Howard Goldblatt (Editor) - Chairman Mao Would Not Be Amused – Fiction From Today

Здесь есть возможность читать онлайн «Howard Goldblatt (Editor) - Chairman Mao Would Not Be Amused – Fiction From Today» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Chairman Mao Would Not Be Amused – Fiction From Today: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Chairman Mao Would Not Be Amused – Fiction From Today»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

From Publishers Weekly
In contrast to the utopian official literature of Communist China, the stories in this wide-ranging collection marshal wry humor, entangled sex, urban alienation, nasty village politics and frequent violence. Translated ably enough to keep up with the colloquial tone, most tales are told with straightforward familiarity, drawing readers into small communities and personal histories that are anything but heroic. "The Brothers Shu," by Su Tong (Raise the Red Lantern), is an urban tale of young lust and sibling rivalry in a sordid neighborhood around the ironically named Fragrant Cedar Street. That story's earthiness is matched by Wang Xiangfu's folksy "Fritter Hollow Chronicles," about peasants' vendettas and local politics, and by "The Cure," by Mo Yan (Red Sorghum; The Garlic Ballads), which details the fringe benefits of an execution. Personal alienation and disaffection are as likely to appear in stories with rural settings (Li Rui's "Sham Marriage") as they are to poison the lives of urban characters (Chen Cun's "Footsteps on the Roof"). Comedy takes an elegant and elaborate form in "A String of Choices," Wang Meng's tale of a toothache cure, and it assumes the burlesque of small-town propaganda fodder in Li Xiao's "Grass on the Rooftop." Editor Goldblatt has chosen not to expand the contributors' biographies or elaborate on the collection's post-Tiananmen context. He lets the stories speak for themselves, which, fortunately, they do, quietly and effectively.
From Library Journal
The 20 authors represented here range from Wang Meng, the former minister of culture, to Su Tong, whose Raise the Red Lantern has been immortalized on screen.
***
Chinese literature has changed drastically in the past thirty years. During the Cultural Revolution (1966-1976) arts and literature of all sorts were virtually nonexistent since they were frowned upon by official powers so that attempts to produce any were apt to cause one’s public humiliation and possibly even death by the Red Guards and other unofficial arms of the government. After 1976, in the wake of Mao’s death, literature slowly regained its importance in China, and by the mid-1980s dark, angry, satirical writings had become quite prominent on the mainland.
In the wake of Tiananmen Square, dark literature faded somewhat, but never vanished. Now Howard Goldblatt, a prominent translator of Chinese fiction and editor of the critical magazine Modern Chinese Literature, has compiled a representative collection of contemporary Chinese fiction entitled Chairman Mao Would Not Be Amused. Even with my limited knowledge of modern China I feel certain the title of the book is fairly accurate.
Mo Yan is one of my favorite contemporary writers. His dark, no-holds-barred satires Red Sorghum and The Garlic Ballads detailed what he sees as the failings of both Chinese peasants (of which he was born as one) and the Chinese leaders. His short story "The Cure" is in the same vein, detailing how a local government representative-probably self-appointed during the Cultural Revolution, although that is never made quite clear in the story-leads a lynching of the village’s two most prominent leaders and their wives. But, as in most Mo Yan stories, the bitterness directed at the lyncher is double-edged with the bitter look at a local peasant who sees the deaths of the two village leaders as a desperate chance to possibly rescue his mother from impending blindness. The story is coldly realistic and totally chilling in the rational way it treats the series of events.
Su Tong is the author of the novella "Raise The Red Lantern", the basis of the wonderful movie. His "The Brothers Shu" is a bitter look at some traditional character weaknesses of Chinese people, and particularly how they affect family life. The Shu family is incredibly dysfunctional. The father nightly climbs up the side of his two-family house to have sex with the woman upstairs until her husband bolts her windows shut. So the woman sneaks downstairs to have sex in the younger son’s bedroom while the son is tied to his bed, gagged and blindfolded. Meanwhile the elder son abuses the girl upstairs until she falls in love with him. When she becomes pregnant, they are both so shamed they form a suicide pact, tie themselves together and jump into a river, where the boy is rescued in time but the girl dies. The younger son so hates his older brother-somewhat deservedly considering the abuse heaped on him by the brother-that he pours gasoline through his bedroom and sets it ablaze.
And so on, complete with beatings and torments worthy of the most dysfunctional American families. While not a particularly likeable cast of characters, the story is strong and thoughtful.
Perhaps the most moving part about "First Person", by Shi Tiesheng is in the brief author description in the back of the book. Shi is described as “crippled during the Cultural Revolution”. So many lives were needlessly destroyed during that tumultuous decade, it is easy to feel that the arrest and subsequent conviction of the notorious Gang of Four was not nearly sufficient punishment for them.
"First Person" tells the story of a man with a heart condition-Shi frequently writes about the lives of handicapped people, according to his description-who is visiting his new 21st floor apartment for the first time. While climbing the stairs very slowly, taking frequent rests, he notices a cemetery separated from the apartment building by a huge wall. On one side of the wall is sitting a woman, while on the other side stands a man. As the man climbs the stairs he fantasizes about why the couple are there, and why they are separated by the wall. Perhaps the man is having an affair, and the wife is spying on him as he rendezvous with his lover?
But then the man notices a baby lying on a gravesite, being watched from a distance by the man, and he realizes that the couple is abandoning the child. An interesting story about the fanciful delusions a person can have, but with no real depth beyond that.
Two stories involve fear of dentists in completely different ways. Wang Meng’s "A String of Choices" is a very funny story that combines a bitter look at both Eastern and Western medicine with perhaps the most extreme case of fear of dentists imaginable. Chen Ran’s "Sunshine Between the Lips" tells of a young girl whose adult male friend exposes himself to her. If that were not traumatic enough, after he is arrested for exposing himself to a complete stranger, he sets his apartment on fire and dies a brutal death. This event, combined with a near-fatal bout of meningitis, creates in the girl a deep fear of phallic objects such as needles and penises. So imagine her trauma when she develops impacted wisdom teeth at the same time as she gets married. While this description might sound a bit ludicrous, this story is very serious and very well-executed.
A strong satire on how history can be rewritten to suit the writers’ needs is Li Xiao’s "Grass on the Rooftop". When a peasant’s hut goes on fire, he is rescued by a local student. The rescue is written up for an elementary school newspaper by a local child, but the story is picked up by other papers, changing radically with each reprinting until the rescuing student becomes a great hero of the Maoist revolution because of his supposed attempt to rescue a nonexistent portrait of Mao on the wall of the hut. While this story is uniquely Chinese in many ways, it resonates in all societies in which pride and agenda is often more important than the truth.
Anybody interested in a look at contemporary Chinese society should enjoy this collection immensely.

