Don DeLillo - Libra

Здесь есть возможность читать онлайн «Don DeLillo - Libra» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Libra: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Libra»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

For a few years, this book was everywhere-if by everywhere one means used bookstore shelves and remainder tables-a very visible reminder of what happens when the publishing industry misjudges a print run. I bought three or four copies of the book, not because I didn't remember buying it but because every six months the price would be even lower. The copy I read was a two dollar paperback, but I'm sure there's the dollar hardcover still on my shelves, probably right next to where the three dollar and four dollar hardcovers used to sit. Stupidly, I assumed that this meant Libra was a bad book, an assumption my seven dollar copy of Infinite Jest should have disproved. But even after reading and enjoying White Noise, I didn't think of reading Libra. Only recently, scrambling around on my shelves for prose that would actually inspire me, did I pick it up. I'm ashamed to admit I was desperate, yet the shame is mitigated by the rewards I received.
Libra is proof that the best authors can do anything they want. A book about Lee Harvey Oswald, Libra manages to get into Oswald's head and yet leave him a mystery because DeLillo knows the degree to which some men are enigmas even to themselves. A book about the history of event, and the John F. Kennedy assassination, Libra is also a study of the men who shape history, and the men who record history. And best of all, a book about society and the forces sweeping through it, Libra feels like a personal statement, an honest challenge to measure oneself, an expression of intimacy in recounting an event in which so many have lost themselves by creating paranoid spirals that are both joyous and dreadful celebrations of the helplessness of the self.
DeLillo accomplishes this by doing what I believe is a fairly radical act: daring to empathize with Lee Harvey Oswald (I can't help but think this is what led George Will to denounce Libra as "an act of literary vandalism and bad citizenship"). I barely know anything about DeLillo, and yet even to me, the very first section, In The Bronx, a section that opens with an anonymous "he" riding the subway to the ends of the city ("There was so much iron in the sound of those curves he could almost taste it, like a toy you put in your mouth when you are little."), seems an acknowledgment of equivalency-DeLillo grew up in the Bronx, and generously gives young Oswald, who is living there at the book's opening, the keenly observed details only a longtime resident or a talented artist might notice. From this, DeLillo measures Oswald's meandering grasping life in terms with which any struggling artist, feeling adrift and alone in the grip of a desire to accomplish something great, could identify. (Until finally, after the shooting of Kennedy, Oswald making his way through the poor section of Dallas avoiding police, there is this: "A dozen old hair-drying machines stood along the curbside. A mattress on a lawn. He wanted to write short stories about contemporary American life.") By the end, DeLillo gives us Oswald as someone almost like Kafka's hunger artist ("He is commenting on the documentary footage even as it is being shot. Then he himself is shot, and shot, and shot, and the look becomes another kind of knowledge. But he has made us part of his dying."), revealing the horror of art and its motivations when they cannot escape into art's abstract realm.
Libra also considers the men who might have been involved in the plot to kill a president, moving inside the heads of George de Mohrenschildt, crime lord Carmine Latta, Jack Ruby, Agency spook T.J. Mackey and most stunningly David Ferrie, the odd hairless man somehow always at the center of everything. Ferrie was a man who might have been famously eccentric on his own, what with his rare disease that rendered him completely hairless, and resultant crazy wigs and glued on eyebrows, and pilot's uniforms, and open homosexuality, and links to crime figures, gunrunners, and other figures not normally given to mingling with openly gay wig-wearing hairless men. He feels fully like a literary creation, endlessly chattering on about death, about cancer, about fear, about ESP and hypnotism and astrology, but David Ferrie was a very real figure-one whom DeLillo manages to recreate so completely it feels like an act of utter invention.
And so, mirroring DeLillo, there's Win Everett, a CIA man disgraced by his role in the Bay of Pigs disaster, who hatches the Kennedy assassination plot and similarly finds himself creating a man who already exists. (Everett creates forged documents and fake items to cast Oswald's life in a strangely ambiguous light, so that investigators will continue to follow all the twisting paths to the truths Everett wishes them to discover. But he finds that Oswald, independently of Everett, is creating such a life already, following Everett's plans without actually knowing them.) In the shadow of retirement, Everett plans to refire his countrymen's passion for a democratic Cuba by using a failed assassination attempt on Kennedy; an attempt that, in the following investigation, will also throw light on the CIA's role (and his own) in the overthrow of Cuba. Everett is the artist at another extreme, safely installed in American culture (married, with a young daughter, teaching at Texas Women's University), and yet also plotting to change the way Americans see America, with a plan that, like the best literature, mixes the deeply personal with the sweepingly resonant. It is Everett that observes: "Plots carry their own logic. There is a tendency of plots to move toward death. He believed that the nature of death is woven into the nature of every plot. A narrative plot no less than a conspiracy of armed men." It is, of course, the observation of a writer.
Everett's twin is Nicholas Branch, a present-day senior analyst of the CIA, hired by them on contract to write the secret history of the assassination of President Kennedy. Branch is thus both a writer and literary critic of historic event: "Let's devote our lives to understanding this moment, separating the elements of each crowded second. We will build theories that gleam like jade idols, intriguing systems of assumption, four-faced, grateful." Throughout most of the book, a section on Branch usually immediately follows or precedes a section on Everett, joining them in the reader's mind, and it is Branch who gets the lines Kennedy conspiracy theorists (of which I could consider myself, if there is a weight division below "piker") will find the richest, such as referring to the Warren Report as "the megaton novel James Joyce would have written if he'd moved to Iowa City and lived to be a hundred" and commenting on how different Oswald looks from one photo to the next. (I laughed out loud at the description of a famous photo of Oswald as a marine, with a group of fellow marines on a rattan mat under palm trees: "Four or five men face the camera. They all look like Oswald. Branch thinks they look more like Oswald than the figure in profile, officially identified as him." This was doubly funny to me having just seen the photo on the web, the day before I read that section, and, without registering it, having thought the same thing.) (Of course, now, just a few days later, I can't find that photo online anymore.)
And it is through Branch, I think, that DeLillo writes the lines emphasizing how the creation of event and the creation of fiction are conjoined. Referring to Branch's paper-laden workroom, there is this: "This is the room of dreams, the room where it has taken him all these years to learn that his subject is not politics or violent crimes but men in small rooms." The men in Libra, including Lee Harvey Oswald, are such men, as are all writers. But Libra is all too aware of how such men, like Branch himself (in his small room seeing his subject as men in small rooms), and perhaps like all men, are ultimately only capable of writing on the vast skein of reality not what they do know, but merely tacit admissions of everything they don't know-about themselves and about the world, and about the strange vector where the two unknown variables meet, creating the ambiguous equations of history.

