Don Delillo - Players

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In Players DeLillo explores the dark side of contemporary affluence and its discontents. Pammy and Lyle Wynant are an attractive, modern couple who seem to have it all. Yet behind their "ideal" life is a lingering boredom and quiet desperation: their talk is mostly chatter, their sex life more a matter of obligatory "satisfaction" than pleasure. Then Lyle sees a man killed on the floor of the Stock Exchange and becomes involved with the terrorists responsible; Pammy leaves for Maine with a homosexual couple… And still they remain untouched, "players" indifferent to the violence that surrounds them, and that they have helped to create.
Originally published in 1977 (before his National Book Award-winning White Noise and the recent blockbuster Underworld), Players is a fast-moving yet starkly drawn socially critical drama that demonstrates the razor-sharp prose and thematic density for which DeLillo is renown today.
"The wit, elegance and economy of Don DeLillo's art are equal to the bitter clarity of his perceptions."-New York Times Book Review

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9

He passed McKechnie several times on the floor but said nothing, as was customary, and avoided eye contact. He looked for him during slack periods and again in the smoking area. That night he called him at home.

"Frank, a friend of yours was supposed to get in touch with me.”

"I told him the thing.”

"Who is he, where is he, when do we talk?”

"I don't know what he does but he does it in Langley, Virginia.”

"Which means what?”

"Christ, Lyle.”

" 'Christ, Lyle.' What's that? 'Christ, Lyle.' “

"Use your head," McKechnie said.

"Look, just tell me, will you?”

"Langley fucking Virginia.”

"What is that? 'Langley fucking Virginia.' What is that?”

"Don't be stupid. You're being intentionally stupid.”

"Is there a curse attached if you utter the goddamn thing? What happens, your eyeballs drop out?”

"Shit but you're dumb sometimes.”

"Langley, Virginia.”

"That's right.”

"When do I hear?”

"Don't ask me.”

"This is supposed to be some kind of obscure figure and everybody's searching for terrorist links and here's this secretary walking around who's met the man, who knows him apparently, who's got his picture hanging in her kitchen. It could be important, Frank.”

"Not to me it couldn't.”

"You don't even know what he does, your friend.”

"I don't know, that's right.”

"And you don't want to know.”

"Never righter, Lyle.”

"But he does it in Langley, Virginia.”

"Wow but you're stupid.”

"Say it, Frank.”

"Either you know or you don't. If you don't know, try guessing.”

"I want to hear you say it.”

"Try guessing.”

"Utter it, come on.”

"I'm hanging up," McKechnie said.

"Whisper it in my ear.”

"I'm putting down the phone, dumbfuck.”

10

Rosemary's flesh, her overample thighs, the contact chill of her body were the preoccupations of his detachment from common bonds. Once her clothes were off, she rarely spoke. He gripped and bit at her, leaving spit everywhere. Her breath was milky. She was uninterested in all but the most commonplace sex. Suitable, he thought. Perfectly acceptable. Why not? She clutched the back of his neck. Her flesh obsessed him, color and touch, bland odors coming off it. She might almost have been a drugged child. He wanted to scratch at her flesh, to leave teeth marks, pink ridges, alternately lapping and clawing away. It was hardly the mood of squandered afternoons. He wanted to put his mouth inside hers; roar.

"It's that I'm all through with that. I'm out. Let it all come down. Don't you think everybody, nearly, feels that way about their work, where they work all those years? It's insane, besides. The whole thing is. Besides, why not?”

She never let him undress her. She would go into the bathroom, emerging ten minutes later, slightly ill at ease although not about her nakedness, he felt, but about the way she walked when barefoot, a somehow downhill step, heavy-tending. She showed little sign or whatever measures or desire his own body might have been expected to arouse in her.

"There may be some people you can meet.”

"Of course, I know.”

"I was wondering," she said. "The car?”

"Sure, I remember, clearly.”

"That picks me up from work sometimes.”

"Absolutely, who else but them?”

"If you want to.”

"Why not, certainly, what am I here for?”

