football as warfare. Warfare is warfare. We don't need substitutes because we've got the real thing." The exemplary spectator is the person who understands that sport is a benign illusion, the illusion that order is possible. It's a form of society that is ratfree and without harm to the unborn; that is organized so that everyone follows precisely the same rules; that is electronically controlled, thus reducing human error and benefiting industry; that roots out the inefficient and penalizes the guilty; that tends always to move toward perfection. The exemplary spectator has his occasional lusts, but not for warfare, hardly at all for that. No, it's details he needs-impressions, colors, statistics, patterns, mysteries, numbers, idioms, symbols. Football, more than other sports, fulfills this need. It is the one sport guided by language, by the word signal, the snap number, the color code, the play name. The spectator's pleasure, when not derived from the action itself, evolves from a notion of the game's unique organic nature. Here is not just order but civilization. And part of the spectator's need is to sort the many levels of material: to allot, to compress, to catalogue. This need leaps from season to season, devouring much of what is passionate and serene in the spectator. He tries not to panic at the final game's final gun. He knows he must retain something, squirrel some food for summer's winter. He feels the tender need to survive the termination of the replay. So maybe what follows is a form of sustenance, a game on paper to be scanned when there are stale days between events; to be propped up and looked at-the book as television set-for whatever is in here of terminology, pattern, numbering. But maybe not. It's possible there are deeper reasons to attempt a playbyplay. The best course is for the spectator to continue forward, reading himself into the very middle of that benign illusion. The author, always somewhat corrupt in his inventions and vanities, has tried to reduce the contest to basic units of language and action. Every beginning, it is assumed, must have a neon twinkle of danger about it, and so grandmothers, sissies, lepidopterists and others are warned that the nomenclature that follows is often indecipherable. This is not the pity it may seem. Much of the appeal of sport derives from its dependence on elegant gibberish. And of course it remains the author's permanent duty to unbox the lexicon for all eyes to see-a cryptic ticking mechanism in search of a revolution.)

Blue turk right, doubleslot, zero snag delay.

I was the lone setback. Nobody took out their middle linebacker. I got hit at the line of scrimmage, the 31, a high hard shot that settled my stomach and got rid of the noise in my head. Hobbs threw to Jessup on a halfmoon pattern good for twelve. Taft went outside for six yards, then three, then five. I went straight ahead for five. Taft took a trigger pitch, cut inside a good block and went to their 22. We left the huddle with a sharp handclap and trotted up to the line, eager to move off the ball, sensing a faint anxiety on the other side of the line.

Quick picket left, hook right. Twin option off modified crossbow. ReT, chuckandgo.

"How to hit," George Dole shouted out to us. "Way to pop, way to go, way to move. How to sting them, big Jerry. Bloomers, Bloomers, Bloomers. How to play this game."

Taft, stutterstepping, juked a man into the ground and was forced out at the 5. I went offtackle to the 1. Our line was firing out beautifully. It was crisp basic football. We were playing better than ever, in controlled bursts, probably because we were facing real talent. Taft went into the end zone standing up. Two of the receivers ran after Mm to slap his helmet and escort him off. Bing Jackmin kicked the extra point. I got down on one knee on the sideline, the chin strap of my helmet undone, material for a prizewinning sports photo. Commotion everywhere. Oscar Veech was shouting into my left ear.

"Gary, on the thirtyttwo I want you to catapult out of there. I want you to really come. I want to see you zoom into the secondary. But be sure you protect that ball."

"Right."

"Get fetal, get fetal."

"Fetal," I shouted back.

Centrex returned the kickoff to their 27. Our defense rolled into a gut 43 with variable offpicks. Their quarterback, Telcon, moved them on the ground past midfield, then went to the air on two of the next three plays. They tried a long field goal, wide to the right, and we took over. Hobbs hit Spurgeon Cole for good yardage but we were caught holding. Taft picked up eight. Ron Steeples was knocked cold and we were forced to call a timeout to get him off. Chuck Deering came running in to replace him, tripping and falling as he reached the huddle. I went inside tackle for three yards. Hobbs threw to Taft on a gatedelay out of the backfield. It picked up only seven and the punting team came on. I sat on the bench, noticing Raymond Toon down at the far end; he seemed to be talking into his fist. Byrd Whiteside punted to their 44, a fair catch. Telcon moved them on the ground, inside mostly, all the way to our 19. Dennis Smee kicked somebody. That moved the ball inside the 10. Three running plays. The extra point tied it.

When we huddled at the 24, Hobbs said: "Stem left, L and R hitch and cross, F weak switch and sideline. On hut."