DBC Pierre - Vernon God Little

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The surprise winner of the 2003 Man Booker Prize, DBC Pierre's debut novel, Vernon God Little, makes few apologies in its darkly comedic portrait of Martirio, Texas, a town reeling in the aftermath of a horrific school shooting. Fifteen-year-old Vernon Little narrates the first-person story with a cynical twang and a four-letter barb for each of his diet-obsessed townsfolk. His mother, endlessly awaiting the delivery of a new refrigerator, seems to exist only to twist an emotional knife in his back; her friend, Palmyra, structures her life around the next meal at the Bar-B-Chew Barn; officer Vaine Gurie has Vernon convicted of the crime before she's begun the investigation; reporter Eulalio Ledesma hovers between a comforting father-figure and a sadistic Bond villain; and Jesus, his best friend in the world, is dead-a victim of the killings. As his life explodes before him, Vernon flees his home in pursuit of a tropical fantasy: a cabin on a beach in Mexico he once saw in the movie Against All Odds. But the police-and TV crews-are in hot pursuit.
Vernon God Little is a daring novel and demands a patient reader, not because it is challenging to read- Pierre 's prose flows effortlessly, only occasionally slipping from the unmistakable voice of his hero-but because the book skates so precariously between the almost taboo subject of school violence and the literary gamesmanship of postmodern fiction. Yet, as the novel unfolds, Pierre 's parodic version of American culture never crosses the line into caricature, even when it climaxes in a death-row reality TV show. And Vernon, whose cynicism and smart-ass "learnings" give way to a poignant curiosity about the meaning of life, becomes a fully human, profoundly sympathetic character. -Patrick O'Kelley
Pierre takes a freewheeling, irreverent look at teenage Sturm und Drang in his erratic, sometimes darkly comic debut novel about a Texas boy running from the law in the wake of a gory school shooting. Vernon Gregory Little is the 15-year-old protagonist, a nasty, sarcastic teenager accused of being an accessory to the murders committed by his friend Jesus Navarro in tiny Martirio, "the barbecue sauce capital of Texas." Vernon manages to make bail and avoid the media horde that descends on the town after the killings, but he's unable to get to the other gun-his father's-which he knows will tie him to the crime, despite his innocence. His flight path takes him first to Houston, where he unsuccessfully tries to hook up with gorgeous former schoolmate Taylor Figueroa; the crafty beauty, promised a media job by the evil Lally, who's also duped Vernon 's mom, follows him to Mexico and efficiently betrays him. Most of the plotting feels like an excuse for Vernon 's endless, sharply snide riffs on his small town and the unique excesses of America that helped spawn the killings. Unfortunately, Vernon 's voice grows tiresome, his excesses make him rather unlikable and the over-the-top, gross-out humor is hit-or-miss. Pierre 's wild energy offers entertaining satire as well as cringe-provoking scenes, and though he can write with incisive wit, this is a bumpy ride.
Copyright 2003 Reed Business Information, Inc.

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So guess what your fucken hero did, take a shot. Vernon Gonad Little went into the party and sent her best friend out to mind her. I never got a finger to her panties, even though I was close enough to catch the lick-your-own-skin-and-sniff-it disease that wastes me today; fucken hauntings of hollows between elastic and thigh, tang ablaze with cotton and apricot muffin, cream cheese and pee. But no, duh, I went inside. I even kind of strode in, like a TV doctor, all fucken mature. It fucken slays me, she was right there. I tried to look her up again, but Fate deployed the shutdown routine you get whenever you miss a ripe opportunity in a dumb way. A billion reasons she can't be located, and fucken blah, blah, blah. So much for Taylor Figueroa.

Tonight, though, my hand is her mouth. Every stroke of my boy brings her cotton closer, burrows vents for her fruit-air to escape and waste me. Mexican fruit-air, boy, if I have my way. As I abandon myself to the dream, muffled wisps of the TV-news fanfare travel the corridor like an infection. Then a prisoner snorts with laughter.

six

'You touch bag? Make fingerprince?' This is what Mr Abdini asks me. Don't even ask me the rest of his name.

'Fingerprints? Uh – I guess so.' I'm uneasy enough today, without having to meet folk like this.

Abdini is fat the way an anvil is fat, but his face is probably swept back by the velocity of his talking. He's my attorney. The judge appointed him. I guess nobody else works Sundays around here. I know you're not allowed to say it anymore, about other places being different and all, but, between you and me, you can tell Abdini is the product of centuries of fast-talking and double-dealing. Ricochet Abdini, 'Bing, ping, ping !' He's dressed in white, like the Cuban Ambassador or something. A jury would convict on his fucken shoes alone, not that his shoes are my biggest problem. They're the least of my fucken problems, know why? Because if you take a bunch of flabby white folk, of the kind that organize bake-sales and such, and put them in a jury, then throw in some fast-talker from God-knows-where, chances are they won't buy a thing he says. They can tell he's slimy, but they're not allowed to officially do anything, on account of everybody has to pretend to get along these days. So they just don't buy what he says. It's a learning I made.

