Vidiadhar Naipaul - A House for Mr. Biswas

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"Naipaul has constructed a marvelous prose epic that matches the best nineteenth-century novels for richness of comic insight and final, tragic power." – Newsweek – Review
A gripping masterpiece, hailed as one of the 20th century's finest novels
A HOUSE FOR MR BISWAS is V.S. Naipaul's unforgettable third novel. Born the "wrong way" and thrust into a world that greeted him with little more than a bad omen, Mohun Biswas has spent his 46 years of life striving for independence. But his determined efforts have met only with calamity. Shuttled from one residence to another after the drowning of his father, Mr Biswas yearns for a place he can call home. He marries into the domineering Tulsi family, on whom he becomes indignantly dependent, but rebels and takes on a succession of occupations in an arduous struggle to weaken their hold over him and purchase a house of his own. Heartrending and darkly comic, A HOUSE FOR MR BISWAS masterfully evokes a man's quest for autonomy against the backdrop of post-colonial Trinidad.

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“Gee up!” one labourer shouted to another on Monday.

“Oops!” the second labourer replied.

Mr. Biswas told Seth, “I got to stop living next door to these people.”

Seth said, “We are going to build a house for you.”

But Seth was only talking. He never mentioned the house again, and Mr. Biswas remained in the barracks. He began to speak about the brutishness of labourers; and instead of wondering, as he had done at the beginning, how they lived on three dollars a week, he wondered why they got so much. He took it out on Shama.

“Is you who get me in this. You and your family. Look at me. I look like Seth? You could look at me and say that this is my sort of work?”

He came back from the fields sweated, itching and dusty, bitten by flies and other insects, his skin torn and tender. He welcomed the sweating and the fatigue and the sensation of burning on his face. But he hated the itching, and dried dirt on his fingernails tortured him as acutely as the sound of slate pencils on slates or shovels on concrete.

The barrackyard, with its mud, animal droppings and the quick slime on stale puddles, gave him nausea, especially when he was eating fish or Shama’s pancakes. He took to eating at the green table in the room, hidden from the front door, his back to the side window, and determined not to look up at the black, furry underside of the galvanized iron roof. As he ate he read the newspapers on the wall. The smell of damp and soot, old paper and stale tobacco reminded him of the smell of his father’s box, under the bed which rested on tree-branches buried in the earth floor.

He bathed incessantly. The barracks had no bathroom but at the back there were waterbarrels under the spouts which drained off the water from the roof. However quickly the water was used, there were always larvae of some sort on its surface, jumpy jellylike whiskery things, perfection in their way. Mr. Biswas stood in pants and sabots on a length of board next to a barrel and threw water over himself with a calabash dipper. He sang Hindi songs and In the snowy and the blowy while he did so. Afterwards he wrapped a towel around his waist, took off his pants and then, in towel and sabots, made a dash for his room. Since there was no side door to his room, he had to run around to the front, come into full view of all twelve kitchens and all twelve rooms, then bound into his own.

One day the towel dropped off.

“Is you,” he told Shama, after a terrible day in the fields. “Is you and your family who get me in this.”

Shama, who had herself spent a day of humiliation at the barracks, cooked one of her especially bad meals, dressed Anand, a boy now big enough to talk, and took him to Hanuman House.

On Saturday, after he had paid the labourers, Seth smiled and said, “Your wife say to look in the top righthand drawer of her bureau and get her pink bodice, and look in the bottom of the lefthand corner of the middle drawer for the pantaloons for the boy.”

“Ask my wife, which boy?”

But Mr. Biswas explored the alien drawers.

“I nearly forget,” Seth said, just before he left. “That shop at The Chase. Well, it insuranburn now.”

Seth took out a roll of dollar notes from his trouser pocket and displayed it like a magician. Note by note, he counted the roll into Mr. Biswas’s hand. It came to seventy-five dollars, the sum he had mentioned in the Rose Room at Hanuman House.

Mr. Biswas was impressed and grateful. He determined to put his money aside, and add to it, until he had enough to build his house.

He had thought deeply about this house, and knew exactly what he wanted. He wanted, in the first place, a real house, made with real materials. He didn’t want mud for walls, earth for floor, tree branches for rafters and grass for roof. He wanted wooden walls, all tongue-and-groove. He wanted a galvanized iron roof and a wooden ceiling. He would walk up concrete steps into a small verandah; through doors with coloured panes into a small drawingroom; from there into a small bedroom, then another small bedroom, then back into the small verandah. The house would stand on tall concrete pillars so that he would get two floors instead of one, and the way would be left open for future development. The kitchen would be a shed in the yard; a neat shed, connected to the house by a covered way. And his house would be painted. The roof would be red, the outside walls ochre with chocolate facings, and the windows white.