Libra — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Libra», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

"But we don't hit Kennedy. We miss him," Win said.

Mackey fed quarters into the public phone in the Esso station about a hundred miles from the Louisiana border. He was trying to reach a man named Guy Banister, a former FBI agent who ran a detective agency in New Orleans. Banister was a channel for CIA money supplied to the anti-Castro effort in the area. Mackey knew him in the period before the invasion, when Banister was shipping weapons and explosives to the exile forces. It was time to get in touch again.

The voice at the other end was not Banister's or his secretary's. It took Mackey a moment to place it correctly. David Ferrie. The investigator, bag man and spiritual adviser. Mackey put down the phone and walked across the windy plaza to his car.

David Ferrie made a face when he heard the click in his left ear. He had a tendency to wince. He winced all the time in front of mirrors when he pasted on his homemade eyebrows and mohair toupee. Ferrie suffered from a rare and horrific condition that had no cure. His body was one hundred percent bald. It looked like something pulled from the earth, a tuberous stem or fungus esteemed by gourmets. But he wasn't about to give in, grow despondent, sit in a dark room drinking Tastee Shakes and jerking off. He had some lively interests. A cure for cancer was one interest, almost a lifelong interest. He'd done research and written papers on the subject. He was interested in hypnotism and could put people into trances. Flying was a deep and abiding interest. Ferrie had been a senior pilot for Eastern Airlines before his disease made him bald and before his sexual sport with boys became a widely known fact that Eastern officials found disconcerting. He was interested in the communistic menace. Cuba was an interest.

Moments after he put down the phone, Ferrie was in the small room behind Guy Banister's office, making faces in the mirror as he adjusted the semicircular eyebrows. He was on his way to a shopping center in Jeff Parish where a model fallout shelter was on display. He wanted to check the dimensions, see what kind of supplies they had and how they were stored. He already had rubber bedsheets and a battery radio with CONELRAD frequencies clearly marked. He knew about a munitions bunker to the southwest that might be converted to an effective shelter, deep in the ground, isolated, with food and water for many months. It was heart-lifting in a way to think about the Bomb. How satisfying, he thought, to live alone in a hole. Not because he resembled a mutant form of life but just to eke out extra time while all hell thundered on the surface. He'd earned a reward for his unlucky life.

Laurence Parmenter drove toward Love Field in his rented Dodge Dart. He preferred to avoid thinking about Everett's plan for the time being. He listened to the radio, to an evangelist talking about retail prayer and wholesome prayer. Pray for yourself, pray for the world. Win was a bright man, dedicated, loyal to the cause, bright, very bright, but he'd suffered some kind of nervous collapse. Happens all the time. He seemed well now, alert, in full control, but an idea needs time to reveal its facets, its shifting lights and fires. Not that Larry meant to let the matter drag. He wanted Cuba back and the sooner the better. He had interests there. He had rights, claims, hidden financial involvement in a leasing company that had been working toward a huge land deal to facilitate oil drilling. This was before the plucky rebels came out of the hills.

