Don DeLillo - White Noise

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White Noise: краткое содержание, описание и аннотация

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Amazon.com Review
Better than any book I can think of, White Noise captures the particular strangeness of life in a time where humankind has finally learned enough to kill itself. Naturally, it's a terribly funny book, and the prose is as beautiful as a sunset through a particulate-filled sky. Nice-guy narrator Jack Gladney teaches Hitler Studies at a small college. His wife may be taking a drug that removes fear, and one day a nearby chemical plant accidentally releases a cloud of gas that may be poisonous. Writing before Bhopal and Prozac entered the popular lexicon, DeLillo produced a work so closely tuned into its time that it tells the future.
From Publishers Weekly
Chairman of the department of Hitler studies at a Midwestern college, Jack Gladney is accidently exposed to a cloud of noxious chemicals, part of a world of the future that is doomed because of misused technology, artifical products and foods, and overpopulation. PW appreciated DeLillo's "bleak, ironic" vision, calling it "not so much a tragic view of history as a macabre one."

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He picked up our bottle of extra-strength pain reliever and sniffed along the rim of the child-proof cap. He smelled our honeydew melons, our bottles of club soda and ginger ale. Babette went down the frozen food aisle, an area my doctor had advised me to stay out of.

"Your wife's hair is a living wonder," Murray said, looking closely into my face as if to communicate a deepening respect for me based on this new information.

"Yes, it is," I said.

"She has important hair."

"I think I know what you mean."

"I hope you appreciate that woman."

"Absolutely."

"Because a woman like that doesn't just happen."

"I know it."

"She must be good with children. More than that, I'll bet she's great to have around in a family tragedy. She'd be the type to take control, show strength and affirmation."

"Actually she falls apart. She fell apart when her mother died."

"Who wouldn't?"

"She fell apart when Steffie called from camp with a broken bone in her hand. We had to drive all night. I found myself on a lumber company road. Babette weeping."

"Her daughter, far away, among strangers, in pain. Who wouldn't?"

"Not her daughter. My daughter."

"Not even her own daughter."

"No."

"Extraordinary. I have to love it."

The three of us left together, trying to maneuver our shopping carts between the paperback books scattered across the entrance. Murray wheeled one of our carts into the parking lot and then helped us heave and push all our double-bagged merchandise into the back of the station wagon. Cars entered and exited. The policewoman in her zippered minicab scouted the area for red flags on the parking meters. We added Murray 's single lightweight bag of white items to our load and headed across Elm in the direction of his rooming house. It seemed to me that Babette and I, in the mass and variety of our purchases, in the sheer plenitude those crowded bags suggested, the weight and size and number, the familiar package designs and vivid lettering, the giant sizes, the family bargain packs with Day-Glo sale stickers, in the sense of replenishment we felt, the sense of well-being, the security and contentment these products brought to some snug home in our souls-it seemed we had achieved a fullness of being that is not known to people who need less, expect less, who plan their lives around lonely walks in the evening.

Murray took Babette's hand on leaving.

"I'd ask you to visit my room but it's too small for two people unless they're prepared to be intimate."

Murray is able to produce a look that is sneaky and frank at the same time. It is a look that gives equal credence to disaster and lecherous success. He says that in the old days of his urban entanglements he believed there was only one way to seduce a woman, with clear and open desire. He took pains to avoid self-depreciation, self-mockery, ambiguity, irony, subtlety, vulnerability, a civilized world-weariness and a tragic sense of history- the very things, he says, that are most natural to him. Of these he has allowed only one element, vulnerability, to insert itself gradually into his program of straightforward lust. He is trying to develop a vulnerability that women will find attractive. He works at it consciously, like a man in a gym with weights and a mirror. But his efforts so far have produced only this half sneaky look, sheepish and wheedling.

He thanked us for the lift. We watched him walk toward the lopsided porch, propped with cinder blocks, where a man in a rocker stared into space.

6

Heinrich's hairline is beginning to recede. I wonder about this. Did his mother consume some kind of gene-piercing substance when she was pregnant? Am I at fault somehow? Have I raised him, unwittingly, in the vicinity of a chemical dump site, in the path of air currents that carry industrial wastes capable of producing scalp degeneration, glorious sunsets? (People say the sunsets around here were not nearly so stunning thirty or forty years ago.) Man's guilt in history and in the tides of his own blood has been complicated by technology, the daily seeping falsehearted death.

The boy is fourteen, often evasive and moody, at other times disturbingly compliant. I have a sense that his ready yielding to our wishes and demands is a private weapon of reproach. Babette is afraid he will end up in a barricaded room, spraying hundreds of rounds of automatic fire across an empty mall before the SWAT teams come for him with their heavy-barreled weapons, their bullhorns and body armor.

"It's going to rain tonight."

"It's raining now," I said.

"The radio said tonight."

I drove him to school on his first day back after a sore throat and fever. A woman in a yellow slicker held up traffic to let some children cross. I pictured her in a soup commercial taking off her oilskin hat as she entered the cheerful kitchen where her husband stood over a pot of smoky lobster bisque, a smallish man with six weeks to live.

"Look at the windshield," I said. "Is that rain or isn't it?"

"I'm only telling you what they said."

"Just because it's on the radio doesn't mean we have to suspend belief in the evidence of our senses."

"Our senses? Our senses are wrong a lot more often than they're right. This has been proved in the laboratory. Don't you know about all those theorems that say nothing is what it seems? There's no past, present or future outside our own mind. The so-called laws of motion are a big hoax. Even sound can trick the mind. Just because you don't hear a sound doesn't mean it's not out there. Dogs can hear it. Other animals. And I'm sure there are sounds even dogs can't hear. But they exist in the air, in waves. Maybe they never stop. High, high, high-pitched. Coming from somewhere."

"Is it raining," I said, "or isn't it?"

"I wouldn't want to have to say."

"What if someone held a gun to your head?"

"Who, you?"

"Someone. A man in a trenchcoat and smoky glasses. He holds a gun to your head and says, 'Is it raining or isn't it? All you have to do is tell the truth and I'll put away my gun and take the next flight out of here.'"

"What truth does he want? Does he want the truth of someone traveling at almost the speed of light in another galaxy? Does he want the truth of someone in orbit around a neutron star? Maybe if these people could see us through a telescope we might look like we were two feet two inches tall and it might be raining yesterday instead of today."

"He's holding the gun to your head. He wants your truth."

"What good is my truth? My truth means nothing. What if this guy with the gun comes from a planet in a whole different solar system? What we call rain he calls soap. What we call apples he calls rain. So what am I supposed to tell him?"

"His name is Frank J. Smalley and he comes from St. Louis."

"He wants to know if it's raining now, at this very minute?"

"Here and now. That's right."

"Is there such a thing as now? 'Now' comes and goes as soon as you say it. How can I say it's raining now if your so-called 'now' becomes 'then' as soon as I say it?"

"You said there was no past, present, or future."

"Only in our verbs. That's the only place we find it."

"Rain is a noun. Is there rain here, in this precise locality, at whatever time within the next two minutes that you choose to respond to the question?"

"If you want to talk about this precise locality while you're in a vehicle that's obviously moving, then I think that's the trouble with this discussion."

"Just give me an answer, okay, Heinrich?"

"The best I could do is make a guess."

"Either it's raining or it isn't," I said.

"Exactly. That's my whole point. You'd be guessing. Six of one, half dozen of the other."

"But you see it's raining."

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