Chairman Mao Would Not Be Amused – Fiction From Today — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Chairman Mao Would Not Be Amused – Fiction From Today», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

The building appeared empty; people hadn't started moving in yet. No one was there to run the elevators, which were all locked. I have heart trouble, but since I'd come so far, I couldn't just leave after one look at the stairs. I figured that as long as I didn't try to go fast, I wouldn't have much of a problem climbing to the twenty-first floor. "Go with the flow" was what the girl said. That seemed to be sincere, appropriate advice, so I took a few deep breaths and started to climb. When I reached the third floor, I stopped to catch my breath. I leaned out the window and caught sight of the girl. She was still sitting there in a trance, her head slightly lowered, her hands resting casually on her knees. On her simple, elegant skirt, dots of sunlight and shade silently divided and then combined, gathered together and fell apart again. "Go with the flow" was what she said. Actually, when she said it, she didn't see me and didn't hear any vulgar noise. She didn't see anything and didn't hear anything. She was a thousand miles away. I couldn't see her face, but I could sense her tranquillity and enchantment. The autumn wind swept invisibly past the huge parasol tree, making a soft, dignified sound.

On a fall evening, when the sun was about to set, she left home alone, locking the gradually gathering twilight in her room. She walked where she pleased along paths through the fields. She followed the smells of the grasses and the earth as she walked where she pleased. Who was she? She walked to a remote, quiet place and sat down facing a tall, empty building. She leaned against an ancient tree. She sat in its deep, swaying shade, sat in the low, chanting sound it made. She made the place her own. Who was she? She thought about things near and distant, about things real and illusory. Her mind and body slipped into a natural, mysterious realm… A woman like that, who could she be? A woman to be admired.

But I had to keep climbing my stairs. I didn't know what had been arranged for me by nature's mysteries. Take, for example, climbing stairs; take, for example, the fact that there was an apartment on the twenty-first floor that would belong to me. When had this been determined? How had it been determined? Fourth floor, fifth floor. I had to rest again. To tell the truth, resting was of secondary importance. As I climbed, I didn't stop thinking about the girl, even for a minute. I had no bad intentions, I just wanted to look at her again and was afraid she had already left. I just wanted to have another look at her, another look at the contented nonchalance with which she sat alone under that big tree, quietly lost in thought. I looked down. She hadn't left. She was still sitting there by herself, still sitting the same way. But now I saw someone else.