He would begin to think about Everett's plan on the flight back to Washington. Sip a Beefeater martini, nibble salted nuts, pray for himself, pray for the world. A line from an old drinking song popped into his head. But where from? From Cairo, 1944, morale operations, Office of Strategic Services. Larry was part of the Groton-Yale-OSS network of so-called gentlemen spies, many of them now in important Agency positions. He was not old money, not quite elect, but still a member, ready to accede to the will of the leadership. They were the pure line, a natural extension of schoolboy societies, secret oaths and initiations, the body of assumptions common to young men of a certain discernible dash. He sang aloud, "Oh we are the jolly coverts, we lie and we spy till it hurts." He was trying to recall the next line when the first of the airport signs appeared.

On the radio a news announcer said that police were still keeping watch over Major General Edwin A. Walker's home and grounds following a gunman's attempt to kill the controversial right-wing figure one week earlier. There were no new leads in the case.

After dark the stillness falls, the hour of withdrawal, houses in shadow, the street a private place, a set of mysteries. Whatever we know about our neighbors is hushed and lulled by the deep repose. It becomes a form of intimacy, jasmine-scented, that deceives us into trustfulness.

Win was in the living room turning the pages of a book. This is what he did, according to his wife, instead of reading. Turned pages until there were no more. He wondered whether the two men realized he'd called them here specifically for April 17, the second anniversary of the Bay of Pigs. A thought for bedtime. He turned another page.

Upstairs Mary Frances was in bed. She worried about the worn-out rug, thought about breakfast, thought about lunch, tried not to be too foolishly proud of the renovated kitchen, large, handsome, efficient, with its frostless freezer and color-matched appliances, on the quiet street of oak and pecan trees, forty miles north of Dallas.

In New Orleans

A classmate, Robert Sproul, watched him cross the street. He carried his books over his shoulder, tied together in a green web belt with brass buckle. U.S. Marines. His shirt was torn along a seam. There was smeared blood at the corner of his mouth, a grassy bruise on his cheek. He came through the traffic and walked right past Robert, who hurried alongside, looking steadily at Lee to draw a comment.

They walked along North Rampart, on the edge of the Quarter, where a few iron-balconied homes still stood among the sheet-metal works and parking lots.

"Aren't you going to tell me what happened?"

"I don't know. What happened?"

"You're bleeding from the mouth is all."

"They didn't hurt me."

"Oh defiance. You're my hero, Lee."

"Keep walking."

"They made you bleed. It looks like they rubbed your face in it all right."

"They think I talk funny."

"They roughed you up because you talk funny? What's funny about the way you talk?"

"They think I talk like a Yankee."

He seemed to be grinning. It was just like Lee to grin when it made no sense, assuming it was a grin and not some squint-eyed tic or something. You couldn't always tell with him.

"We'll go to my house," Robert said. "We have eleven kinds of antiseptics."

Robert Sproul at fifteen resembled a miniature college sophomore. White bucks, chinos, a button-down shirt open at the collar. This was the second time he'd encountered Lee in the streets after he'd been knocked around by someone. Some boys had given him a pounding down by the ferry terminal after he'd ridden in the back of a bus with the Negroes. Whether out of ignorance or principle, Lee refused to say. This was also like him, to be a misplaced martyr and let you think he was just a fool, or exactly the reverse, as long as he knew the truth and you didn't.

It occurred to Robert that there was, as a matter of fact, a trace of Northern squawk in Lee's speech, although you could hardly blame him for it, knowing what you knew of his mixed history.

He spent serious time at the library. First he used the branch across the street from Warren Easton High School. It was a two-story building with a library for the blind downstairs, the regular room above. He sat cross-legged on the floor scanning titles for hours. He wanted books more advanced than the school texts, books that put him at a distance from his classmates, closed the world around him. They had their civics and home economics. He wanted subjects and ideas of historic scope, ideas that touched his life, his true life, the whirl of time inside him. He'd read pamphlets, he'd seen photographs in Life. Men in caps and worn jackets. Thick-bodied women with scarves on their heads. People of Russia, the other world, the secret that covers one-sixth of the land surface of the earth.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Libra»

Представляем Вашему вниманию похожие книги на «Libra» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Don DeLillo - Point Omega
Don DeLillo
libcat.ru: книга без обложки
Don DeLillo
Don DeLillo - The Body Artist
Don DeLillo
Don DeLillo - White Noise
Don DeLillo
Don DeLillo - Underworld
Don DeLillo
Don DeLillo - Great Jones Street
Don DeLillo
Don Delillo - Falling Man
Don Delillo
Don DeLillo - End Zone
Don DeLillo
Don Delillo - Cosmopolis
Don Delillo
Don DeLillo - Americana
Don DeLillo
Don Delillo - Jugadores
Don Delillo
Отзывы о книге «Libra»

Обсуждение, отзывы о книге «Libra» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x