Therefore, Mr Something Fucken Abdini Something stands sweating in my cell, getting ready to say 'Therefore' probably. His eyes bounce across a file in his hand, which is all about me. He grunts.

'You tell me whappen.'

'Uh – excuse me?'

'Tell me whappen in school.'

'Well, see, I was out of class, and when I came back…'

Abdini holds up a hand. 'You went batroom?'

'Uh – yeah, but that wasn't…'

'Very impotent evidence,' he hisses, scribbling in the file.

'No, see, I was…'

Just then the guard clanks at the door. 'Shh,' goes Abdini, patting my arm. 'I fine out. You don tsetse fly today. We try bail.'

Barry ain't around this morning; another guard escorts us through the sheriff's back door, and down the alley behind Gurie Street. Abdini said there couldn't be any media in court today, on account of me being a juvenile. Anyway, everybody's at the funerals. 'An option holding limited appeal,' as the now-dumbstruck Mr Asshole Nuckles would say. It's bitterly hot today; unusual this early in summer. And quiet like when you hold your breath, though you can still sense cotton dresses over on Gurie Street, and kids jumping through sprinklers. Typical Sunday things, but with the damp fizz of tears about them. They come with their own wave of sadness.

Three buildings along from the sheriff's office stands Martirio's ole whorehouse, one of the Wild West's most beautiful buildings. The fun gals are gone though, now it's next to the courthouse. The only gal left is Vaine Gurie, a whole barrel-load of fucken laughs. She waits for us at the back. Her eyebrow rides high today. I'm led up some stairs into the mostly empty courtroom, where the guard maneuvers me into a small wooden corral, with a fence around it. It's almost possible to be brave in here, if you add up your Nikes, your Calvin Kleins, your youth, and your actual innocence. What shunts you over the edge is the smell. Court smells like your first-grade classroom; you automatically look around for finger-paintings. I don't know if it's on purpose, like to regress you and freak you out. Truth be told, there's probably an air-freshener for courtrooms and first-grade classrooms, just to keep you in line. 'Guilt-O-Sol' or something, so in school you feel like you're already in court, and when you wind up in court you feel like you're back in school. You're primed for finger-paintings, but what you get is a lady behind one of those sawn-off typewriters. Court, boy. Fuck.

I look around while everybody shuffles papers. Mom couldn't make it, which ain't such a bad thing. I learned that the authorized world doesn't recognize the knife. Your knife is invisible, that's what makes it so convenient to use. See how things work? It's what drives folk to the blackest crimes, and to sickness, I know it; the thing of everyone turning the knife just by saying hello, or something equally innocent-sounding. The courts of law would shit their pants laughing if you tried to say somebody was turning the knife just with their calendar-dog whimpers. But here's why they'd laugh: not because they couldn't see the knife, but because they knew nobody else would buy it. You could stand before twelve good people, all with some kind of psycho-knife stuck in them that loved-ones could twist on a whim, and they wouldn't admit it. They'd forget how things really are, and slip into TV-movie mode where everything has to be obvious. I guarantee it.

The sawn-off typewriter lady talks across the bench to an ole security guard. 'Oh my, it's a fact. We had a copy of that same catalog, me and my girls.'

'No kidding,' says the guard, 'that same one, huh?' His tongue pushes some spit around his mouth. That means he's picturing whatever she just said. He shunts some spit around, picturing it for a moment, then he says, 'Don't forget the judge has girls too.'

'That's a fact,' says the typist.

They turn to stare daggers at me. The typist's daggers come wrapped in Kleenex, I guess so they don't get shit on them. I just stare at my Nikes. Things have gone beyond a fucken joke. You just know the justice system ain't set up for folk like me. It's set up for more obvious folk, like you see in movies. Nah, if the facts don't arrive today, if everybody doesn't apologize and send me home, I'll jump bail and run over the fucken border. Against All Odds . I'll vanish into the cool of tonight, see if I fucken don't, hum cross-country with the moths, with my innocent-headed learnings and my ole panty dreams.

'All-a rise,' says an officer.

A bright-eyed lady with short gray hair and bifocal glasses glides behind the tallest desk. Judge Helen E Gurie says the sign. Her swivel chair rattles politely when she sits. The Chair of God.

'Vaine,' she says, 'it'd have to be one of your cases, now wouldn't it?'

'Gh -rrr . We have a suspect, Judge.'

Abdini stands. 'We apply pearlymoney herring, your honor.'

The judge squints over her glasses. 'A preliminary hearing? Wait one darned minute, I draw both your attentions to the Texas Family Code – this is a juvenile matter. Vaine, I sure hope you observed the provisions for service of process that apply in this instance.'

'Gh- r .'

'And why is no record of interview filed with the complaint?'

Just now the main door creaks open behind me. Sheriff Porkorney scrapes into the room and takes off his hat. Vaine stiffens like a bone.

'We hoped a particular piece of evidence would come in first, ma'am,' she says.

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