There was a man walking back and forth along the outside of the western wall. I hadn't noticed him before. The wall had blocked my view, and I couldn't see him. The wall was quite high. By this time, I was on the fifth floor; yet even so, I could see only his head and shoulders. He paced back and forth as if caged. He walked for a while, then stopped, looked into the distance, and puffed repeatedly on a cigarette. Then he started walking back and forth again, then stopped again, and smoked furiously as he peered toward the distant woods. I could hear his footsteps; they sounded irritated, restless. I heard the snap of each match he struck; he broke match after match. The spot where he stopped was also in the shade of the parasol tree; only the wall separated him from the girl. Along with the appearance of this man, I noticed that not far from him and the girl, in the northwest corner of the wall, there was a small gate. It had been there all along, of course. I had just overlooked it. Now it was especially obvious. Who was the man? What was he to her? One was inside the gate, the other was outside. There was no one else around, no one else in the vicinity. What was going on? The man was terribly upset and anxious, and the woman was in an absolutely silent trance. What had happened? What had happened between them? A slanting beam of sunlight came through the gap between the doors of the small gate and settled in the damp shadow at the base of the wall; it was bright and sadly beautiful.

"Go with the flow" was what the girl said, but what did she mean? To what did "Go with the flow" refer? Was she forced to leave him? Did she have no choice but to leave him? Yes, yes. If she had no choice but to leave him, then all she could do was go with the flow. No choice but to leave him. That meant she still loved him, but there was nothing she could do. "Go with the flow." Wasn't that the truth? When she said it, her voice was hollow, her eyes dazed. She didn't see me at all and, of course, couldn't hear what I asked her. She was overcome with sadness; all she could think of was the happiness and the bitterness of the past. But finally there was nothing she could do. And the man outside the wall? He was madly in love with her and wanted to make her happy. How he hoped she would be happier because of him. It never occurred to him that he would drive her to such suffering. It never occurred to him that things could end up like this. He had thought it was enough that he loved her and that she loved him, too. It never occurred to him that the world was so large or that everything in life was connected in so many ways.

"As long as you're happy, it's OK." Maybe that's what he said finally.

The woman sat under the tree with her head lowered. Restlessly, the man walked to her side, around her, in front of her.

"As long as you're happy, I'll be OK whatever happens," he said to her.

"But if you'll just not be afraid, if you'll just have a little courage.

"Will you say something? After so long, you must give me a definite answer."

The woman couldn't speak. Yes or no. The logic of it wasn't so simple.

The man said, "I'm waiting for you to say the word. Yes or no."

The man said, "What's important is what you want. What's important is what you think will make you happy."

The man said, "It's not that I want you to make a decision right away, but I have to know what you think is best."

The woman couldn't speak at all. What would be best? Maybe it would have been best if you and I had never met. Maybe it would be best if people didn't fall in love, if there were never such a person as you, never such an autumn as this, never such hollow afternoon light, and never such an expanse of shade. She didn't want any of it. Such long, slender, restless legs, such delicate, nimble feet crushing fallen leaves. She didn't want any of it. And the long, drawn-out sound of leaves ripping into pieces. She didn't want it. She had never wanted it.

"Are you going to say something?" the man asked. "I don't know what it means that you won't say anything.

"I don't understand why it's so hard to answer my questions.

"I don't know what else I can say. I don't know what to do.

"OK, OK, maybe I shouldn't pester you like this. Maybe I should be sensible and just walk away.

"OK, I'll go. I never thought I could make things so difficult for you. I'll just say one more thing. As long as you're happy, it's OK with me whatever happens."

He turned and walked out through the small gate. She didn't stop him. She really no longer had the strength to stop him. She heard him walk through the gate, listening with despair to the sound of his departing footsteps. She held her breath and listened, listened. The familiar sound didn't travel far, and she sighed in relief. Or maybe it was the opposite. Her despair deepened. She heard him walking back and forth outside the wall, heard him smoking, heard him sighing, heard him crying his heart out. She could fully imagine his pain, but she had no idea what she should do. The only answer left to her was "Go with the flow." The wind blew between the dense, broad leaves of the parasol tree and through the surrounding woods; it sounded like water, like splashing oars, like waves someplace off in the distance. Why? Were their parents opposed? What other reason could there be? It was better to keep climbing my stairs. I came to look at my apartment. All I could do was get myself up to the twenty-first floor.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Chairman Mao Would Not Be Amused – Fiction From Today»

Представляем Вашему вниманию похожие книги на «Chairman Mao Would Not Be Amused – Fiction From Today» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Chairman Mao Would Not Be Amused – Fiction From Today»

Обсуждение, отзывы о книге «Chairman Mao Would Not Be Amused – Fiction From Today» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x