Her thighs distorted the line of her body. A plodder's thighs, surprisingly. Hard to spot in someone who wears a dress but reassuring in that it confounded the set of his expectations. He pressed onto her constantly, all his body, ravenous for flesh, his hands mixing and working her into a mass of mild discoloration. She never approached orgasm. He accepted this not as a deficiency he might correct (as people often interpret the matter), using patience and skill, the bed mechanic's experience; nor as a deeper exhaustion, a failure of the spirit. It was simply part of their dynamics, the condition of being together, and he had no intention of altering the elements of the spell or even of wishing them otherwise. One kind of sex or another was not the question. The triteness that pervaded their meetings supplied what he wanted of eroticism and made "one" or "the other" a question of recondite semantics. He gripped her fiercely. There was never any point at which he guided himself past a certain stage or prepared to approach a culmination. It was too disorganized, the moments of intensity only loosely foreseen. He would climax unexpectedly, barely aware, feeling both criminal and naïve.

one is padding to the bathroom, he thought. Holding her breasts she admires her body in the full-length mirror. She is rosy with fulfillment. Two waiting-maids enter to prepare her perfumed bath. On the bed of carved walnut, he thought, her lover reclines against a mound of silk pillows, recalling how she'd groaned with pleasure.

TWO

1

She turned the car into a dead-end street. It was Sunday and very still, midafternoon. Lyle looked out the side window, dreamily, his arm hanging out over the door, a surfer returning from a day at the beach. The woman parked, turned off the ignition and sat there. Lyle waited. Only one sidewalk was paved. The house was gray frame, two-storied, fronted by shrubs and a single tree. She made a small noise, routine irritation, as she attempted to bend herself out of the car. She looked back in at Lyle, who hadn't yet reached for the door.

"I forgot the Cheerios," she said. "This will precipitate a small crisis in the morning. Is that right-'precipitate'?”

"I think so," he said. "Maybe not quite.”

She reached in for the groceries.

"Do I come in now?" he said. "Or wait out here.”

"Oh, I think come in. By all means now. I think it's clearly the thing.”

He heard piano music coming from the back of the house, a record player apparently, upper floor. The woman, reacting to the sound, turned on the radio. She gestured to Lyle and he sat in a deep chair with enormous laminated arms. The woman, Marina Vilar, stood behind the table the radio was on, reaching over the top of the radio to turn the station selector. Through the window behind her Lyle could see part of a bridge, either the Whitestone or the Throgs Neck. He knew they weren't far from the Nassau County line but couldn't recall which was the easternmost bridge. The woman found what she wanted, a rapid-fire disk jockey, and turned up the volume, grimly satisfied, her look directed toward the top of the stairs.

Marina was squat, close to shapeless, dressed in what might have been thrift-shop clothing. Her face had precise lines, however, strongly boned, a trace of the socialist painter's peasant woman, broad arcs and shadows. Her hair was parted in the middle and combed back over the ears. She had eyes that concentrated intently and would not easily surrender their assertiveness. She believed in one thing, he felt, to the exclusion of everything else. Although he didn't know what this thing was as yet, he was certain she'd imbued it with a particular kind of purity, a savage light.

"You didn't meet my brother, unfortunately. Only Rosemary, is that right? My brother did the rockets at Tempelhof. He planned it to the last detail.”

"I don't know if I recall.”

"They hit the wrong plane. They hit the DC-9. They were totally stupid. One plans something to the closest degree of precision. What happens?”

"They go and hit the wrong plane," he said.

The place was full of blond furniture, secondhand, the kind of thing found in rec rooms or settlement houses. Everything had a chemical veneer. Marina put the groceries away and made some phone calls, not bothering to reduce the volume on the radio. During the third such call, J. Kinnear came down the stairs, moving quickly, feet wide apart, taking the last few steps with a rhythmic little canter. Five nine or ten, Lyle thought, identifying yet another suspect for some detective lieutenant. Checked shirt, brown pants, brown loafers, older than he appeared to be at very first glance.

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