His talk about houses made Shama fearful and impatient and had even caused quarrels. So he did not tell her of this picture or of his plan, and she continued to live for long periods at Hanuman House. She needed to give no explanations to her sisters now. Green Vale, part of the Tulsi lands and just outside Arwacas, was considered almost an extension of Hanuman House.

Rejecting the stone-cold food Shama occasionally sent from Hanuman House, and tired of tins, Mr. Biswas learned to cook for himself; and he bought a primus, since he couldn’t manage the coal-pot. Sometimes he went for a walk in the early evening; sometimes he stayed in his room and read. But there were times when, without being fatigued, he could do nothing, when neither food nor tobacco tasted, and he could only lie on the fourposter and read the newspapers on the wall. He soon had many of the stories by heart. And the first line of one story, in breathless capitals, came to possess his mind: AMAZING SCENES WERE WITNESSED YESTERDAY WHEN. Absently he spoke the words aloud, by himself, with the labourers, with Seth. On some evenings, in his room, the words came into his head and repeated themselves until they were meaningless and irritating and he longed to drive them away. He wrote the words on packets of Anchor cigarettes and boxes of Comet matches. And, to fight this exhausting vacancy that left him with the feeling that he had drunk gallons of stale, lukewarm water, he took to lettering religious tags on strips of cardboard, which he hung on the walls against the newspapers. From a Hindi magazine he copied a sentence which, on cardboard, stretched right across one wall, above the papered window: HE WHO BELIEVETH IN ME OF HIM I WILL NEVER LOSE HOLD AND HE SHALL NEVER LOSE HOLD OF ME.

The sugarcane was in arrow. The lanes and roads between the fields were clean green canyons. And at Arwacas the shop-signs celebrated snow and Santa Claus. The Tulsi Store was hung with paper holly and berries, but carried no Christmas signs. Mr. Biswas’s old signs still served. They had faded; the distemper on the wall and columns had flaked off in places and Punch had lost a piece of his nose; near the ceiling the letters were dim with dust and soot. Savi knew, and was proud, that the signs had been done by her father. But their gaiety puzzled her; she couldn’t associate them with the morose man she went to see in the dingy barrackroom and who sometimes came to see her. She felt, with a sense of loss that became sharper as Christmas drew nearer, that the signs had been done at some time beyond her memory when her father lived happily at Hanuman House with her mother and everyone else.

Christmas was the only time of the year when the gaiety of the signs had some meaning. Then the Tulsi Store became a place of deep romance and endless delights, transformed from the austere emporium it was on other days, dark and silent, its shelves crammed with bolts of cloth that gave off acrid and sometimes unpleasant smells, its tables jumbled with cheap scissors and knives and spoons, towers of dusty blue-rimmed enamel plates interleaved with ragged grey paper, and boxes of hairpins, needles, pins and thread. Now all day there was noise and bustle. Gramophones played in the Tulsi Store and all the other stores and even from the stalls in the market. Mechanical birds whistled; dolls squeaked; toy trumpets were tried out; tops hummed; cars shot across counters, were seized by hands, and held whining in mid-air. The enamel plates and the hairpins were pushed to the back, and their place was taken by black grapes in white boxes filled with aromatic sawdust; red Canadian apples whose scent overrode every other; by a multitude of toys and dolls and games in boxes, new and sparkling glassware, new china, all smelling of their newness; by Japanese lacquered trays, stacked one on top the other like a pack of cards, so elegant as they stood that it was sad to think of them being sold one by one, leaving the store in brown paper and string, and ending drab, broken and disregarded in ugly kitchens and tumbledown houses. There were stacks, too, of the Bookers Drug Stores Almanac, with art paper tickling smooth to the touch and a smell of corresponding richness, with jokes, stories, photographs, quizzes, puzzles, and prizes for competitions which the Tulsi children were all going to enter but never would, though they had already inked in their names and addresses on dotted lines. And the decorations: the paper holly and berries, the spiralling streamers of crepe paper, the cotton wool and the Jack Frost that stuck to fingers and clothes, the balloons, the lanterns.

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